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Jane Rowe (nee Roberts), passenger on the "Essex" and married H.N.Rowe. Portrait presumably painted from existing photograph of Jane Rowe (P.1.5112). Unframed, oil on paper with card mount.
Accession No
PA2005.331

Name/Title
Mr Richard Rowe seated on a chair, passenger on the "William Bryan". Presumably painted from existing photograph (see P.1.1637). Unframed, oil on paper with card mount.
Accession No
PA2005.332

Portrait of Henry Nathanial Rowe, passenger on the "Essex" and husband of Jane Rowe (nee Roberts). Presumably painted from existing photograph (see P.1.5098). Unframed oil on paper with card mount.
Accession No
PA2005.333

Cartoon about various animals and people taking the credit for the woollen jersey Field Marshal Montgomery was photographed wearing in Cairo during WWII.
Accession No
A95.918

Name/Title
Cartoon depicting Hitler and several German officers along with a Japanese ally under seige in a bunker.
Accession No
A95.893

Drawing of india ink on exposed photographic paper. The drawing shows a tangled web of lines representing perceptions moving through a rectangular shape which represents one of the World Trade Center towers.
Accession No
PA2012.097

Name/Title
Etching of a human figure on paper printed with the Defense Department organization chart. The source for the chart is given as the "U.S. Organization Manual 1983/84". The human figure huddles into itself, holding a baby to its chest in a tight embrace. Morris uses the combination of this human figure with the Defense Department chart to explore the concept of humanity. He believes that for someone to be capable of pulling a trigger, they must have lost their humanity and forgotten the love that exists between parent and child.
Accession No
PA2012.067

Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A97.451

View of New Plymouth looking west down Devon Street from about Liardet Street. Paritutu in the distance with military camp of 58th Regiment on Mount Eliot in right middle distance. Foreground figures include two horse riders, five Maori, and a dray. 58th Regiment established on Mount Eliot. Just landed from the "Duke of Portland" at anchor. The mail steamer "Zingari" is seen approaching from the south and is being signalled from the Mount Eliot mast.
Accession No
A97.452

Name/Title
Sketch of Graham Kirk's wife, Glenda, breastfeeding their child Sam.
Accession No
PA2012.131

Name/Title
Sketch of a woman, possibly the artist's wife Glenda Kirk, reading on a couch.
Accession No
PA2012.137

Name/Title
Sketch of Glenda Kirk breastfeeding her child Sam.
Accession No
PA2012.138

Coloured print depicting a group of soldiers clustered in the centre of the image. Some are wounded and some are fighting on. They are wearing uniform and most are holding guns. Several horses are also depicted, at least one of which is has also been shot.
Accession No
A66.066

Ink sketch of Mr Henry Faull of Tikorangi. He is bearded with a moustache and is wearing a hat, long sleeved shirt and unbuttoned waistcoat, long pants held up by braces, and shoes. He is standing with a basket of fruit in each hand in a field with trees in the background. An ornate border of berries and leaves surround the subject.
Accession No
A83.320

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Coloured ink sketch depicting a large vessel at sea with water fountain immediately in front of it. Another ship in the distance to right.
Accession No
A70.041

Name/Title
Pencil sketch on both sides of paper. On one side is a portrait of an old man wearing a hat - upper body drawn only, with side-on profile. Other side depicts a ship in rough seas.
Accession No
A75.579

Name/Title
Pencil sketch on both sides of paper. One side has a head and shoulder portrait of an unknown man - side profile. The other side depicts a flying aeroplane (possibly the Southern Cross).
Accession No
A75.578

Pencil sketch depicting a head and shoulder portrait of an old man in profile.
Accession No
A75.531

Bust portrait rendered in pencil of Mr M. McCormick of Christchurch. Subject depicted in profile.
Accession No
A75.532

Soldiers with drums and fife flutes parading through New Plymouth. Military camp and ships visible in the background. Paritutu is also pictured in the background.
Accession No
A66.694

Pencil sketch of the bust of Edgar (Eddie) Collins, the architect of the New Plymouth War Memorial Hall (now the south wing of Puke Ariki). Collins is pictured in profile and is wearing glasses and a bow tie.
Accession No
PA2010.097

Name/Title
Artwork based on a graphic produced by the National Institute of Standards and Technology (NIST) in the United States of America to explain how the World Trade Centre towers fell without the aid of explosives. The artwork depicts one of the World Trade Centre towers with lines emanating from the centre of the tower, indicating the tower's core strengthening columns. An aeroplane is pictured on the left of the image prior to impact. Roger Morris considers NIST's explanation of the towers' collapse to be "creationist", overlooking other factors in the buildings' collapse.
Accession No
PA2012.037

Artwork from Roger Morris' 'Enduring Freedom' series that features four elements relating to the Global War on Terror. The top element is a hand drawn engine block, referring to 'the might of the military machine'. The next is a silhouette of a tank. The third is a stylised figure. The fourth is the word "OIL". The artwork has been made on the back of a proof poster for the TOWER New Zealand Youth Choir.
Accession No
PA2012.042

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.054
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