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Cartoon commenting on Australian droughts and their effects on Australian farmers.
Accession No
A95.906

Small farm cottage with cleared land in foreground and bush in background. Cottage situated left middleground with path extending from left foreground to right of cottage. Single figure walking on path, two figures in front of cottage and two cattle in right middleground. Mt Taranaki/Egmont is visible right background.
Accession No
A64.036

Small framed oil painting depicting landscape scene from Upper Koru Road, Oakura. Ranges in background. Houses in centre and green fields in foreground.
Accession No
A66.134

Man is dressed in Highland clothes. At his left is a dog. Man is standing amongst a small flock of sheep and he is looking towards a woman who has a basket of wood on her back.
Accession No
A66.212

Farm scene with house, livestock, and two people looking towards a horse. Trees surround the area. Coastal landscape visible in the background.
Accession No
A66.183

Homestead and barn at Merton on the outskirts of New Plymouth. Cleared land, felled trees and stumps are visible in the foreground. A single cow is situated in the lower right corner. The cottage was originally called "French's house" when Henry and James Richmond lived in it in May 1851. The cottage was enlarged and improved to become "New Merton" and became the Richmond's first homestead.
Accession No
TM.2002.121

Two storied farmhouse in grass clearing with stumps and logs in foreground. Mt Taranaki/Egmont is visible in the background. The name "Merton" was given to the farm by James and Henry Richmond after their hometown near Wimbledon, England. The house was built by them in 1851.
Accession No
A64.810

Name/Title
Panoramic pencil sketch of the view from Mr. Crompton's house at Omata looking towards Paritutu and Sugar Loaf Islands. Parts of the drawing have been numbered and a key is affixed to the rear of the frame.
Accession No
A75.420

Rural view of farmland and buildings. Grass and a hedge are pictured in the foreground. A fence runs across farmland in the middleground. Two buildings and several power poles are pictured in the background along with a bank of large trees.
Accession No
A98.621

Watercolour depicting a view of Mt Taranaki / Egmont with Pouakai Ranges at the base of the mountain and the edges of the Kaitake Ranges just beginning middle right hand side edge. Group of cattle lower left foreground. Small farm cottage lower middle right with small fire above left of cottage. View taken from Oakura side.
Accession No
A66.202

Name/Title
View of Mt Taranaki and ranges from New Plymouth. Fields and gully in foreground. Cows and a cart are pictured in the gully.
Accession No
A66.056

View of Mount Taranaki with three cows and vegetation in the foreground.
Accession No
A75.615

Name/Title
Framed oil on canvas that explores a range of subjects. A blue line, which represents a river, divides the composition into two halves. A 'cancerous' red dot is present in the river near the upper horizontal edge. The background of the two halves is painted in bright yellow. The top left of the composition features a television shape with a red/pink vase decorated with Roger Morris' symbol for fascism (the symbol is based on the stylised shape of a figure holding a gun). A line of four facsist symbols are repeated below. The two triangle shapes beneath the television represent a cattle ramp. A figure with its hands tied behind its back is pictured below. The figure takes its inspiration from the first dead body Roger Morris encountered when he was a policeman. Top right of the composition features two fascist symbols facing each other, which creates a kind of stylised Māori face. Beneath is a night landscape with the moon. Four fascist symbols mirror the four on the opposite side of the composition. Beneath the night landscape is a simplified shape in red/pink that represents a carcass. Bottom right of the composition shows a figure standing in a black oval.
Accession No
PA2012.033

Name/Title
Oil painting depicting a horse-drawn cart with three men loading the cart with hay or wheat. One man is standing on the stack while the other two are working from the ground. Hills are visible in the background.
Accession No
A66.206

Name/Title
View of Mount Taranaki with farmland in the foreground. A farmhouse is pictured on the right hand side of the painting and large felled logs are visible lying on the ground in the foreground. Several large trees stripped of their foliage are still standing. A snow capped Mount Taranaki dominates the background. Painted from a photograph taken on York Road, near Midhirst.
Accession No
A70.101

Family in front of house in clearing surrounded by trees, Sugar Loaves in background.
Accession No
A66.106

Alfred Marsh's farm house at Junction Road, New Plymouth, 1877. Painting depicts farm house and three buildings on a hill in the centre middle ground, Mt Taranaki/Egmont right middle ground and small lake with row boat (containing two people) in left foreground. Single cow grazes in lower right corner. While the land has been cleared, a number of dead tree trunks litter the landscape.
R.A.N. Earl (born 1833).
Accession No
A86.018
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