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Jane Rowe (nee Roberts), passenger on the "Essex" and married H.N.Rowe. Portrait presumably painted from existing photograph of Jane Rowe (P.1.5112). Unframed, oil on paper with card mount.
Accession No
PA2005.331

Name/Title
Mr Richard Rowe seated on a chair, passenger on the "William Bryan". Presumably painted from existing photograph (see P.1.1637). Unframed, oil on paper with card mount.
Accession No
PA2005.332

Portrait of Henry Nathanial Rowe, passenger on the "Essex" and husband of Jane Rowe (nee Roberts). Presumably painted from existing photograph (see P.1.5098). Unframed oil on paper with card mount.
Accession No
PA2005.333

Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A97.451

View of New Plymouth looking west down Devon Street from about Liardet Street. Paritutu in the distance with military camp of 58th Regiment on Mount Eliot in right middle distance. Foreground figures include two horse riders, five Maori, and a dray. 58th Regiment established on Mount Eliot. Just landed from the "Duke of Portland" at anchor. The mail steamer "Zingari" is seen approaching from the south and is being signalled from the Mount Eliot mast.
Accession No
A97.452

Name/Title
Sketch of a woman, possibly the artist's wife Glenda Kirk, reading on a couch.
Accession No
PA2012.137

Ink sketch of Mr Henry Faull of Tikorangi. He is bearded with a moustache and is wearing a hat, long sleeved shirt and unbuttoned waistcoat, long pants held up by braces, and shoes. He is standing with a basket of fruit in each hand in a field with trees in the background. An ornate border of berries and leaves surround the subject.
Accession No
A83.320

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Name/Title
Pencil sketch on both sides of paper. On one side is a portrait of an old man wearing a hat - upper body drawn only, with side-on profile. Other side depicts a ship in rough seas.
Accession No
A75.579

Name/Title
Pencil sketch on both sides of paper. One side has a head and shoulder portrait of an unknown man - side profile. The other side depicts a flying aeroplane (possibly the Southern Cross).
Accession No
A75.578

Pencil sketch depicting a head and shoulder portrait of an old man in profile.
Accession No
A75.531

Bust portrait rendered in pencil of Mr M. McCormick of Christchurch. Subject depicted in profile.
Accession No
A75.532

Soldiers with drums and fife flutes parading through New Plymouth. Military camp and ships visible in the background. Paritutu is also pictured in the background.
Accession No
A66.694

Pencil sketch of the bust of Edgar (Eddie) Collins, the architect of the New Plymouth War Memorial Hall (now the south wing of Puke Ariki). Collins is pictured in profile and is wearing glasses and a bow tie.
Accession No
PA2010.097

Name/Title
Sketch of a pā site, noted as being "Kaikaraka pa". A number of buildings are ringed by pallisading, pictured from a high vantage point. Several animals are grazing in the middleground. Numerous trees, bushes and lahars are dotted across the landscape.
Accession No
PA2011.081

Sketch of Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha AC Camp" on the sketch itself. Numerous bell tents and several buildings are pictured on the right of the image. Vegetation and several lahars are visible in the middleground. Mount Taranaki (Egmont), the Pouakai Ranges and the Kaitake Ranges are pictured in the background. Mount Taranaki is visible on the right of the image, The Pouakai Ranges are pictured in the middle and the Kaitake Ranges are visible on the left. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.082

Sketch of the Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha" on the sketch itself. The camp is pictured in the centre of the image. A military post with a flag is positioned on a hill, which is now the location of the Cape Egmont Lighthouse. Bell tents and several buildings are pictured at the base of the hill. Vegetation is dotted across the landscape. The sea is visible behind. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.083

Two sketches adhered together relating to the murder of Mary Dobie on 25 November 1880. The top sketch shows the place where Dobie was killed. A road and rock-lined pathway are pictured in the foreground and who figures are visible standing on a hill in the middleground. The bottom sketch shows Tuhiata, who was tried, convicted and hanged for murdering Dobie. He is pictured with his hands crossed over his chest and a pipe in his mouth. He is wearing a grey jacket. Dobie, who was an artist, had walked to Te Namu Bay to sketch Mt Egmont/Taranaki for the 'Graphic' when she was killed by Tuhiata.
Accession No
PA2011.078

