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Exterior view of St John's Church, Omata. It features a church in the midground with white panelling and a red roof. There is a bell tower on the facing right side. In the bottom right quadrant is a fenced off memorial. The landscape is very bare with only a few lines delineating hills and ground growth. The church was originally built in 1875. It was blown over by a gale on 16 June 1894 and rebuilt the same year.
Accession No
A66.678

Lithograph of the Interior of Otaki Church, New Zealand. Depicts the interior of the church with a number of Maori sitting and standing during a sermon. Maori designs are painted on wooden panels on the ceiling.
Accession No
A66.510

Imperial troops disembarking the "H.M.V.S. Victoria" off the coast of New Plymouth. Two surfboats carrying soldiers in red coats are featured in the foreground. Both boats are chartered by men in blue and white suits (Navy?) and a large cask floats in the water to the left of the boat in the left corner. Men wearing both uniforms can be seen on board the "H.M.V.S. Victoria" which is flying the Union Jack from a staff at the rear of the boat. Several other ships, including the "Airedale", "George Henderson" and "Tasmanian Maid", are headed towards New Plymouth which is located near the centre left edge beneath Mt Taranaki/Egmont. The barracks on Marsland Hill is the main feature of the settlement. The Pouakai and Kaitake ranges, as well as the Sugar Loaf Islands, feature as part of the landscape profile.
Accession No
A65.882

Early New Plymouth street scene depicting the corner of Brougham and Devon Streets. Three buildings in middleground with horse and cart standing on road in front. Middle shop has a small golden boot at front. This shop belonged to boot maker Thomas Wood, and was called "The Golden Boot". Methodist Church can just be seen top left on the hill. A small number of people stand around the block of buildings.
Accession No
TM.2000.147

Matted and framed watercolour depicting the Waitara township in 1896. The view is taken from Manukorihi hill with the bridge in the foreground running into McLean Street which intersects with Quay Street in the midground. There is a group of figures being led by a man on a horse about to cross the bridge. A surf boat and ship are moored up against reinforced river bank. A railway runs parallel to the river with a carriage to the right of the red building. The engine can be viewed on the edge of town to the right.
Accession No
PA2004.193

Bushrangers Redoubt and camp "Papatiki" at the edge of the forest at Wai-iti, Pukearuhe District, 1871. Also known as "Capt. Messenger's Camp/Wai-iti". Redoubt centre middleground, cleared land in foreground (with solitary cow grazing), and camp lower right middleground. Bush clad hills in background.
Accession No
A58.490

Embossed woodcut print of Mount Taranaki viewed from the head of the Whanganui River. The river is portrayed as a series of curling koru shapes that rise up in a wave formation on the left of the image. These koru shapes are echoed in the sky and are also embossed into the paper itself. Mount Taranaki is pictured on the right. The contours of the mountain are expressed in feather-like shapes. The image is rendered mostly in black and brown. Turquoise is also used as an underlying layer and is most visible where the river curls into a wave, accentuating the reference to water and movement.
Accession No
PA2010.074

Name/Title
Cartoon depicting an arm sporting the Nazi Party's swastika emblem holding a white flag aloft towards dark clouds in the sky. Refers to the German surrender of early May 1945 at the end of WWII.
Accession No
A95.914

Cartoon commenting on the potential size of post-WWII taxation.
Accession No
A95.909

Framed chromolithograph of foreshore between Sugar Loaves and Mokau. Maori canoe in foreground (Henui River) and survey ship "Brougham" on the left (Port area).
Accession No
A96.622

Multi-coloured screenprint on paper composed of 3 long panoramic views of pa sites located between Pungarehu and Warea on the coastal road including Mt. Taranaki/Egmont.
Accession No
TM2003.357

Depicts conflict in bush with Armed Constabulary and Maori Forces. Von Tempsky shown, sword in hand, being shot.
Accession No
A66.590

Name/Title
View of the New Plymouth breakwater at Ngamotu, Paritutu and the Sugar Loaf Islands.
Accession No
A66.772

Name/Title
Chromolithograph depicting Mt Taranaki/Egmont in the rear with redoubt (Turuturu Mokai) in middle distance and six raupo huts in front and to the left. One marked with a "+" is captioned "Capt Ross' Whare".
Accession No
A93.837

View of Saddleback Island with large bare rock in immediate foreground. Outline worked in ink.
Accession No
A75.562

Name/Title
Screenprint of back view of nude female form. Background is dark blue speckled.
Accession No
A65.596

Name/Title
Screenprint portrait of a young girl/woman. The portrait shows her looking to the front. It is in coloured ink (starting at the top with orange merging to pink at the bottom) in a loose, sketchy style.
Accession No
A57.707

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in coloured ink (starting at the left with dark green merging to lime green ink at the right) in a loose, sketchy style.
Accession No
A57.708

Name/Title
Screenprint portrait of a woman with her hair length just below her ears. The portrait shows her in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.709

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
A57.710

Name/Title
Screenprint portrait of a man. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.711

Name/Title
Screenprint portrait of a girl lying on her left side, looking to be sucking her right thumb . It is in red ink in a loose, sketchy style on a salmon pink card.
Accession No
A57.712

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.713

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.714

Name/Title
Screenprint of portrait of a man. The portrait shows him in full profile in blue with a background of orange fading to grey at the bottom.
Accession No
A57.715
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