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Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.713

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.714

Name/Title
Screenprint of portrait of a man. The portrait shows him in full profile in blue with a background of orange fading to grey at the bottom.
Accession No
A57.715

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in coloured ink (starting with blue/green at the top merging to yellow ink at the bottom) in a loose, sketchy style.
Accession No
A57.716

Name/Title
Screenprint portrait of a man. The portrait shows man in quarter profile looking towards his left. It is in black ink in a loose, sketchy style.
Accession No
A57.717

Drawing of a Maori chief with full facial moko. He is wearing a cloak, hei tiki, nephrite earrings, and has two feathers in his hair. Various annotations beneath image in Gordon's handwriting.
Accession No
A66.176

Name/Title
Screenprint print of three men huddled in discussion. It is in black and yellow ink in a loose, sketchy style.
Accession No
PA2015.078

Name/Title
Screenprint port of a man. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.077

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.062

Name/Title
Screenprint portrait of a young person. The portrait shows them in full profile. It is in black ink in a loose, sketchy style with a spot of green in the eye area.
Accession No
PA2015.063

Name/Title
Screenprint portrait of a balding man. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.064

Name/Title
Screenprint portrait of a young girl. The portrait shows her in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.065

Name/Title
Screenprint portrait of a young girl. The portrait shows her in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.066

Name/Title
Screenprint portrait of a tall and skinny young man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.067

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.068

Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.070

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.071

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.074

Solar plate etching in black ink on white paper. Composition consists of 5 long plates placed one below the other depicting landscape views of pa sites on the coastal road between Pungarehu to Warea road including Mt. Taranaki/Egmont. Some trees and power lines included. Titled, signed and dated below.
Accession No
TM2003.358

Screenprint portrait of New Zealand author Alan Keith Grant (1941-2000). The portrait shows Grant in quarter profile looking towards his left. It is in black ink in a loose, sketchy style.
Accession No
A57.706

Artwork depicting a machine form that has the alphabet stencilled onto it in white paint. Parts of the alphabet have overpainted in pink spray paint. The artwork has been made on the back of a proof poster for the TOWER New Zealand Youth Choir. The title of the artwork refers to the idea of oil as a religion, dictating and controlling people's actions.
Accession No
PA2012.104

Artwork from Roger Morris' 'Tales of the New Dominion' series, a series which explores the feeling he had in the late 1990s that a new war was coming. Black etching ink has been applied over a red background. A white shape inspired by the Mercury spacecraft has been stencilled on to the upper left of the image.
Accession No
PA2012.065

Depiction of the World Trade Center Towers and their foundations. The towers and the surrounding earth are painted black. Two white X's mark the points in the foundation where, according to alternative viewpoints on why the towers collapsed, explosives may have been planted. Two large red X's are also painted on the towers and red paint extends up the length of the towers from the foundations, indicating perhaps both the structural cores of the buildings and the progress of the explosions. Several arrows point to both the explosives in the tower and at two frames printed on the left of the image. The images in the frames are indiscernible but may indicate surveillance, grainy television or night vision images. The artwork features hundreds of small dots, which are used to suggest pixellated media images. The artwork questions who controls information about world events.
Accession No
PA2012.100
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