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An orange presentation folder of nine letterpress prints of sketches made by Sapper Horace Moore-Jones N.Z.E. at Anzac Cove, 1915. The prints are unframed and mounted on card with printed captions underneath. This folder of prints come from a print run by Mr W.J.Bryce of Moore-Jones' sketches made in circa February 1917. The prints are captioned with the following titles and descriptions:
"ANZAC COVE / The Historic Landing Place of the Australian and New Zealand Army Corps, April 25th, 1915."
"TURK ENTRENCHED POSITIONS / Sketch looking North-East, descriptive of the country immediately in front of our Firing Lines."
"THE SPHINX / One of the many Wings of Sairi Bair, honeycombed with dug-outs. A Rest Camp, called by the New Zealand Boys / Wellington Street."
"LOOKING NORTH OVER SHRAPNEL GULLY / Showing the Inner and Outer Lines, Deadman's Ridge, etc., and further North the Trenches on the Sairi Bair Range. / Sketched from Indian Mountain Battery."
"OUTPOSTS Nos. 1, 2, AND 3 / Showing the Trenches winding through the country by which communication was maintained between Walker's Ridge, The Outposts, and Suvla, via Fisherman's Hut."
"THE TERRIBLE COUNTRY TOWARDS SUVLA / Sketched looking North and down from the Heights of Walker's Ridge and Russell's Top, showing the Suvla Bay Landing / Places - B & C Beaches, -Salt Lake, Chocolate Hill, Table Top, and the Village of Biyuk Anafarta, etc."
"THE HISTORIC POSITIONS / Pope's, Quinn's, Courtney's etc. Sketched from the Inner Lines on the Heights above Anzac Cove."
"THE COAST NORTH OF ANZAC COVE / Showing Plugge's Plateau, The Sphinx, Walker's Ridge, and Russell's Top."
"THE AUSTRALIAN POSITIONS. EXTREME RIGHT /
Showing Bolton's Hill and the Turk positions at Gaba Tepe, the Olive Grove and Achi Baba."
Accession No
A97.431

A cross-shaped section of the forest floor at Te Ngutu o te Manu, South Taranaki, littered with both brown dead leaves and small branches of green foliage. A dark background presses in from the edges of the painting. The painting visualises what Shepherd imagines to be soldier Gustavus von Tempsky's last visual memory before his death at Te Ngutu o te Manu on 7 September 1868. It also explores the inaccuracy of memories as they are recorded in history. Shepherd was inspired to paint this subject after he spent three days travelling around Taranaki War sites with Puke Ariki's Manager Heritage Collections, Kelvin Day.
Accession No
PA2012.024

Depicts conflict in bush with Armed Constabulary and Maori Forces. Von Tempsky shown, sword in hand, being shot.
Accession No
A66.590

A black ink and wash sketch by Murray Moorhead, c.1980s. It is presumed to illustrate the attack of Te Kohia Pa, Waitara in 1860 by the Taranaki Mounted Volunteers. Sarten and two unidentified figures on horse back reach for the red flag at Te Kohia Pa (known as the "L" pa due to its layout). On the horizon are colonial troops and weaponary including canons.
Accession No
A97.014

Name/Title
Cartoon depicting an arm sporting the Nazi Party's swastika emblem holding a white flag aloft towards dark clouds in the sky. Refers to the German surrender of early May 1945 at the end of WWII.
Accession No
A95.914

Lithograph depicting a Greek belly amphora decorated with scenes relating to the Taranaki Wars (1860-1866) and Tītokowaru's War (June 1868 to March 1869). All the figures represented on the amphora are in Greek style. The main frieze on the body of the amphora shows Riwha Tītokowaru sitting on a tree stump while prodding the embers of a fire with a stick. He is wearing a hat and chequered blanket. He is framed by two ponga trees. A bird with wings depicted as stylised eyes sits in the tree behind Tītokowaru. Behind that tree another Greek vase sits on the ground holding a tewhatewha and a cross. A taniwha figure is pictured in front of the opposite ponga tree. The friezes above the central image show settlers arriving on ships and pulling carts in convoy, a line of sheep and Mount Taranaki. The friezes below the central image show more processions of settlers arriving with carts and goods.
Accession No
PA2012.029

