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Name/Title
Field sketch (?) of central New Plymouth from Liardet/Gill Street area with troops parading in foreground. Marsland Hill and Barracks to rear.
Accession No
A75.436

View of Upper Brougham Street, New Plymouth c.1862-65. Post Office to the left, Devon Street leading up to the White Hart Hotel, and the Primitive Methodist Church visible right background. Huatoki Valley in foreground with two cattle pulling cart.
Accession No
A75.423

View of lower Brougham Street, New Plymouth. Buildings include the Taranaki (now Royal) Hotel, News Office and Native Office. Male figure loading horse and cart in middle foreground.
Accession No
A79.835

Liardet Street, New Plymouth. Marsland Hill Barracks in right background. Street in foreground on which there is a cart with two oxen and a small number of people.
Accession No
A65.887

Ink and wash sketch based on two photographs taken of New Plymouth (VNP 100-P) in 1859, this work depicts a view of Devon Street looking towards Moturoa. Paritutu and the Sugar Loaves visible in the background.
Accession No
A70.074

Imperial troops disembarking the "H.M.V.S. Victoria" off the coast of New Plymouth. Two surfboats carrying soldiers in red coats are featured in the foreground. Both boats are chartered by men in blue and white suits (Navy?) and a large cask floats in the water to the left of the boat in the left corner. Men wearing both uniforms can be seen on board the "H.M.V.S. Victoria" which is flying the Union Jack from a staff at the rear of the boat. Several other ships, including the "Airedale", "George Henderson" and "Tasmanian Maid", are headed towards New Plymouth which is located near the centre left edge beneath Mt Taranaki/Egmont. The barracks on Marsland Hill is the main feature of the settlement. The Pouakai and Kaitake ranges, as well as the Sugar Loaf Islands, feature as part of the landscape profile.
Accession No
A65.882

Matted and framed watercolour depicting the Waitara township in 1896. The view is taken from Manukorihi hill with the bridge in the foreground running into McLean Street which intersects with Quay Street in the midground. There is a group of figures being led by a man on a horse about to cross the bridge. A surf boat and ship are moored up against reinforced river bank. A railway runs parallel to the river with a carriage to the right of the red building. The engine can be viewed on the edge of town to the right.
Accession No
PA2004.193

Bushrangers Redoubt and camp "Papatiki" at the edge of the forest at Wai-iti, Pukearuhe District, 1871. Also known as "Capt. Messenger's Camp/Wai-iti". Redoubt centre middleground, cleared land in foreground (with solitary cow grazing), and camp lower right middleground. Bush clad hills in background.
Accession No
A58.490

Seven members of the Armed Constabulary pictured at the entrance to the Pungarehu Armed Constabulary camp. They are dressed in uniform and are wearing caps. A dog is lying on the ground in front of them. A wooden building dominates the left hand side of the painting. Another building is pictured on the right of the painting and a bell tent is visible in the centre. Numerous large trees are pictured behind the buildings. On the ridge of the hill behind the entrance to the camp, the Pungarehu blockhouse can be seen. The Pungarehu Armed Constabulary camp was used as the base from which the Armed Constabulary staged the invasion of Parihaka pā on 5 November 1881. At that time, approximately 1,000 men were stationed at the camp.
Accession No
PA2011.084

View of the Camphouse and a smaller building, North Egmont, Mount Taranaki. Road in foreground and power pole with power lines pictured on the right of the image. Vegetation visible both foreground and background. Background dominated by the slopes of Mount Taranaki.
Accession No
A70.069

Name/Title
View of New Plymouth and Mount Taranaki from the sea. To the left of the foreground a wooden dinghy is partially sunk and to the right a body is floating in the sea. A large seagull/albatross flies above the body. In the middleground notable buildings in New Plymouth township can be seen, such as St Mary's Church, the barracks on Marsland Hill, Browns Stores and Puke Ariki pa. Two ships are visible along the shore.
Accession No
PA2008.118

Name/Title
Figure in a landscape protecting its head as aeroplanes fly overhead from the left of the image, represented as triangle shapes. Below the planes, a set of rugby goal posts stand in the landscape, which is a reference to New Zealand.
Accession No
PA2012.070

Artwork from Roger Morris' 'Enduring Freedom' series. The 'sky' area features a stencil of Neil Armstrong in the lunar lander. Below is a standing figure. It has a sniper's red dot trained on its body.
Accession No
PA2012.043

Matted and framed watercolour featuring an Inglewood street scene with a partially clouded Mt. Taranaki/ Egmont in the background. The foreground includes a flock of sheep being driven by a whip wielding mounted shepherd and flanked by two dogs. Two 'swaggermen' with bed rolls, hats and one with walking stick are located in the bottom left corner. The railway reserve and line is in the mid-foreground. This view is of Matai Street from Rimu Street- from in front of the former old Bank of New South Wales (now New Zealand Colonial Antiques 33 Rimu Street). It shows the first Methodist Church on Rata Street (right), the fire station and the commercial buildings on Matai Street to the Inglewood Hotel in the left distance.
Accession No
A96.982

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. The artwork is made up of twelve panels that feature faceless heads, depicted in such a way as to make them virtually indistinguishable from each other. They are rendered in blacks and greys. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees them not only as dead, but also hopeful and humorous.
Accession No
PA2012.052

Printed page from Wellington's 'Home Voice Chinese Weekly News', dating from 2003, with added elements by artist Roger Morris. In the centre of the page Morris has printed a black vehicle shape. The words "HIT" and "HERE" are stencilled in white and yellow paint. A red dot, representing a sniper's laser dot, is painted beneath the word "HERE". A mesh-like web is printed in grey/black ink vertically down the left hand side of the image.
Accession No
PA2012.094

Artwork from Roger Morris' 'Enduring Freedom' series depicting ten stencilled jigsaw puzzle shapes in red ink. The shapes are indicative of human figures. They are set into white dots that have pinky red edges. The dots are placed against a black background. Both the right hand and left hand vertical edges of the paper feature pinky red lines.
Accession No
PA2012.062

Artwork from Roger Morris' 'Enduring Freedom' series that refers to the faceless civilian victims of war. The artwork is made up of four panels of found images glued to a black cardboard support. Morris has painted over the images in black etching ink to create faceless head and shoulder 'portraits'. The two panels on the left of the image feature the words "HERE" painted in red paint. The next panel has a collage element and a white aeroplane obscuring the head of the figure beneath. The word "HIT" is printed in white paint on the panel. The panel on the right features scrawled words/patterns in white ink. Beneath the four panels is a string of white ink numbers and letters that refer to the code printed into a piece of metal retrieved from an American missile dropped on a residential area of Baghdad, Iraq, in March 2003. The missile killed dozens of civilians.
Accession No
PA2012.048
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