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Sketched just prior to the artist's departure on the evening of Friday 3 August 1860 this painting records troops from the 40th Regiment disembarking from the sloop "H.M.S. Victoria". Amongst the other vessels off shore are the "Tasmanian Maid", the "Airedale" and the "George Henderson". Also depicted is the original St. Mary's Church and parade of Imperial Troops and Militia.
Accession No
A65.883

View of Parihaka village with surrounding hills and bush. Mt Taranaki / Egmont visible in the background.
Accession No
A75.517

Depicts scattered residences in New Plymouth from seaward and of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A95.251

Small steel engraving showing the Bell Block Stockade in the middleground with surrounding outposts. Mt Taranaki/Egmont in background. Four individuals are located lower left of the hill.
Accession No
A77.781

Coloured ink sketch depicting a vessel at sea with smoke billowing from it. Sea is blue and ship predominantly black with traces of red and white.
Accession No
A70.042

Cartoon commenting on the possibilities within New Zealand politics if people followed the precedent of a New Zealand Navy seaman who gave the V sign to Mr Churchill and was rewarded with his cigar.
Accession No
A95.880

Name/Title
Watercolour depicting Parihaka November 1881. Brown whare middle foreground. Te Whiti o Rongomai's house - Miti mai te Arero - is on the left of the middleground. The other white European-style building on the right is the Parihaka bank. Large trees behind village. Mount Taranaki / Egmont in background. Large group of people gathered between whare in the foreground on the lower right.
Accession No
TM2000.246

A rectangular screenprint depicting dark blue mountains, black trees, dark green foreground, blue and grey sky, and an orange line through the sky. Unframed.
Accession No
A64.649

Exterior view of North Egmont Camphouse, Mount Taranaki. Several figures are depicted standing in the foreground in a group and on the balcony of the Camphouse. One figure has skis over their shoulder. Snow on the ground. The Camphouse was built in Australia in 1855 and shipped to New Zealand for use as one of several military barrack buildings during the Taranaki Wars. The middle portion, pictured here, was sold to the Egmont Acclimatisation Society in 1893.
Accession No
A66.583

View from Marsland Hill of troops disembarking from 'H.M.V.S. Victoria'. Has legend at bottom left corner numbering and naming the sites.
Accession No
A66.213

Troops from the 40th Regiment disembarking from "H.M.V.S. Victoria" on 3 August 1860. Amongst the other vessels off shore are the "Tasmanian Maid", the "Airedale" and the "George Henderson". Also depicted is the original St. Mary's Church and parade of Imperial Troops and Militia.
Accession No
A66.600

View of New Plymouth from Marsland Hill. St Mary's Church pictured in the foreground, the signal flag on Mount Eliot (Puke Ariki pa) in the middleground and ships off the coast of New Plymouth in the background. Possibly a record of the day troops from the 40th Regiment disembarked from the 'H.M.V.S. Victoria' on 3 August 1860.
Accession No
A66.568

The colours of the Taranaki Militia and Volunteers. Depicts a crown, crossed flags, name scrolls and "Waireka 1860".
Accession No
A90.424

Name/Title
Panoramic pencil sketch of the view from Mr. Crompton's house at Omata looking towards Paritutu and Sugar Loaf Islands. Parts of the drawing have been numbered and a key is affixed to the rear of the frame.
Accession No
A75.420

View of blockhouse at Pukearuhe redoubt with figures in foreground. White Cliffs visible in the background.
Accession No
A66.621

Artistic impression of Pukearuhe redoubt and blockhouse. Figures are pictured working in the foreground. The redoubt is visible in the middleground and White Cliffs are pictured in the background.
Accession No
A66.536

Maori waka (canoe) being paddled near Whitecliffs, Taranaki.
Accession No
A66.264

Single colour lithograph depicting James K Baxter in the foreground holding a piece of paper in his hand and wearing a cross around his neck. Baxter is standing under a ponga tree. In the middleground on the right is a man wearing a black singlet holding an axe. Behind him are five other figures and a hill with the Ark on top of it along with a collection of houses and crosses. To his left is a woman holding a child and a man wearing a shirt and tie. One Tree Hill and Rangitoto are depicted behind the woman. Rendered in black.
Accession No
PA2008.012

Name/Title
Woodcut print of people riding in an amusement park ride known as 'teacups'. There is one teacup in the foreground with four figures in it, which appear to be yelling and have their hair flung around. The teacup is decorated with abstract patterns. Three additional teacups with figures are visible in the background. Only two of the three have patterns on the outside of the teacup. The artwork is imbued with a strong sense of movement and dynamism. Rendered in black and white.
Accession No
PA2008.013

Name/Title
Black and white print of three figures suspended in an amusement park ride. The body of the ride itself is not depicted. The figures are seated in rotating chairs attached to poles. Their hair is flying in the air behind them. They are moving in the direction of the woodblock incisions that texture the background, which creates a dynamic sense of movement.
Accession No
PA2008.016

Name/Title
Screenprint of a woman holding a mask over her face. Behind her left shoulder (right as the viewer looks at it) is a man with a moustache and shoulder length hair who also holds a mask. Geometric patterns decorate the background. Rendered in black and white. The artwork was also used on the cover of a tape for the group 'Looking for a Band' [PA2006.142]. Tom Mutch is listed as having been the lead vocalist, guitar and flute for the band and as having written all the lyrics for the band's songs.
Accession No
PA2008.051

Name/Title
Screenprint of a woman leaning on a table with her legs crossed at the ankles. The woman has been identified as Wendy Smith. She is dressed in leggings, leotard and sweater with bare feet (possibly a dancer). On the corner of the table, which is covered with a table cloth, is a cup, bottle of milk and cassette tape. In the background is a coffee table sitting on a rug that has flowers on it, an armchair, a window with vegetation visible through it and a pot plant. The texture of the floor suggests carpet. Rendered in blues, greens, grey, terracotta, orange, white, browns and pink.
Accession No
PA2008.026

Screenprint of rolling, bulbous snow-covered hills. The hills look like they have been dusted with icing sugar. The hills are rendered in browns and yellows, with whit and a blue/grey for snow. Black is used to create shadow on the hills. The sky is a slate blue colour.
Accession No
PA2008.017

Screenprint of three dogs barking up a nikau palm. The dogs are depicted in a fluid, serpentine form with curved, elongated bodies and triangular heads. Their teeth are bared. The dogs are rendered in browns and black with white teeth and red eyes. The nikau palm is depicted in three shades of blue. In the background a yellow triangle rises from the horizon. The background has been coloured with pinks, reds and a mustard brown. The image is contained within a green border.
Accession No
PA2008.018

Etching is broken into halves horizontally. The lower half has an image of a young girl with long hair (head and arms visible) sleeping on her stomach and resting her head on her hands and pillow. There are six geometric patterns extending from the right hand vertical edge onto her blankets - silver; blue; red; green; grey/gold; grey. The image is grainy and has the characteristics of a photo-etching. The top half, perhaps rendered to represent a dream, depicts a partially unravelled scroll portraying a Polynesian woman wearing a headscarf. Intricate geometric patterns are represented on the background of the scroll behind the woman. The scroll's ties hang loose from the left hand side. Both the sleeping girl and the scroll are depicted in a purple/brown hue.
Accession No
PA2008.019
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