Lithograph depicting Te Whiti and Tītokowaru discussing the question, 'what is peace?'. Both men are represented in a Greek style. Te Whiti is wearing a cloak and hat and is holding a taiaha. Tītokowaru is wearing a chequered blanket and is holding a tewhatewha. His hat is resting against his seat. Both men are bent over a small table and are gesturing with one hand. On the left of the image a statue of Captain Cook is camouflaged in a tree, possibly a rata. Another tree, also possibly a rata, is visible on the right of the image. Vegetation including ferns is depicted in the foreground and middleground. Mount Taranaki dominates the background.
Accession No
PA2012.030

Name/Title
Lithograph depicting four Greek neck and belly amphora vases decorated with various scenes relating to the Taranaki Wars (1860-1866) and Tītokowaru's War (June 1868 to March 1869). The vases are individually titled and all the figures are depicted in a Greek style. The vase depicted top left is titled "Neck Amphora by the Confiscation Painter, 1865-66, Side A: Teatime in Taranaki" and shows a settler family seated at a table eating a meal in a wooden hut. A dog sits begging for food at their feet. Part of Mount Taranaki is visible through the hut window. A figure wearing a lion skin is depicted digging on the neck of the vase. The vase depicted top right is titled "Neck Amphora by the Confiscation Painter, 1865-66, Side B: The Lost Harvest", which shows several figures on horseback brandishing weapons. A whare [Māori house] is burning behind them. Several figures are running away from the fire. A cabbage tree and other vegetation is visible in the foreground of the vase's body. A figure wearing a lion skin is looking through a surveying tool on the neck of the amphora. The vase depicted lower left is titled "Belly Amphora by the Provocation Painter 1868-69, Side A: The Burning Homestead" and shows a woman mourning over the body of a man. Two figures stand watching with their arms around each other. Two other figures carrying weapons are running from the scene. A burning hut is depicted on the neck of the amphora. The vase depicted lower right is titled "Belly Amphora by the Provocation Painter, 1868-69, Side B: Titokowaru waits" and shows Māori fortifications including trenches and wooden palisading. A tree and ferns are depicted on the left side of the vase. A small bird sits in the tree. Three figures with bird bodies and holding musical instruments are depicted on the neck of the amphora.
Accession No
PA2012.028

Depiction of Captain Cracroft's crest and motto. Inscription beneath the crest and motto says: "Presented to the New Plymouth Museum by R. B. Craven late of the H. M. S. Niger May 7th 1909". The Latin motto "Ne Cede Malis" translates as "yield not to misfortunes".
Accession No
A66.338

Colours of the Taranaki Rifle Volunteers. Colours have the words "Taranaki Volunteers / Waireka" in the centre. The colours were presented at a parade on Poverty Flat (now the site of Central School) on 25 June 1861.
Accession No
A66.790

Taranaki Regiment Colours "Primus in Armis", 1916-18. Presented by Governor General Viscount Galway in a ceremony at Pukekura Park, New Plymouth, on 22 March 1936.
Accession No
A66.789

The colours, or standards, of the Taranaki Militia and Volunteers. The colours feature two flags and the British Crown.
Accession No
A66.725

Colours of the First Battalion of the Royal Irish Regiment.
Accession No
A66.698

View of the end of Pratt's sap, which was constructed during the seige of Hapurona's Pa, Te Arei (seen in the background) with further protective outwork on the left. Shown as it appeared on conclusion of fighting between the Maori defenders and British forces, 19 March 1861. Seated Maori figure with horse and rider on left side.
Accession No
A75.439

