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Name/Title
Mt. Taranaki/Egmont viewed through a classical portico of columns and arches.
Accession No
A64.817

Name/Title
Ink sketch depicting a view of Omata Beach with Saddleback Island in distance. Four individuals on beach.
Accession No
A75.651

Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A97.451

View of New Plymouth looking west down Devon Street from about Liardet Street. Paritutu in the distance with military camp of 58th Regiment on Mount Eliot in right middle distance. Foreground figures include two horse riders, five Maori, and a dray. 58th Regiment established on Mount Eliot. Just landed from the "Duke of Portland" at anchor. The mail steamer "Zingari" is seen approaching from the south and is being signalled from the Mount Eliot mast.
Accession No
A97.452

Ink and watercolour sketch of the Bank of New Zealand building in Waitara. The building is rendered in green with grey columns and a large red door, with the outlines and details sketched loosely in black ink. The building was built in 1876 and demolished in the 1960s.
Accession No
A66.692

Pencil sketch of New Plymouth township in 1850-1856. The view looks down the Huatoki Stream to Devon Street Bridge. Marsland Hill and Mount Taranaki are visible in the background.
Accession No
PA2008.116

Watercolour painting made from a 1930s photograph of the Smart Bros. Ltd. plumbing, tinsmithing, and electrical company premises on corner of Brougham and Powderham Streets, New Plymouth. The painting shows the large building with a red roof and a sign on the left side that reads 'SMART BROS. LTD. OFFICES, STORE ROOMS' and another sign on the right that reads 'SMART BROS. LTD. [PLUMBING ELECTRICAL (partially visible)]. There are two large power poles in front of the building on either side of the corner, and several vehicles parked along the street on the left and one on the right. There is a man visible in the shop window on the right wearing a blue shirt and blue overalls. He has been identified as Leslie Allen Smart, son of Allan Kiddy Smart (one of the original three Smart brothers along with George and Herbert) and father of Brian Smart, who commissioned the painting. The dog sitting outside the building in the centre of the image has been identified as Skip, who belonged to Arthur Lawrence Smart. The painting is framed with a beige mat with the title included in it and a mottled brown and gold frame.

George Smart established his business in Stratford in 1892 and was joined by his brothers when he expanded into New Plymouth. Allan Smart was one of the first registered electricians in New Plymouth. The company ran until c1957.
Accession No
PA2016.001

Name/Title
Sketch of Back Beach, New Plymouth, including three of the Sugar Loaf Islands and a person in a kayak.
Accession No
PA2012.130

Resident Agent's House on Courtenay Street, New Plymouth. A lone horse rider is in the right foreground. Pukaka (Marsland Hill) and Pukiekie Pa sites are also shown. Mt Taranaki/Egmont and ranges is visible in the background.
Accession No
A85.749

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Name/Title
Pencil sketch depicting a coastal view from Back Beach, New Plymouth with the Sugar Loaves, Saddleback Island and Paritutu in the distance. Sketch is on a long, narrow piece of paper which is folded in half.
Accession No
A75.553

Pencil sketch depicting D. Newman's Boot Repair Shop. Building/shop dominates middle of image with footpath and road in immediate foreground. Signage on shop awning reads: "For Sale / Leather, Nails and Rubber Heels/ D. Newman Boot Repairer". Another awning belonging to a shop further along the road reads: "H. Mead Ltd / Baker".
Accession No
A75.557

Name/Title
Distant view of Mt Taranaki / Egmont with lower section covered by cloud. Small group of tall trees lower left corner foreground.
Accession No
A66.720

Interior view of Rollo & Millar foundry, New Plymouth. Two figures are pictured working at a bench next to an open furnace. Machinery in the foreground.
Accession No
A70.077

Exterior view of a two storeyed boarding house on Silver Street, New Plymouth. Drawn on green/grey paper. The building has now been demolished.
Accession No
A66.676

Richmond Cottage (formerly known as Beach Cottage) from the west surrounded by a picket fence. The house is positioned in the lower left corner of sketch, with the top of Paritutu visible in the distance.
Accession No
A93.839

Name/Title
Pencil sketch looking up Devon Street West, New Plymouth from Brougham Street, depicting Teeds & Co. Chemist on the right side, trams and people outside Avery's Bookshop on the left side, clock tower further along the street. Two dogs playing in the middle of the street.
Accession No
A75.554

View of Mount Taranaki from Fitzroy, New Plymouth. Houses pictured in the foreground.
Accession No
A75.630

View of Mount Taranaki with three cows and vegetation in the foreground.
Accession No
A75.615

Name/Title
View of Mount Taranaki. Line of trees in middleground.
Accession No
A70.047

View of Ngamotu foreshore, Paritutu and the Sugar Loaf Islands.
Accession No
A66.166

Rowboat with two men, one holding a pole, the other sitting. The river bank is covered with trees. Hills and trees are in the background, and a house is set among the hills.
Accession No
A66.210

Soldiers with drums and fife flutes parading through New Plymouth. Military camp and ships visible in the background. Paritutu is also pictured in the background.
Accession No
A66.694

View of New Plymouth after the cessation of the Taranaki Wars.
Accession No
A66.569

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.054
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