Panoramic sketch in two halves of Mount Taranaki and the Kaitaki Ranges. The Armed Constabulary camp at Cape Egmont is pictured in the middle of the panorama. The Armed Constabulary camp at Pungarehu is pictured in the middle of the right hand side of the panorama. Telegraph wires are pictured lower right and a large plume of smoke is pictured on the left of the panorama. The words "Swamp / Pungarehu Camp / Parihaka / Mt Egmont and Taranaki" are noted in pencil on the right and "Kaitaki" is written lower left of the panorama.
Accession No
PA2011.079

Sketch of a military picket, noted as being between Pukemanu [?] and Pungarehu. Sketched from a higher point looking down towards land with various lone trees and several lahars. The sea is visible in the background.
Accession No
PA2011.080

Depiction of Captain Cracroft's crest and motto. Inscription beneath the crest and motto says: "Presented to the New Plymouth Museum by R. B. Craven late of the H. M. S. Niger May 7th 1909". The Latin motto "Ne Cede Malis" translates as "yield not to misfortunes".
Accession No
A66.338

Lithograph depicting a Greek belly amphora decorated with scenes relating to the Taranaki Wars (1860-1866) and Tītokowaru's War (June 1868 to March 1869). All the figures represented on the amphora are in Greek style. The main frieze on the body of the amphora shows Riwha Tītokowaru sitting on a tree stump while prodding the embers of a fire with a stick. He is wearing a hat and chequered blanket. He is framed by two ponga trees. A bird with wings depicted as stylised eyes sits in the tree behind Tītokowaru. Behind that tree another Greek vase sits on the ground holding a tewhatewha and a cross. A taniwha figure is pictured in front of the opposite ponga tree. The friezes above the central image show settlers arriving on ships and pulling carts in convoy, a line of sheep and Mount Taranaki. The friezes below the central image show more processions of settlers arriving with carts and goods.
Accession No
PA2012.029

Lithograph depicting Te Whiti and Tītokowaru discussing the question, 'what is peace?'. Both men are represented in a Greek style. Te Whiti is wearing a cloak and hat and is holding a taiaha. Tītokowaru is wearing a chequered blanket and is holding a tewhatewha. His hat is resting against his seat. Both men are bent over a small table and are gesturing with one hand. On the left of the image a statue of Captain Cook is camouflaged in a tree, possibly a rata. Another tree, also possibly a rata, is visible on the right of the image. Vegetation including ferns is depicted in the foreground and middleground. Mount Taranaki dominates the background.
Accession No
PA2012.030

Name/Title
Lithograph depicting four Greek neck and belly amphora vases decorated with various scenes relating to the Taranaki Wars (1860-1866) and Tītokowaru's War (June 1868 to March 1869). The vases are individually titled and all the figures are depicted in a Greek style. The vase depicted top left is titled "Neck Amphora by the Confiscation Painter, 1865-66, Side A: Teatime in Taranaki" and shows a settler family seated at a table eating a meal in a wooden hut. A dog sits begging for food at their feet. Part of Mount Taranaki is visible through the hut window. A figure wearing a lion skin is depicted digging on the neck of the vase. The vase depicted top right is titled "Neck Amphora by the Confiscation Painter, 1865-66, Side B: The Lost Harvest", which shows several figures on horseback brandishing weapons. A whare [Māori house] is burning behind them. Several figures are running away from the fire. A cabbage tree and other vegetation is visible in the foreground of the vase's body. A figure wearing a lion skin is looking through a surveying tool on the neck of the amphora. The vase depicted lower left is titled "Belly Amphora by the Provocation Painter 1868-69, Side A: The Burning Homestead" and shows a woman mourning over the body of a man. Two figures stand watching with their arms around each other. Two other figures carrying weapons are running from the scene. A burning hut is depicted on the neck of the amphora. The vase depicted lower right is titled "Belly Amphora by the Provocation Painter, 1868-69, Side B: Titokowaru waits" and shows Māori fortifications including trenches and wooden palisading. A tree and ferns are depicted on the left side of the vase. A small bird sits in the tree. Three figures with bird bodies and holding musical instruments are depicted on the neck of the amphora.
Accession No
PA2012.028

Name/Title
Self portrait of Peter Lambert wearing a green t-shirt.
Accession No
A64.641
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