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A copy of part of the XIIth (Suffolk) Regiments Colours. (Two pictures in one frame).
Accession No
A66.703

Name/Title
Collage of etching ink on exposed photographic paper and a stenciled element. A face of dark blue and black is silhouetted against a grey background. A stencil of numbers and algorithms covered in thick white ink obscures part of the face. The featureless face stands for the faceless casualties of war and was inspired by photographs taken of victims of the Khmer Rouge. The title of the artwork 'Illuminate Us' is inscribed at the base of the face and is a play on Illuminati and the United States of America.
Accession No
PA2012.044

View of the end of Pratt's sap, which was constructed during the seige of Hapurona's Pa, Te Arei (seen in the background) with further protective outwork on the left. Shown as it appeared on conclusion of fighting between the Maori defenders and British forces, 19 March 1861. Seated Maori figure with horse and rider on left side.
Accession No
A75.439

The colours of the Taranaki Militia and Volunteers. Depicts a crown, crossed flags, name scrolls and "Waireka 1860".
Accession No
A90.424

Imperial troops disembarking the "H.M.V.S. Victoria" off the coast of New Plymouth. Two surfboats carrying soldiers in red coats are featured in the foreground. Both boats are chartered by men in blue and white suits (Navy?) and a large cask floats in the water to the left of the boat in the left corner. Men wearing both uniforms can be seen on board the "H.M.V.S. Victoria" which is flying the Union Jack from a staff at the rear of the boat. Several other ships, including the "Airedale", "George Henderson" and "Tasmanian Maid", are headed towards New Plymouth which is located near the centre left edge beneath Mt Taranaki/Egmont. The barracks on Marsland Hill is the main feature of the settlement. The Pouakai and Kaitake ranges, as well as the Sugar Loaf Islands, feature as part of the landscape profile.
Accession No
A65.882

Collage of comic book elements and painted elements. A black military aircraft with the silhouette of a pilot is printed over a comic book page. The bottom of the aircraft shows a string of white numbers and letters that refer to the code printed into a piece of metal retrieved from an American missile dropped on a residential area of Baghdad, Iraq, in March 2003. The missile killed dozens of civilians. The words "HIT HERE", stencilled in white and yellow paint onto the body of the aircraft, refer to targets attacked by the US military. Also on the body of the aircraft, a figure is silhouetted against a red outline. On the left of the image, a vertical frieze of paintings has been glued to the comic book page. The images are virtually indistinguishable, perhaps reminiscent of CTV or night vision images. The bottom frame in the frieze features a red dot, which represents the laser dot of a sniper's gun. On the right of the image another piece of comic has been glued on separately. It depicts a space ship shape in an explosion, with the word "BLANG!" in capitals. The text in the frame reads: "Of course, bugbomb are also highly explosive." A white sticker with red diagonal lines and the letters "UM" is also adhered beneath the aircraft. The collage is from Morris' 'Enduring Freedom' series, which explores differing version of truth surrounding the September 11, 2001 'terror attacks' in the United States of America.
Accession No
PA2012.096

View of Marsland Hill from the north west with full moon rising in the south east. Barracks on top of hill with steps curving down and towards foreground. Charles Brown's grave in left foreground.

Marsland Hill provided the single most important European military establishment of the Taranaki Wars. First occupied in 1855, it provided the headquarters for Imperial troops and local forces in Taranaki until the Armed Constabulary period of the 1870s and 1880s. The site was a former pa, Pukaka, and to provide a sufficient platform for the barracks and stockade, twelve metres had to be removed from the top. The iron clad barrack buildings which were erected on top of the hill arrived from Melbourne on the "Alexander" in June 1855. Marsland Hill was at the centre of an extensive signaling system throughout the First Taranaki War and for part of the second war. Three or four canvas wicker balls were raised or lowered on the yards of a signaling mast. At its greatest extent the signaling system reached the Waitara River to the north and St George's Redoubt in the Tataraimaka Block to the south.
Accession No
A75.434

Small watercolour of Armed Constabulary's redoubt at Wai-iti from Papatiki (Bushranger's redoubt). Depicts collection of small buildings lower centre with column of smoke emitting from one of the buildngs. Redoubt positioned on flat land surrounded by hills - brown fern regrowth immediate foreground, large light green hill right background and distant blue hills left background. Small line of bush located to right of buildings - beginning lower middle right; larger patch of bush located to left of buildings - lower middle left.
Accession No
A58.491

Bushrangers Redoubt and camp "Papatiki" at the edge of the forest at Wai-iti, Pukearuhe District, 1871. Also known as "Capt. Messenger's Camp/Wai-iti". Redoubt centre middleground, cleared land in foreground (with solitary cow grazing), and camp lower right middleground. Bush clad hills in background.
Accession No
A58.490

View of St George's Redoubt, Tataraimaka (former Tataraimaka Pa, later Crow's Nest) in middleground, Katikara Stream and the coast towards New Plymouth. Tents on flat by pa at right middleground. Flax bush bottom right corner.
Accession No
A65.900

Collage highlighting what Roger Morris sees as the "comic book nature" of the events that took place on 11 September 2001 in the United States of America. The collage is made up of both readymade elements and handmade elements. It features two comic book covers, one of "Superboy" and one of "Captain America and the Falcon". The "Superboy" cover has been cut up and a page of text, including a photograph of George W. Bush, has been inserted underneath so it appears as if Bush's face features on the magazine cover. Part of another comic strip is adhered to the right hand edge of the artwork. Two hand painted depictions of clowns are glued to the centre of the collage. Morris describes these faces as being "the face of madness". They both have large red noses and red smiles. A composite image of an action figure's head and George W. Bush's face, created by Morris in Photoshop, is glued to the left hand side of the artwork. It is glued onto another collage element that features two hand drawn faces and black ink. Beneath, a figure holding a gun has been printed in black paint. Along the lower horizontal edge, a frieze featuring seven images of an aeroplane flying into one of the World Trade Centre towers has been glued down. The words "THe DAY THE WAr came" are handwritten beneath it.
Accession No
PA2012.040
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