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Name/Title
Woodblock print of a soldier figure printed on grid paper taken from a school mathematics exercise book. The soldier holds a raised gun, wears a helmet and heavy boots and assumes a fighting pose. Both sides of the paper feature a child's maths equations and a teacher's marking and feedback.
Accession No
PA2012.072

Name/Title
Artwork consisting of handmade stamps in black ink. Along the bottom of the artwork is line of Morris' symbol for fascism. In the centre two jigsaw puzzle shapes frame two long geometric shapes. The jigsaw shapes are indicative of the human figure. In the upper third of the artwork a triangle speeds towards a moon. The triangle represents a rocket or airplane. The shapes are stamped onto the pages of a book about fuels and combustion.
Accession No
PA2012.075

Name/Title
Homemade stamps in black ink of a stylised figure floating above an engine. The artwork's paper has been taken from a car manual chapter entitled "Fuel, exhaust and emission control systems". The artwork examines the military and machine dominated world we are living in.
Accession No
PA2012.074

Inkjet print of original Graham Kirk painting "Halley's Comet Over Hawera". It shows a view of High Street, Hawera during an appearance of Halley's Comet. The comet is depicted as a glowing white orb with a tail of vivid reds and oranges against a starry night sky. The streetscape below is largely deserted except for one lone figure and a parked car. The metal railings of a bike stand and a bed of orange flowers run along the print's foreground. There is a bicycle in the bike stand.
Accession No
PA2012.136

Inkjet print of original Graham Kirk painting "Xena Over Back Beach". It shows the fictional television character Xena from the fantasy adventure series "Xena: Warrior Princess" riding a horse on the hill above New Plymouth's Back Beach. The Xena character was played by New Zealand actress Lucy Lawless. The Sugar Loaf Islands are visible off the coast. The original painting is part of Kirk's "Superheroes in New Zealand" paintings series.
Accession No
PA2012.139

Name/Title
Inkjet print of original Graham Kirk painting "Road to Manaia". It imagines Molly Macalister's monumental bronze sculpture "Maori Warrior" (1964-1966) transported from its usual location in Queen Elizabeth II Square, Auckland to a rural Taranaki roadside. Dark clouds loom ominously in the distance, indicating the coming of a storm.
Accession No
PA2012.140

Name/Title
Self portrait of Peter Lambert wearing a green t-shirt.
Accession No
A64.641

Red and yellow flowers in a garden at Pukekura Park, New Plymouth. Several large trees and the roof of a building are visible in the background. Rendered predominantly in greens, red, yellow, black and purple.
Accession No
A64.613

Name/Title
Portrait of Michael Smither rendered in rainbow colours and set against a blue/grey background.
Accession No
A65.616

View of Ōākura Beach at sunset. Rocks visible on beach and in the waves. Clouds in the sky. Rendered predominantly in blues, shades of orange, grey and black.
Accession No
A64.643

Name/Title
Bust portrait of a man with dark hair and wearing a white t-shirt. Blue background.
Accession No
A64.624

Name/Title
Bust portrait of a man with black hair and wearing a black t-shirt. Predominantly white background.
Accession No
A64.623

Name/Title
Stylised portrait of a nude woman. Background in two blocks of colour - red and navy blue. The woman is rendered in pink and brown/black.
Accession No
A65.598

View of St Mary's Church, New Plymouth, with gravestones and trees in the foreground.
Accession No
A66.724

View of Mount Taranaki and the Sugar Loaf Islands from the sea.
Accession No
A66.793

Name/Title
A view of New Plymouth taken from the vicinity of Gover-Gilbert Street. Depicts various houses in the foreground with Paritutu and Sugar Loaves in background. Barracks on Marsland Hill to left.
Accession No
A58.395

A view of the New Plymouth foreshore, showing signal station on Mount Eliot, Custom House and boat shed in foreground, with original Terminus Hotel on the right. Two people walking on beach.
Accession No
A58.394

Colours of the First Battalion of the Royal Irish Regiment.
Accession No
A66.698

Name/Title
The picture depicts part of the Puke Ariki Landing (the stone sculpture designed and partially carved by Sopolemalama Filipe Tohi with carving assistance from Maurice Whitehead and others. Also gardens and park bench). Also shown is the central city end of St Aubyn Street - pre the 1996 demolition showing the National Dairy Association building, which later became Gilmour's Auction and a Paddy's Market beside which is the Messenger-designed building that later is incorporated into Puke Ariki's facade. This building was the warehouse of businessman Charles Anderson Wilkinson.
Accession No
TM.1997.190

Pencil drawing with watercolour wash showing the view from the western side of the Bell Block Stockade, 1860. Looking out over the Bell Village District and showing the Anglican and Primitive Methodist Churches, the Village Inn and the residence of James Marshall. Soldiers with cannon in foreground.
Accession No
A75.454

Name/Title
View from Marsland Hill looking east over Huatoki Valley to Fitzroy area. Buildings identified on rear (left - right) Alpha Flour Mill, Seccombes Brewery, William George's Brewery.
Accession No
A92.155

Column of Pakeha troops advancing on earthwalled redoubt with Maori defenders leaving by rear. Foreground skirmishing between regimental troops and Maori forces. Huts on redoubt interior are filled with smoke billowing above. Kaitake, Pouakai and Mt Taranaki/Egmont in background (all with exaggerated height perspective). Printed text along lower edge reads as follows: "THE WAR IN NEW ZEALAND : THE 57TH REGIMENT TAKING A MAORI REDOUBT ON THE KATIKARA RIVER, TARANAKI. - SEE PAGE 222". The illustration is taken from page 212 of the Illustrated London News, August 29, 1863. Printed text is visible through the image on the verso of the page.
Accession No
A95.104

View of Parihaka village with surrounding hills and bush. Mt Taranaki / Egmont visible in the background.
Accession No
A75.517

Depicts scattered residences in New Plymouth from seaward and of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A95.251

Coloured ink sketch depicting a vessel at sea with smoke billowing from it. Sea is blue and ship predominantly black with traces of red and white.
Accession No
A70.042
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