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Military photograph with 13 men in full military uniform standing in front of a group of trees. Two of the men are carrying flags and the others are carrying bayonets. Victor Caddy Davies is thrid from the right in the front row. The uniform he is wearing is also part of Puke Ariki's collection.
Accession No
PHO2013-0128

Name/Title
Copy photograph of Colonel G.J. Carey. Carey was Second in Charge of the Imperial Forces in New Zealand in 1861. He is shown from the chest up with his photograph cut out and pasted onto a round piece of paper. Carey appears to be wearing military uniform and he has a moustache and full beard. The photograph is included on page 27 of William Francis Robert Gordon's album "Some "Soldiers of the Queen" who served in the Maori Wars and Other Notable Persons Connected Herewith".
Accession No
PHO2014-0049

Painted version of the colours and battle honours of the 14th (Buckinghamshire) Regiment of Foot of the British Army.
Accession No
A66.792

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Six uniformed soldierse of the Highland Regiment pictured in a landscape scene.
Accession No
A66.074

Artwork from Roger Morris' 'Enduring Freedom' series that features four elements relating to the Global War on Terror. The top element is a hand drawn engine block, referring to 'the might of the military machine'. The next is a silhouette of a tank. The third is a stylised figure. The fourth is the word "OIL". The artwork has been made on the back of a proof poster for the TOWER New Zealand Youth Choir.
Accession No
PA2012.042

Name/Title
Sketch of a pā site, noted as being "Kaikaraka pa". A number of buildings are ringed by pallisading, pictured from a high vantage point. Several animals are grazing in the middleground. Numerous trees, bushes and lahars are dotted across the landscape.
Accession No
PA2011.081

Sketch of Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha AC Camp" on the sketch itself. Numerous bell tents and several buildings are pictured on the right of the image. Vegetation and several lahars are visible in the middleground. Mount Taranaki (Egmont), the Pouakai Ranges and the Kaitake Ranges are pictured in the background. Mount Taranaki is visible on the right of the image, The Pouakai Ranges are pictured in the middle and the Kaitake Ranges are visible on the left. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.082

Sketch of the Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha" on the sketch itself. The camp is pictured in the centre of the image. A military post with a flag is positioned on a hill, which is now the location of the Cape Egmont Lighthouse. Bell tents and several buildings are pictured at the base of the hill. Vegetation is dotted across the landscape. The sea is visible behind. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.083

Sketch of a military picket, noted as being between Pukemanu [?] and Pungarehu. Sketched from a higher point looking down towards land with various lone trees and several lahars. The sea is visible in the background.
Accession No
PA2011.080

Lithograph depicting a Greek belly amphora decorated with scenes relating to the Taranaki Wars (1860-1866) and Tītokowaru's War (June 1868 to March 1869). All the figures represented on the amphora are in Greek style. The main frieze on the body of the amphora shows Riwha Tītokowaru sitting on a tree stump while prodding the embers of a fire with a stick. He is wearing a hat and chequered blanket. He is framed by two ponga trees. A bird with wings depicted as stylised eyes sits in the tree behind Tītokowaru. Behind that tree another Greek vase sits on the ground holding a tewhatewha and a cross. A taniwha figure is pictured in front of the opposite ponga tree. The friezes above the central image show settlers arriving on ships and pulling carts in convoy, a line of sheep and Mount Taranaki. The friezes below the central image show more processions of settlers arriving with carts and goods.
Accession No
PA2012.029

Lithograph depicting Te Whiti and Tītokowaru discussing the question, 'what is peace?'. Both men are represented in a Greek style. Te Whiti is wearing a cloak and hat and is holding a taiaha. Tītokowaru is wearing a chequered blanket and is holding a tewhatewha. His hat is resting against his seat. Both men are bent over a small table and are gesturing with one hand. On the left of the image a statue of Captain Cook is camouflaged in a tree, possibly a rata. Another tree, also possibly a rata, is visible on the right of the image. Vegetation including ferns is depicted in the foreground and middleground. Mount Taranaki dominates the background.
Accession No
PA2012.030

Name/Title
Lithograph depicting four Greek neck and belly amphora vases decorated with various scenes relating to the Taranaki Wars (1860-1866) and Tītokowaru's War (June 1868 to March 1869). The vases are individually titled and all the figures are depicted in a Greek style. The vase depicted top left is titled "Neck Amphora by the Confiscation Painter, 1865-66, Side A: Teatime in Taranaki" and shows a settler family seated at a table eating a meal in a wooden hut. A dog sits begging for food at their feet. Part of Mount Taranaki is visible through the hut window. A figure wearing a lion skin is depicted digging on the neck of the vase. The vase depicted top right is titled "Neck Amphora by the Confiscation Painter, 1865-66, Side B: The Lost Harvest", which shows several figures on horseback brandishing weapons. A whare [Māori house] is burning behind them. Several figures are running away from the fire. A cabbage tree and other vegetation is visible in the foreground of the vase's body. A figure wearing a lion skin is looking through a surveying tool on the neck of the amphora. The vase depicted lower left is titled "Belly Amphora by the Provocation Painter 1868-69, Side A: The Burning Homestead" and shows a woman mourning over the body of a man. Two figures stand watching with their arms around each other. Two other figures carrying weapons are running from the scene. A burning hut is depicted on the neck of the amphora. The vase depicted lower right is titled "Belly Amphora by the Provocation Painter, 1868-69, Side B: Titokowaru waits" and shows Māori fortifications including trenches and wooden palisading. A tree and ferns are depicted on the left side of the vase. A small bird sits in the tree. Three figures with bird bodies and holding musical instruments are depicted on the neck of the amphora.
Accession No
PA2012.028

View of Marsland Hill from the north west with full moon rising in the south east. Barracks on top of hill with steps curving down and towards foreground. Charles Brown's grave in left foreground.

