filters
More Options
Shortlist
  •   Add All to Shortlist
Watercolour by Bernard Aris depicting a view of Taranaki taken from the slopes of Mt Taranaki/Egmont. Brown cottage with red roof in left foreground (depicted from the rear), a corrogated iron shed is situated lower down the slopes. Large, possibly dead, tree to right of cottage in foreground. Beyond the buildings is a view of Taranaki farm land and Mt Ruapehu.
Accession No
A75.629

Monochromatic painting of Charles Armitage Brown's grave on Marsland Hill, behind St Mary's Church, New Plymouth. His grave is surrounded by cabbage trees and various other vegetation. Painting rendered solely in blue and black.
Accession No
PA2009.143

Two storied farmhouse in grass clearing with stumps and logs in foreground. Mt Taranaki/Egmont is visible in the background. The name "Merton" was given to the farm by James and Henry Richmond after their hometown near Wimbledon, England. The house was built by them in 1851.
Accession No
A64.810

Peak of Mt Taranaki/Egmont and Fanthams Peak behind bush clad river gorge.
Accession No
A65.886

View of Marsland Hill from the north west with full moon rising in the south east. Barracks on top of hill with steps curving down and towards foreground. Charles Brown's grave in left foreground.

Marsland Hill provided the single most important European military establishment of the Taranaki Wars. First occupied in 1855, it provided the headquarters for Imperial troops and local forces in Taranaki until the Armed Constabulary period of the 1870s and 1880s. The site was a former pa, Pukaka, and to provide a sufficient platform for the barracks and stockade, twelve metres had to be removed from the top. The iron clad barrack buildings which were erected on top of the hill arrived from Melbourne on the "Alexander" in June 1855. Marsland Hill was at the centre of an extensive signaling system throughout the First Taranaki War and for part of the second war. Three or four canvas wicker balls were raised or lowered on the yards of a signaling mast. At its greatest extent the signaling system reached the Waitara River to the north and St George's Redoubt in the Tataraimaka Block to the south.
Accession No
A75.434

View of Mt Taranaki/Egmont from the south over broken country in the foreground. Somewhere inland of Hawera, possibly Patea.
Accession No
A65.901

View of H. W. Leatham's cottage in Woolcombe Terrace. Depicts a small, shingle roof, vertical board and battern cottage with a paling fence in front and Mt Taranaki/Egmont visible behind. Three children (Eliza Leatham, Mary Hursthouse, and Mary Leatham) and two goats are in front of the fence.
Accession No
A65.915

Small watercolour of Armed Constabulary's redoubt at Wai-iti from Papatiki (Bushranger's redoubt). Depicts collection of small buildings lower centre with column of smoke emitting from one of the buildngs. Redoubt positioned on flat land surrounded by hills - brown fern regrowth immediate foreground, large light green hill right background and distant blue hills left background. Small line of bush located to right of buildings - beginning lower middle right; larger patch of bush located to left of buildings - lower middle left.
Accession No
A58.491

View of the end of Pratt's sap, which was constructed during the seige of Hapurona's Pa, Te Arei (seen in the background) with further protective outwork on the left. Shown as it appeared on conclusion of fighting between the Maori defenders and British forces, 19 March 1861. Seated Maori figure with horse and rider on left side.
Accession No
A75.439

View of St George's Redoubt, Tataraimaka (former Tataraimaka Pa, later Crow's Nest) in middleground, Katikara Stream and the coast towards New Plymouth. Tents on flat by pa at right middleground. Flax bush bottom right corner.
Accession No
A65.900

Residence of Edwin Harris. Depicts house centre middleground with woman and child on path in front. Three people on horses are on the road outside the gate. Mt Taranaki/Egmont is visible right background.
Accession No
A65.916

Depicts "Bonithon", residence of James Cragg Sharland, a friend of the artist. The main house, which was built during the 1850s and located on Bonithon Avenue (New Plymouth), is visible to the left middleground. To the right foreground are the original stables, sheds and gardeners cottage. The Grey Institute is located at the extreme right. Watercolour has been attributed to John Gully.
Accession No
A65.893

Name/Title
Watercolour depicting the residence of Mr & Mrs Robert Studholme Thompson at Normanby.
Accession No
A66.729

Watercolour by Bernard Aris depicting Victoria Street bridge (over the Waikato River), Hamilton. Only part of the bridge is shown (Hamilton East end). Below bridge is the Waikato River and three boats on the water.
Accession No
A75.533

Panorama of New Plymouth from Queen Street, 1844. Shows William Spain's land tenure meeting on Mt Eliot in the distance.
Accession No
A64.821

Exterior of residential house at 71 Powderham Street, New Plymouth. The house was built in 1870 for Thomas Humphries, then the Chief Surveyor (late Surveyor General).
Accession No
A65.925

Wooden house set amongst shrubs and tall trees.
Accession No
A66.207

The colours of the Taranaki Militia and Volunteers. Depicts a crown, crossed flags, name scrolls and "Waireka 1860".
Accession No
A90.424

View of weatherboard house with red roof at night. Picket fence around the front of the property. Tall trees visible on the right hand side of the painting.
Accession No
A65.924

White weatherboard house with red roof and verandah. Vegetation around house.
Accession No
A66.613

Watercolour depicting a view of Mt Taranaki / Egmont with Pouakai Ranges at the base of the mountain and the edges of the Kaitake Ranges just beginning middle right hand side edge. Group of cattle lower left foreground. Small farm cottage lower middle right with small fire above left of cottage. View taken from Oakura side.
Accession No
A66.202

Exterior view of the Standish homestead, known as Maratahu. The house was built in 1843 by Thomas Standish, the father of Arthur Standish (first Mayor of New Plymouth).
Accession No
A66.579

A watercolour entitled "Mt Egmont From Dawson Falls." Primarily bush in foreground with Mt Taranaki/Egmont in the background.
Accession No
A88.811

Mt Taranaki/Egmont as depicted from the air. Picture is a composition of colours applied with broad brush strokes. Colours include pale greens, blues, lilac, violet, orange, black and white. Concentration of cream within middle top region, and directional change in brush stroke and line, form the shape of the mountain with black and white detail highlighting shape.
Accession No
A70.030

View of Moturoa and breakwater, New Plymouth. Cleared land with four cows in immediate foreground and six horses in middleground. Port and breakwater at right middleground. Taranaki Producers Freezing Works Company Coolstores on waterfront near breakwater. Small residential dwelling (?) to right of coolstore. Two oil wells middle left edge, with Paritutu Rock above in the distance. Two residential dwellings (one of which is Honeyfield's) and the Moturoa Hotel (destroyed by fire in 1897) are to the right of the oil wells.
Accession No
A66.198
Loading...