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Cartoon depicting the figure of History hurrying to record action from WWII.
Accession No
A95.894

Painting depicting a pilot in a black military aircraft. The bottom of the aircraft shows a string of white numbers and letters that refer to the code printed into a piece of metal retrieved from an American missile dropped on a residential area of Baghdad, Iraq, in March 2003. The missile killed dozens of civilians. The body of the aircraft also features a symbol in a yellow circle, which is Roger Morris' symbol for "the corporate fascist". The red dot refers to a sniper's laser dot and the words "HIT HERE" to targets attacked by the US military. One of the red dots is printed onto the silhouette of a figure. The background of the print is vivid orange. The print is from Morris' 'Enduring Freedom' series, which explores differing version of truth surrounding the September 11, 2001 'terror attacks' in the United States of America.
Accession No
PA2012.031

Woodcut print of a part of an engine printed in black paint. Text reading "TOO /LATE / utility R. was here. OEO CALLING" is printed on the bottom right hand corner of the artwork. The print is part of Morris' 'Enduring Freedom' series, which explores differing versions of truth surrounding the September 11, 2001 'terror attacks' in the United States of America.
Accession No
PA2012.041

Name/Title
Depiction of the World Trade Center towers, New York, in pencil. Above them the words "see nothing" are stencilled in black ink. The words "BOOM BOOM" are handwritten in red crayon beneath the towers. The artwork is on the back of an invite to an exhibition. Invite text reads: "see nothing / recent work / by / roger morris / thistle hall / CUBA ST. / monday OCTOBER 19 / 5:30 / thru sunday 25 oct."
Accession No
PA2012.063

Mono print depicting the World Trade Center complex, including the Twin Towers, and the legs and torso of a male figure. Four circled X's are depicted on the Twin Towers, indicating possible points of explosion in the foundations and the points of impact of the planes on 11 September 2001. On the left of the image, a box of text taken from a newspaper report is quoted. Artist Roger Morris has also inserted several of his own words. The text reads: "Lieutenant Colonel Eric SCHwar-tz did not see much of Baghdad as his battalion of 60 tanks, bradleys and other armoured vehicles churned along high-way B, rumbling through an industrial and then residen-tial zone not far from the city centre. All he recalled when it was over, were the IRAQI soldiers, artillery batterie, then pick-up trucks mounted with machine guns, and DEBORAHs sweet arse. ... the whip and blast of rock-et propelled grenades, the whipzz of bullets and the firey explosions of cars full, he presumed, with students cramming for April exams but who all unfortunately died under Lt. Col Schwarts' fire." The artwork draws attention to the bombastic nature of reporting around the 'War on Terror'.
Accession No
PA2012.102

Mono print depicting a naked figure turned to look at the World Trade Center towers. The figure is scrutinising the buildings that, since the September 11, 2001 attacks, have been the catalyst for large scale world conflict.
Accession No
PA2012.107

Lithograph of the Interior of Otaki Church, New Zealand. Depicts the interior of the church with a number of Maori sitting and standing during a sermon. Maori designs are painted on wooden panels on the ceiling.
Accession No
A66.510

Name/Title
Field sketch (?) of central New Plymouth from Liardet/Gill Street area with troops parading in foreground. Marsland Hill and Barracks to rear.
Accession No
A75.436

Seven members of the Armed Constabulary pictured at the entrance to the Pungarehu Armed Constabulary camp. They are dressed in uniform and are wearing caps. A dog is lying on the ground in front of them. A wooden building dominates the left hand side of the painting. Another building is pictured on the right of the painting and a bell tent is visible in the centre. Numerous large trees are pictured behind the buildings. On the ridge of the hill behind the entrance to the camp, the Pungarehu blockhouse can be seen. The Pungarehu Armed Constabulary camp was used as the base from which the Armed Constabulary staged the invasion of Parihaka pā on 5 November 1881. At that time, approximately 1,000 men were stationed at the camp.
Accession No
PA2011.084

Name/Title
Cartoon depicting an arm sporting the Nazi Party's swastika emblem holding a white flag aloft towards dark clouds in the sky. Refers to the German surrender of early May 1945 at the end of WWII.
Accession No
A95.914

Cartoon commenting on the potential size of post-WWII taxation.
Accession No
A95.909

Multi-coloured screenprint on paper composed of 3 long panoramic views of pa sites located between Pungarehu and Warea on the coastal road including Mt. Taranaki/Egmont.
Accession No
TM2003.357

Depicts conflict in bush with Armed Constabulary and Maori Forces. Von Tempsky shown, sword in hand, being shot.
Accession No
A66.590

Name/Title
Chromolithograph depicting Mt Taranaki/Egmont in the rear with redoubt (Turuturu Mokai) in middle distance and six raupo huts in front and to the left. One marked with a "+" is captioned "Capt Ross' Whare".
Accession No
A93.837

Name/Title
Screenprint of back view of nude female form. Background is dark blue speckled.
Accession No
A65.596

Name/Title
Screenprint portrait of a young girl/woman. The portrait shows her looking to the front. It is in coloured ink (starting at the top with orange merging to pink at the bottom) in a loose, sketchy style.
Accession No
A57.707

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in coloured ink (starting at the left with dark green merging to lime green ink at the right) in a loose, sketchy style.
Accession No
A57.708

Name/Title
Screenprint portrait of a woman with her hair length just below her ears. The portrait shows her in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.709

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
A57.710

Name/Title
Screenprint portrait of a man. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.711

Name/Title
Screenprint portrait of a girl lying on her left side, looking to be sucking her right thumb . It is in red ink in a loose, sketchy style on a salmon pink card.
Accession No
A57.712

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.713

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.714

Name/Title
Screenprint of portrait of a man. The portrait shows him in full profile in blue with a background of orange fading to grey at the bottom.
Accession No
A57.715

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in coloured ink (starting with blue/green at the top merging to yellow ink at the bottom) in a loose, sketchy style.
Accession No
A57.716
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