Marsland Hill provided the single most important European military establishment of the Taranaki Wars. First occupied in 1855, it provided the headquarters for Imperial troops and local forces in Taranaki until the Armed Constabulary period of the 1870s and 1880s. The site was a former pa, Pukaka, and to provide a sufficient platform for the barracks and stockade, twelve metres had to be removed from the top. The iron clad barrack buildings which were erected on top of the hill arrived from Melbourne on the "Alexander" in June 1855. Marsland Hill was at the centre of an extensive signaling system throughout the First Taranaki War and for part of the second war. Three or four canvas wicker balls were raised or lowered on the yards of a signaling mast. At its greatest extent the signaling system reached the Waitara River to the north and St George's Redoubt in the Tataraimaka Block to the south.
Accession No
A75.434

View of the end of Pratt's sap, which was constructed during the seige of Hapurona's Pa, Te Arei (seen in the background) with further protective outwork on the left. Shown as it appeared on conclusion of fighting between the Maori defenders and British forces, 19 March 1861. Seated Maori figure with horse and rider on left side.
Accession No
A75.439

Volunteer Rifles going on duty, New Plymouth. View from the Gover Street/Woolcombe Terrace area and looking back over central New Plymouth to the mountain, 1860.
Accession No
A65.892

The Royal Regiment of Artillery colours. The colours include the Royal Arms of England placed above a gun. Commonly known as the Royal Artillery, the Royal Regiment of Artillery comprises a number of regiments and is an arm of the British Army.
Accession No
A66.744

Pencil and wash sketch of New Plymouth from Marsland Hill. The view shows vegetation in the foreground and two bell tents at the base of Marsland Hill. The township of New Plymouth is visible in the middleground, with St Mary's Church pictured in the centre of the image. Several small ships are visible on the sea in the background.
Accession No
PA2010.188

The HMS Achilles entering from the right with the New Zealand flag at the front of the boat and a large group of men standing behind it. The end of the breakwater is just visible on the left edge of the photograph. The HMS Achilles was part of the Royal New Zealand Navy in WWII and participated in the Battle of River Plate.
Accession No
PHO2010-0024

Photograph of Ann Burgess memorial afternoon tea for returned servicemen, held in the New Plymouth army drill hall, circa 1950s-1960s. Large tables are set up for afternoon tea. Tables in the foreground are largely empty and are decorated with vases of flowers. The tables in the background are full with mostly men dressed in suits. Ann Burgess, M.B.E., was the wife of former New Plymouth Mayor Charles H. Burgess. She was well known for establishing the Women's Patriotic Committee during WWI and the ANZAC Day afternoon teas at the New Plymouth drill hall, which commenced in 1918 and continued under her direction until the organisation of the event was handed over to the New Plymouth Returned Services Association in 1947.
Accession No
PHO2009-174

Bushrangers Redoubt and camp "Papatiki" at the edge of the forest at Wai-iti, Pukearuhe District, 1871. Also known as "Capt. Messenger's Camp/Wai-iti". Redoubt centre middleground, cleared land in foreground (with solitary cow grazing), and camp lower right middleground. Bush clad hills in background.
Accession No
A58.490

Seven members of the Armed Constabulary pictured at the entrance to the Pungarehu Armed Constabulary camp. They are dressed in uniform and are wearing caps. A dog is lying on the ground in front of them. A wooden building dominates the left hand side of the painting. Another building is pictured on the right of the painting and a bell tent is visible in the centre. Numerous large trees are pictured behind the buildings. On the ridge of the hill behind the entrance to the camp, the Pungarehu blockhouse can be seen. The Pungarehu Armed Constabulary camp was used as the base from which the Armed Constabulary staged the invasion of Parihaka pā on 5 November 1881. At that time, approximately 1,000 men were stationed at the camp.
Accession No
PA2011.084

Photograph of three veterans of the 43rd Regiment. All three of the men are dressed in suits and are wearing hats. They are seated. Each of the men are holding bugles in their right hands.
From left to right: Bugler William Wales, Bandsman C. Turnbridge, Bugler John Mynott.
Accession No
PHO2009-096

Published copy of a photograph of the Waihi Redoubt in Normanby. The photograph would have appeared in a magazine or newspaper. Image depicts a group of relaxed soldiers on the grounds in front of the redoubt. Many of the men are reclining. Buildings and structures within the walls of the redoubt can be seen in the background.
Accession No
PHO2009-101

Multi-coloured screenprint on paper composed of 3 long panoramic views of pa sites located between Pungarehu and Warea on the coastal road including Mt. Taranaki/Egmont.
Accession No
TM2003.357
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