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Name/Title
Ink sketch depicting a view of Omata Beach with Saddleback Island in distance. Four individuals on beach.
Accession No
A75.651

Military photograph with 13 men in full military uniform standing in front of a group of trees. Two of the men are carrying flags and the others are carrying bayonets. Victor Caddy Davies is thrid from the right in the front row. The uniform he is wearing is also part of Puke Ariki's collection.
Accession No
PHO2013-0128

Princesses and Queen of the 1936 Inglewood Primary School Queen Carnival. Pictured left to right: Sybil Bennett, Peggy Alleman (Queen), Barbara Grant and Agnes Lovell (now Brabin, aged 7 in picture). The carnival was a fundraising event where the parents of the four princesses had to raise money and the princess whose family raised the most money was crowned Queen. All four girls are wearing long dresses and holding flowers. The Queen has a crown on her head and wears a long cloak. Cups that were presented to each girl are placed at their feet. Carnival was held in the Inglewood Town Hall.
Accession No
PHO2009-134

Pencil sketch of New Plymouth township in 1850-1856. The view looks down the Huatoki Stream to Devon Street Bridge. Marsland Hill and Mount Taranaki are visible in the background.
Accession No
PA2008.116

Name/Title
Copy photograph of Colonel G.J. Carey. Carey was Second in Charge of the Imperial Forces in New Zealand in 1861. He is shown from the chest up with his photograph cut out and pasted onto a round piece of paper. Carey appears to be wearing military uniform and he has a moustache and full beard. The photograph is included on page 27 of William Francis Robert Gordon's album "Some "Soldiers of the Queen" who served in the Maori Wars and Other Notable Persons Connected Herewith".
Accession No
PHO2014-0049

Painted version of the colours and battle honours of the 14th (Buckinghamshire) Regiment of Foot of the British Army.
Accession No
A66.792

Name/Title
Sketch of Back Beach, New Plymouth, including three of the Sugar Loaf Islands and a person in a kayak.
Accession No
PA2012.130

Name/Title
Sketch of Graham Kirk's wife, Glenda, breastfeeding their child Sam.
Accession No
PA2012.131

Name/Title
Sketch of Glenda Kirk breastfeeding her child Sam.
Accession No
PA2012.138

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Name/Title
Pencil sketch depicting a coastal view from Back Beach, New Plymouth with the Sugar Loaves, Saddleback Island and Paritutu in the distance. Sketch is on a long, narrow piece of paper which is folded in half.
Accession No
A75.553

Six uniformed soldierse of the Highland Regiment pictured in a landscape scene.
Accession No
A66.074

View of Ngamotu foreshore, Paritutu and the Sugar Loaf Islands.
Accession No
A66.166

Artwork from Roger Morris' 'Enduring Freedom' series that features four elements relating to the Global War on Terror. The top element is a hand drawn engine block, referring to 'the might of the military machine'. The next is a silhouette of a tank. The third is a stylised figure. The fourth is the word "OIL". The artwork has been made on the back of a proof poster for the TOWER New Zealand Youth Choir.
Accession No
PA2012.042

Richmond Cottage (formerly known as Beach Cottage) from the west surrounded by a picket fence. The house is positioned in the lower left corner of sketch, with the top of Paritutu visible in the distance.
Accession No
A93.839

Name/Title
Pencil sketch looking up Devon Street West, New Plymouth from Brougham Street, depicting Teeds & Co. Chemist on the right side, trams and people outside Avery's Bookshop on the left side, clock tower further along the street. Two dogs playing in the middle of the street.
Accession No
A75.554

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.054

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 5 223 9" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.055

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "00 1 3197 5 67" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.056

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "07 3 9 94" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.057

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 37 790" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.058

A page removed from a photograph album with two photographs adhered either side of a grey album page. The first photograph shows a view of the Boat Shed Bridge, Pukekura Park, New Plymouth. The second photograph shows various views of Mount Taranaki dating 1903-1904. The photograph is captioned: "Scenes of and on Mount Egmont reached by the North Egmont Track from the Radius Line to the Summit. Photos by L. Earp N.P. N.Z."
Accession No
PHO2011-0553

Collection of 26 photographs found during the demolition of Gibsons Motors / Newmans Bus Depot. Photographs include several views of the Mokau River punt; New Plymouth foreshore with view of Dicky Barret's grave; view of Marsland Hill barracks; an exterior view of Gibsons Motors; the 1927 opening of Mokau Bridge; several group images of Gibsons Motors staff; a view of the New Plymouth bowling club; multiple views of New Plymouth township (circa late 1800s); view of exterior of St Mary's Church with ivy growing over the walls; children weaving a maypole at New Plymouth High School; a view of the rock pool, Kawaroa; a photograph of Dick Kibby in the 'Sea Dog' jet boat on Waitara River; and a group photograph of Veterans Association, which includes George Gibson, the founder of Gibsons Motors Ltd.
Accession No
PHO2008-1841

Surfboat, New Plymouth 1884. On boat (left to right): T. Inch, T. James (behind mast), F. Joseph, G. Cock, and H. Cock. In front of the boat (left to right) are Harry Boswell, Richard Cock, Sam Roberts. T. Gyde (engineer), S. Holford, W. Russell (carter), T. Blanchett (clerk), J. W. Parker, Sgt. J. Riley, Michael McGonnell (Head Coxswain), Ben Fox, James Essex Harvey, Jack Fraser, and Joseph Simpson with horse "Duke"
Accession No
PHO2001-7

Name/Title
Sketch of the Te Henui River mouth. A building and two figures can be seen in the foreground. A collection of buildings, possibly the New Zealand Titanic Steel and Iron Company Ltd, are visible in the middleground on the right of the image. The sketch is included in a sketchbook attributed to one of Major Charles (Carlino) Brown's daughters. However, the inscription on the inside cover reads "Constance W. Rowe / Taranaki / April 2nd 1880" - it is unclear if this inscription indicates the name of the actual artist.
Accession No
PA2011.103
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