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Name/Title
Two panelled image. The narrow panel at the bottom of the image depicts the sea in both a deep and a light blue. The large top panel is an aerial view across to Mount Taranaki (partially snow-covered). The plains are divided by roads and into blocks of farming. Two pa sites are also visible. In the foregroud there are several blocks of cultivated land that have a chequered appearance. The plain is rendered in various shades of green and there is blue sky in the background.
Accession No
PA2008.020

Name/Title
Screenprint is broken up into eight panels. In the first four panels, an eagle is flying from the horizon towards the smoke stack at Port Taranaki, getting closer in each panel. In the fifth panel the eagle crashes tino the smoke stack. Text reads "Thunk", "Whoosh" and "Scre-e-e-e-ch!". The sixth panel has the eagle flying away from the crumbling stack. The seventh panels depicts the silhouette of the eagle flying away over a cloud of dust and rubble. Text reads "Booom!". The last panel shows the stump of the smoke stack seen from a distance with Paritutu dominating the skyline once more. Screenprint rendered in yellow, black, red, grey, brown & white.
Accession No
PA2008.023

Pencil and wash sketch of an unidentified military camp in Taranaki. In the foreground a Maori figure is walking on a road. On the right of the sketch an armed figure stands next to a guard post. A collection of bell tents can be seen in the background along with figures mounted on horses. Several small figures also stand in front of their bell tents.
Accession No
PA2010.187

Pencil and wash sketch of New Plymouth from Marsland Hill. The view shows vegetation in the foreground and two bell tents at the base of Marsland Hill. The township of New Plymouth is visible in the middleground, with St Mary's Church pictured in the centre of the image. Several small ships are visible on the sea in the background.
Accession No
PA2010.188

Monochromatic watercolour and ink painting of the Whitely Mission House, the site of the Rangiatea Girls' Hostel.
Accession No
PA2010.119

Cartoon commenting on the implications for nursery rhymes of a policy to build half houses.
Accession No
A95.897

Grey velvet lined box with Michael Smither's signature embossed on the lid, containing eight colour reproductions of Michael Smither paintings. Boxed set produced by Ron Sang. Reproductions of paintings include:
'Alfred Road Bridge' (1971)
'Joseph Snarling' (1978)
'Hamilton Diggings Central Otago' (1969)
'Rocks with Mountain' (1968)
'Two Cups' (1992)
'Sarah Eating Corn' (2000)
'A Song of the Sea' (Gribben Mural) (undated on reproduction)
'New Zealand Oranges' (2000)
Accession No
PA2008.078

Name/Title
Ink sketch of Alexander Davidson's house, corner of Gill and Liardet Streets. Sketch depicts a house behind a wooden fence. Trees and shrubs visible around the house. The house has two chimneys, one of which has a wisp of smoke coming out of it.
Accession No
PA2008.112

Name/Title
Ink sketch of the blacksmith's premises on Gill Street. The premises is the squat building in the foreground and the blacksmith's house is visible on the far left of the image (see PA2008.112). The building immediately behind the blacksmith's premises is the P & T Workshop and on the right is E C Hayton's. Darby & Hannan's is visible behind the P & T Workshop.
Accession No
PA2008.113

Pouākai Ranges rendered in dark blue in foreground. Bank of grey cloud above that partially obscures Mount Taranaki in the background. Printed in shades of blue and grey.
Accession No
A98.772

Lupin and boxthorn bushes in foreground, Mount Taranaki and ranges in background. Print predominantly rendered in greens, yellow and blues.
Accession No
A98.773

Woodcut print of a part of an engine printed in black paint. Text reading "TOO /LATE / utility R. was here. OEO CALLING" is printed on the bottom right hand corner of the artwork. The print is part of Morris' 'Enduring Freedom' series, which explores differing versions of truth surrounding the September 11, 2001 'terror attacks' in the United States of America.
Accession No
PA2012.041

Inkjet print of original Graham Kirk painting titled "Batman and Robin at Pukekura Park". The busts of Batman and Robin, dressed in costume, are pictured lower left. They appear to be looking at a computer screen. Behind them is a view of Pukekura Park from the Boating Lake, looking towards Poet's Bridge and Mount Taranaki in the background. Lush green vegetation rings the Lake. A duck is visible on the water lower right and another is visible immediately behind Batman.
Accession No
PA2012.141

Name/Title
Line of pines in a landscape, presumably at sunrise or sunset. Rendered predominantly in greens, yellow, orange and black.
Accession No
A65.597

Name/Title
View of two tall trees with grass and wild flowers in the foreground. The tops of several other trees are visible in the background. Rendered predominantly in greens, blues, yellow and red.
Accession No
A65.611

Name/Title
Seascape at sunset. Waves rolling towards the shore and clouds in the sky. Rendered predominantly in yellows, blue, purple, green and orange.
Accession No
A64.631

View of the Kaitake Ranges in the moonlight. Tall trees silhouetted against the sky on the left of the image and a power pole silhouetted on the right. Rendered predominantly in browns, blue anb black.
Accession No
A64.634

Name/Title
View of the horizon and clouds in the sky at sunset from Ōākura Beach. Rendered predominantly in blues, reds, brown, yellow and orange.
Accession No
A64.620

View of Paritūtū Rock at either sunrise or sunset. Hill with two large Norfolk pines on it pictured on the left of the image. Paritūtū is bathed in golden light. Rendered predominantly in yellow, ochre, green, blue/purple and black.
Accession No
A64.636

Partial view of Paritūtū Rock and the New Plymouth Power Station chimney from behind a pā site at Ōmata. Rendered predominantly in greens, blues and yellow.
Accession No
A65.618

Rocks on the banks of the Stony River and water behind. Rendered predominantly in blues, grey, black and brown.
Accession No
A64.618

View of the sea with a wave and rock in the foreground and clouds in the sky. Rendered predominantly in blues, greens, grey, black and white.
Accession No
A64.642

Name/Title
View of the Sugar Loaf Islands, Paritutu and the power station chimney from a beach at sunrise. Pooled water in the foreground. Rendered predominantly in blues, greys, greens, and orange/yellow.
Accession No
A64.625

Silhouette of tall pine trees against an orange sky. Pine trees and landscape rendered in very dark green.
Accession No
A65.599

Name/Title
Pooled sea water on a beach with sand, rocks and the sea visible in the background. Rendered predominantly in blues, yellow and brown/black.
Accession No
A65.591
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