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Family in front of house in clearing surrounded by trees, Sugar Loaves in background.
Accession No
A66.106

Lithograph of the Interior of Otaki Church, New Zealand. Depicts the interior of the church with a number of Maori sitting and standing during a sermon. Maori designs are painted on wooden panels on the ceiling.
Accession No
A66.510

View of Curtis raupo/rush cottage, Omata, with three french doors, verandah with poultry/pigeons and ham hanging and an interlaced supplejack fence. The four figures in the foreground include (left to right) the artist (Merrett), Ida, Helen (shaking dogs paw), and Charles Curtis. Sow suckling piglets at the front gate.
Accession No
A92.157

Interior of Curtis raupo/rush cottage, Omata, containing dining table, four balloon-backed chairs, and chaise lounge. Wall hangings include portraits, clock, and two firearms. Cat is asleep on a footstool under the dining table.
Accession No
A92.158

Watercolour depicting the old Mission House at Moturoa with cleared hills and Mt Taranaki/Egmont in background and cleared, fenced paddocks containing stock in the foreground. Mangaotuku stream also in foreground. Predominately brown hue with green and white highlights. Horse grazing centre bottom.
Accession No
A65.880

View of a mission building on top of a brown, barren hill. Child and woman centre left foreground. Unfinished pencil outline of male figure? on path half way down hill. Small green hedge runs along base of hill and half way along middle of hill. Painted in predominately blue and brown hues with touch of green.
Accession No
A75.419

View of Moturoa and breakwater, New Plymouth. Cleared land with four cows in immediate foreground and six horses in middleground. Port and breakwater at right middleground. Taranaki Producers Freezing Works Company Coolstores on waterfront near breakwater. Small residential dwelling (?) to right of coolstore. Two oil wells middle left edge, with Paritutu Rock above in the distance. Two residential dwellings (one of which is Honeyfield's) and the Moturoa Hotel (destroyed by fire in 1897) are to the right of the oil wells.
Accession No
A66.198

View of central New Plymouth from lower Liardet Street looking towards Marsland Hill and Mt Taranaki / Egmont. Figure in red jacket on horse in foreground.
Accession No
A75.426

View of New Plymouth c.1863 taken from approximately the junction of Liardet and Gill Streets. Mt Taranaki/Egmont, Marsland Hill and barracks visible in background. Figure in blue jacket on horse in foreground.
Accession No
A79.837

View of Upper Brougham Street, New Plymouth c.1862-65. Post Office to the left, Devon Street leading up to the White Hart Hotel, and the Primitive Methodist Church visible right background. Huatoki Valley in foreground with two cattle pulling cart.
Accession No
A75.423

View of lower Brougham Street, New Plymouth. Buildings include the Taranaki (now Royal) Hotel, News Office and Native Office. Male figure loading horse and cart in middle foreground.
Accession No
A79.835

Settlers house believed to be in Powderham Street, New Plymouth, showing development of flower and vegetable garden with a summer house. Mount Taranaki/Egmont visible in background.
Accession No
A79.834

View of central New Plymouth from Liardet/Gill Street area. Wesleyan Methodist Church (left), St Mary's Anglican Church (right) and Marsland Hill and barracks centre right.
Accession No
A65.888

Alfred Marsh's farm house at Junction Road, New Plymouth, 1877. Painting depicts farm house and three buildings on a hill in the centre middle ground, Mt Taranaki/Egmont right middle ground and small lake with row boat (containing two people) in left foreground. Single cow grazes in lower right corner. While the land has been cleared, a number of dead tree trunks litter the landscape.
R.A.N. Earl (born 1833).
Accession No
A86.018

Liardet Street, New Plymouth. Marsland Hill Barracks in right background. Street in foreground on which there is a cart with two oxen and a small number of people.
Accession No
A65.887

Ink and wash sketch based on two photographs taken of New Plymouth (VNP 100-P) in 1859, this work depicts a view of Devon Street looking towards Moturoa. Paritutu and the Sugar Loaves visible in the background.
Accession No
A70.074

Early New Plymouth street scene depicting the corner of Brougham and Devon Streets. Three buildings in middleground with horse and cart standing on road in front. Middle shop has a small golden boot at front. This shop belonged to boot maker Thomas Wood, and was called "The Golden Boot". Methodist Church can just be seen top left on the hill. A small number of people stand around the block of buildings.
Accession No
TM.2000.147

Matted and framed watercolour depicting the Waitara township in 1896. The view is taken from Manukorihi hill with the bridge in the foreground running into McLean Street which intersects with Quay Street in the midground. There is a group of figures being led by a man on a horse about to cross the bridge. A surf boat and ship are moored up against reinforced river bank. A railway runs parallel to the river with a carriage to the right of the red building. The engine can be viewed on the edge of town to the right.
Accession No
PA2004.193

Name/Title
Head and shoulder portrait photograph of either a portrait painting or a heavily retouched photograph of Peter Elliott. Elliott arrived in New Plymouth on the 'Amelia Thompson' ship. The photograph has been cut to an oval shape and mounted on a mount board.
Accession No
PHO2009-233

Opaltype portrait of brothers Robert, Albert, and William Putt (from left). The men are standing in a studio setting with a painted backdrop partially visible behind them on the right. Robert is leaning on a pedestal with his right arm, while Albert is seated on a bench and William is standing with his left hand touching a sheepskin rug. All three men are wearing suits. Details of the opaltype have been drawn over by hand in black and white.

William, Albert and Robert are three of the sons of John Putt and Elizabeth Putt (nee Hart) who arrived in New Plymouth on the 'William Bryan' in 1841.
Accession No
PHO2015-0275

View of Harlech Castle on an outcrop of rock, Wales.
Accession No
A70.034

Group portrait of the staff of the Regent Theatre, New Plymouth (now the Govett-Brewster Art Gallery). Five men stand behind three seated women. The men are all wearing suits with ties. Backdrop appears to be a garden.
Accession No
PHO2009-148

Group portrait of the members of the New Plymouth Amateur Cinema Club at a club night at Roy Charters' house in Strandon, New Plymouth, on Sunday 5 June 1949. Caleb Wyatt pictured second from left in second row from front. Roy Charters is pictured seventh from left in the same row. Shirley Charters is first on right of front row.
Accession No
PHO2009-149

Bushrangers Redoubt and camp "Papatiki" at the edge of the forest at Wai-iti, Pukearuhe District, 1871. Also known as "Capt. Messenger's Camp/Wai-iti". Redoubt centre middleground, cleared land in foreground (with solitary cow grazing), and camp lower right middleground. Bush clad hills in background.
Accession No
A58.490

Outdoor portrait of eight staff from the Okaiawa Cheese Factory. Three men in the front are seated on cheese barrels which have a stamp that reads "Full Cream Factory Cheese New Zealand Produce Toi Toi Okaiawa, Taranaki".
Accession No
PHO2006-272
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