Column of Pakeha troops advancing on earthwalled redoubt with Maori defenders leaving by rear. Foreground skirmishing between regimental troops and Maori forces. Huts on redoubt interior are filled with smoke billowing above. Kaitake, Pouakai and Mt Taranaki/Egmont in background (all with exaggerated height perspective). Printed text along lower edge reads as follows: "THE WAR IN NEW ZEALAND : THE 57TH REGIMENT TAKING A MAORI REDOUBT ON THE KATIKARA RIVER, TARANAKI. - SEE PAGE 222". The illustration is taken from page 212 of the Illustrated London News, August 29, 1863. Printed text is visible through the image on the verso of the page.
Accession No
A95.104

Sketched just prior to the artist's departure on the evening of Friday 3 August 1860 this painting records troops from the 40th Regiment disembarking from the sloop "H.M.S. Victoria". Amongst the other vessels off shore are the "Tasmanian Maid", the "Airedale" and the "George Henderson". Also depicted is the original St. Mary's Church and parade of Imperial Troops and Militia.
Accession No
A65.883

Name/Title
Chromolithograph depicting Mt Taranaki/Egmont in the rear with redoubt (Turuturu Mokai) in middle distance and six raupo huts in front and to the left. One marked with a "+" is captioned "Capt Ross' Whare".
Accession No
A93.837

View from Marsland Hill of troops disembarking from 'H.M.V.S. Victoria'. Has legend at bottom left corner numbering and naming the sites.
Accession No
A66.213

Troops from the 40th Regiment disembarking from "H.M.V.S. Victoria" on 3 August 1860. Amongst the other vessels off shore are the "Tasmanian Maid", the "Airedale" and the "George Henderson". Also depicted is the original St. Mary's Church and parade of Imperial Troops and Militia.
Accession No
A66.600

View of New Plymouth from Marsland Hill. St Mary's Church pictured in the foreground, the signal flag on Mount Eliot (Puke Ariki pa) in the middleground and ships off the coast of New Plymouth in the background. Possibly a record of the day troops from the 40th Regiment disembarked from the 'H.M.V.S. Victoria' on 3 August 1860.
Accession No
A66.568

The colours of the Taranaki Militia and Volunteers. Depicts a crown, crossed flags, name scrolls and "Waireka 1860".
Accession No
A90.424

Soldiers with drums and fife flutes parading through New Plymouth. Military camp and ships visible in the background. Paritutu is also pictured in the background.
Accession No
A66.694

Painting depicting a pilot in a black military aircraft. The bottom of the aircraft shows a string of white numbers and letters that refer to the code printed into a piece of metal retrieved from an American missile dropped on a residential area of Baghdad, Iraq, in March 2003. The missile killed dozens of civilians. The body of the aircraft also features a symbol in a yellow circle, which is Roger Morris' symbol for "the corporate fascist". The red dot refers to a sniper's laser dot and the words "HIT HERE" to targets attacked by the US military. One of the red dots is printed onto the silhouette of a figure. The background of the print is vivid orange. The print is from Morris' 'Enduring Freedom' series, which explores differing version of truth surrounding the September 11, 2001 'terror attacks' in the United States of America.
Accession No
PA2012.031

Name/Title
Depiction of the World Trade Center towers, New York, in pencil. Above them the words "see nothing" are stencilled in black ink. The words "BOOM BOOM" are handwritten in red crayon beneath the towers. The artwork is on the back of an invite to an exhibition. Invite text reads: "see nothing / recent work / by / roger morris / thistle hall / CUBA ST. / monday OCTOBER 19 / 5:30 / thru sunday 25 oct."
Accession No
PA2012.063

Name/Title
Figure in a landscape protecting its head as aeroplanes fly overhead from the left of the image, represented as triangle shapes. Below the planes, a set of rugby goal posts stand in the landscape, which is a reference to New Zealand.
Accession No
PA2012.070
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