filters
More Options
Shortlist
  •   Add All to Shortlist
Cartoon about various animals and people taking the credit for the woollen jersey Field Marshal Montgomery was photographed wearing in Cairo during WWII.
Accession No
A95.918

Name/Title
Cartoon depicting Hitler and several German officers along with a Japanese ally under seige in a bunker.
Accession No
A95.893

Drawing of india ink on exposed photographic paper. The drawing shows a tangled web of lines representing perceptions moving through a rectangular shape which represents one of the World Trade Center towers.
Accession No
PA2012.097

Name/Title
Etching of a human figure on paper printed with the Defense Department organization chart. The source for the chart is given as the "U.S. Organization Manual 1983/84". The human figure huddles into itself, holding a baby to its chest in a tight embrace. Morris uses the combination of this human figure with the Defense Department chart to explore the concept of humanity. He believes that for someone to be capable of pulling a trigger, they must have lost their humanity and forgotten the love that exists between parent and child.
Accession No
PA2012.067

Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A97.451

Military photograph with 13 men in full military uniform standing in front of a group of trees. Two of the men are carrying flags and the others are carrying bayonets. Victor Caddy Davies is thrid from the right in the front row. The uniform he is wearing is also part of Puke Ariki's collection.
Accession No
PHO2013-0128

Black and white photographic image depicting a view of Devon Street, New Plymouth from the Currie Street corner showing the Native Office being removed from Lower Brougham Street.
Accession No
A64.063

View of New Plymouth looking west down Devon Street from about Liardet Street. Paritutu in the distance with military camp of 58th Regiment on Mount Eliot in right middle distance. Foreground figures include two horse riders, five Maori, and a dray. 58th Regiment established on Mount Eliot. Just landed from the "Duke of Portland" at anchor. The mail steamer "Zingari" is seen approaching from the south and is being signalled from the Mount Eliot mast.
Accession No
A97.452

Name/Title
Copy photograph of Colonel G.J. Carey. Carey was Second in Charge of the Imperial Forces in New Zealand in 1861. He is shown from the chest up with his photograph cut out and pasted onto a round piece of paper. Carey appears to be wearing military uniform and he has a moustache and full beard. The photograph is included on page 27 of William Francis Robert Gordon's album "Some "Soldiers of the Queen" who served in the Maori Wars and Other Notable Persons Connected Herewith".
Accession No
PHO2014-0049

Painted version of the colours and battle honours of the 14th (Buckinghamshire) Regiment of Foot of the British Army.
Accession No
A66.792

Coloured print depicting a group of soldiers clustered in the centre of the image. Some are wounded and some are fighting on. They are wearing uniform and most are holding guns. Several horses are also depicted, at least one of which is has also been shot.
Accession No
A66.066

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Coloured ink sketch depicting a large vessel at sea with water fountain immediately in front of it. Another ship in the distance to right.
Accession No
A70.041

Six uniformed soldierse of the Highland Regiment pictured in a landscape scene.
Accession No
A66.074

Soldiers with drums and fife flutes parading through New Plymouth. Military camp and ships visible in the background. Paritutu is also pictured in the background.
Accession No
A66.694

Framed commemorative scroll for Private Charles Lawrence Sattler of the Wellington Infantry Regiment, N.Z.E.F. Sattler was killed in action October 30th, 1916. The text reads: "He whom this scroll commemorates was numbered among those who at the call of King and Country, left all that was dear to them, endured hardness, faced danger, and finally passed out of the sight of men by the path of duty and self-sacrifice, giving up their own lives that others might live in freedom. Let those who come after see to it that his name be not forgotten." Below this in red is: "Pte. Charles Lawrence Sattler / Wellington Inf. Regt. N.Z.E.F."
Accession No
A87.215

Name/Title
Artwork based on a graphic produced by the National Institute of Standards and Technology (NIST) in the United States of America to explain how the World Trade Centre towers fell without the aid of explosives. The artwork depicts one of the World Trade Centre towers with lines emanating from the centre of the tower, indicating the tower's core strengthening columns. An aeroplane is pictured on the left of the image prior to impact. Roger Morris considers NIST's explanation of the towers' collapse to be "creationist", overlooking other factors in the buildings' collapse.
Accession No
PA2012.037

Artwork from Roger Morris' 'Enduring Freedom' series that features four elements relating to the Global War on Terror. The top element is a hand drawn engine block, referring to 'the might of the military machine'. The next is a silhouette of a tank. The third is a stylised figure. The fourth is the word "OIL". The artwork has been made on the back of a proof poster for the TOWER New Zealand Youth Choir.
Accession No
PA2012.042

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.054

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 5 223 9" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.055

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "00 1 3197 5 67" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.056

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "07 3 9 94" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.057

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 37 790" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.058

Framed memorial photograph distributed by the Director of Graves Registration & Enquiries of Private Charles Lawrence Sattler's grave. Sattler was killed in action October 30th, 1916. On the right side is a silver gelatin photograph of Private Sattler's grave which consists of a white wooden cross inscribed with the following details: "In Memory of 157 84 Pte C. L. Sattler 2nd W.I.B. NZEF Killed in Action Oct. 30 1916." "E.Z. 6" in inscribed lower left corner of photograph. On the left side is the official documentation from the Director of Graves Registration & Enquiries which provides the following information:
Regiment: 2/Wellington Inf New Zealand;
Position of Grave: Cite' Bonjean Military Cemetary;
Nearest Railway Station: Armentieres.
The number of this particular photograph is 8/14318.
Accession No
A87.216

Cartoon depicting a military figure demanding operational silence from a farmer over dairy accounts.
Accession No
A95.912
Loading...