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Cartoon commenting on the implications for nursery rhymes of a policy to build half houses.
Accession No
A95.897

Name/Title
Ink sketch of Alexander Davidson's house, corner of Gill and Liardet Streets. Sketch depicts a house behind a wooden fence. Trees and shrubs visible around the house. The house has two chimneys, one of which has a wisp of smoke coming out of it.
Accession No
PA2008.112

Name/Title
Ink sketch of the blacksmith's premises on Gill Street. The premises is the squat building in the foreground and the blacksmith's house is visible on the far left of the image (see PA2008.112). The building immediately behind the blacksmith's premises is the P & T Workshop and on the right is E C Hayton's. Darby & Hannan's is visible behind the P & T Workshop.
Accession No
PA2008.113

Exterior view of St John's Church, Omata. It features a church in the midground with white panelling and a red roof. There is a bell tower on the facing right side. In the bottom right quadrant is a fenced off memorial. The landscape is very bare with only a few lines delineating hills and ground growth. The church was originally built in 1875. It was blown over by a gale on 16 June 1894 and rebuilt the same year.
Accession No
A66.678

Lithograph of the Interior of Otaki Church, New Zealand. Depicts the interior of the church with a number of Maori sitting and standing during a sermon. Maori designs are painted on wooden panels on the ceiling.
Accession No
A66.510

View of Curtis raupo/rush cottage, Omata, with three french doors, verandah with poultry/pigeons and ham hanging and an interlaced supplejack fence. The four figures in the foreground include (left to right) the artist (Merrett), Ida, Helen (shaking dogs paw), and Charles Curtis. Sow suckling piglets at the front gate.
Accession No
A92.157

Interior of Curtis raupo/rush cottage, Omata, containing dining table, four balloon-backed chairs, and chaise lounge. Wall hangings include portraits, clock, and two firearms. Cat is asleep on a footstool under the dining table.
Accession No
A92.158

Part XXI (21) of Banks' Florilegium containing 23 colour prints relating to New Zealand, printed from the original copperplate engravings in 1986 by Alecto Historical Editions in association with The British Museum (Natural History). The prints illustrate plants collected on Captain James Cook’s first voyage round the world in "H.M.S. Endeavour" (1768-1771). The specimens were gathered and classified by the Right Hon. Sir Joseph Banks, Bart., K.B., P.C., P.R.S., and Dr Daniel Solander, F.R.S., and were accurately engraved between 1771 and 1784 after drawings taken from nature by Sydney Parkinson.
Accession No
PA2011.112

Part XXII (22) of Banks' Florilegium containing 23 colour prints relating to New Zealand, printed from the original copperplate engravings in 1986 by Alecto Historical Editions in association with The British Museum (Natural History). The prints illustrate plants collected on Captain James Cook’s first voyage round the world in "H.M.S. Endeavour" (1768-1771). The specimens were gathered and classified by the Right Hon. Sir Joseph Banks, Bart., K.B., P.C., P.R.S., and Dr Daniel Solander, F.R.S., and were accurately engraved between 1771 and 1784 after drawings taken from nature by Sydney Parkinson.
Accession No
PA2011.113

Name/Title
Screenprint of back view of nude female form. Background is dark blue speckled.
Accession No
A65.596

Name/Title
Screenprint portrait of a young girl/woman. The portrait shows her looking to the front. It is in coloured ink (starting at the top with orange merging to pink at the bottom) in a loose, sketchy style.
Accession No
A57.707

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in coloured ink (starting at the left with dark green merging to lime green ink at the right) in a loose, sketchy style.
Accession No
A57.708

Name/Title
Screenprint portrait of a woman with her hair length just below her ears. The portrait shows her in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.709

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
A57.710

Name/Title
Screenprint portrait of a man. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.711

Name/Title
Screenprint portrait of a girl lying on her left side, looking to be sucking her right thumb . It is in red ink in a loose, sketchy style on a salmon pink card.
Accession No
A57.712

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.713

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.714

Name/Title
Screenprint of portrait of a man. The portrait shows him in full profile in blue with a background of orange fading to grey at the bottom.
Accession No
A57.715

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in coloured ink (starting with blue/green at the top merging to yellow ink at the bottom) in a loose, sketchy style.
Accession No
A57.716

Name/Title
Screenprint portrait of a man. The portrait shows man in quarter profile looking towards his left. It is in black ink in a loose, sketchy style.
Accession No
A57.717

Drawing of a Maori chief with full facial moko. He is wearing a cloak, hei tiki, nephrite earrings, and has two feathers in his hair. Various annotations beneath image in Gordon's handwriting.
Accession No
A66.176

Name/Title
Screenprint print of three men huddled in discussion. It is in black and yellow ink in a loose, sketchy style.
Accession No
PA2015.078

Name/Title
Screenprint port of a man. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.077

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.062
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