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Watercolour by Bernard Aris depicting a view of Taranaki taken from the slopes of Mt Taranaki/Egmont. Brown cottage with red roof in left foreground (depicted from the rear), a corrogated iron shed is situated lower down the slopes. Large, possibly dead, tree to right of cottage in foreground. Beyond the buildings is a view of Taranaki farm land and Mt Ruapehu.
Accession No
A75.629

Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A97.451

Monochrome ink drawing by Stratford-born artist Graham Percy. The drawing depicts an imaginary scene in Taranaki where a young Archduke Maximilien-Franz of Austria is tending to a large crop of cabbages beneath a cabbage tree. The Archduke is dressed in a coat with large cuffs, pockets, and front panels over a shirt with frilled sleeves and breeches. His hair is styled in a late 18th Century fashion. He is standing amongst the cabbages with his feet hidden in the crop and is holding a garden tool in both hands. Behind the Archduke is a fence made of bound sticks, and the slope of Mount Taranaki is just visible in the background.

The drawing is part of Graham Percy's 'Imagined Histories' series from 2005, which follows a group of unlikely early settlers cultivating the land in an imaginary pre-European New Zealand. Other works in the series show two young Austrian Archduchesses playing in Taranaki's famous black sands and an Austrian Empress and her son celebrating the opening of their cake shop in Opunake.

The drawing was included in the exhibition "The Imaginative Life and Times of Graham Percy" that was shown at Puke Ariki from April 26 to June 8 2014 and also toured around over venues in New Zealand.
Accession No
PA2015.079

View of New Plymouth looking west down Devon Street from about Liardet Street. Paritutu in the distance with military camp of 58th Regiment on Mount Eliot in right middle distance. Foreground figures include two horse riders, five Maori, and a dray. 58th Regiment established on Mount Eliot. Just landed from the "Duke of Portland" at anchor. The mail steamer "Zingari" is seen approaching from the south and is being signalled from the Mount Eliot mast.
Accession No
A97.452

Pencil sketch of New Plymouth township in 1850-1856. The view looks down the Huatoki Stream to Devon Street Bridge. Marsland Hill and Mount Taranaki are visible in the background.
Accession No
PA2008.116

Name/Title
Sketch of Graham Kirk's wife, Glenda, breastfeeding their child Sam.
Accession No
PA2012.131

Name/Title
Sketch of Graham and Glenda Kirk's house with bush and Mount Taranaki in the background.
Accession No
PA2012.134

Name/Title
Sketch of Glenda Kirk breastfeeding her child Sam.
Accession No
PA2012.138

Resident Agent's House on Courtenay Street, New Plymouth. A lone horse rider is in the right foreground. Pukaka (Marsland Hill) and Pukiekie Pa sites are also shown. Mt Taranaki/Egmont and ranges is visible in the background.
Accession No
A85.749

Jane Maria and Arthur Atkinson's house at Hurworth on Carrington Road. Depicts typical New Zealand colonial house with bay window at front - house slightly side on and backs onto a cleared hill. Bush and tall trees in background. Cleared land with felled trees in foreground. Along the lower edge of the drawing are handwritten numerals (in pencil): "1, 2, 3, 4, 5, 6". On the reverse is an inscription written (also in pencil) by Jane Maria Atkinson which reads: "1 is at present the kitchen window. 2 our bedroom, but in another fortnight it will be the kitchen window and No. 1 our bedroom. We make the change because it is not convenient to have the room one sleeps in a passage room and that the sitting room and kitchen may be close together. 3 the bay window and 4 and 5 are sitting room windows, 6 window of Lely's bedroom. 1, 2, and 3 look due east to the Henui river. 4, 5, and 6 due North, we see towards the road from them, I shall have a wider view next year when the bush between our clearing and D. Atkinson's is to be felled. We see the back end of Harry's house from the North windows, he lies North west of us. The front door so to speak, is at the back of the house in a passage between the two bodies of the house and connecting them. The fence in the front is going to be moved so as to enlarge the garden considerably and the gate will be moved to the right a good way so that a path from it may lead naturally to the door."
Accession No
A75.462

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Sketch depicting chickens scratching about in a fenced off section. Immediately behind fence are two large trees and another residence.
Accession No
A75.556

Soldiers with drums and fife flutes parading through New Plymouth. Military camp and ships visible in the background. Paritutu is also pictured in the background.
Accession No
A66.694

Exterior view of 30 Fulford Street, New Plymouth. Rendered in black and white on coloured paper.
Accession No
A66.699

Exterior view of the northern aspect of the Mace House, Carrington Street, New Plymouth.
Accession No
A66.681

Richmond Cottage (formerly known as Beach Cottage) from the west surrounded by a picket fence. The house is positioned in the lower left corner of sketch, with the top of Paritutu visible in the distance.
Accession No
A93.839

View of Mount Taranaki from Fitzroy, New Plymouth. Houses pictured in the foreground.
Accession No
A75.630

Sketch of "The Pines", the house of Major Charles (Carlino) Brown, son of Charles Armitage Brown. The house is pictured on a ridge. A river is visible in the foreground. Hills and vegetation in the middleground. The sketch is included in a sketchbook attributed to one of Major Charles (Carlino) Brown's daughters. However, the inscription on the inside cover reads "Constance W. Rowe / Taranaki / April 2nd 1880" - it is unclear if this inscription indicates the name of the actual artist.
Accession No
PA2011.111

Name/Title
Sketch of a pā site, noted as being "Kaikaraka pa". A number of buildings are ringed by pallisading, pictured from a high vantage point. Several animals are grazing in the middleground. Numerous trees, bushes and lahars are dotted across the landscape.
Accession No
PA2011.081

Sketch of Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha AC Camp" on the sketch itself. Numerous bell tents and several buildings are pictured on the right of the image. Vegetation and several lahars are visible in the middleground. Mount Taranaki (Egmont), the Pouakai Ranges and the Kaitake Ranges are pictured in the background. Mount Taranaki is visible on the right of the image, The Pouakai Ranges are pictured in the middle and the Kaitake Ranges are visible on the left. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.082

Sketch of the Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha" on the sketch itself. The camp is pictured in the centre of the image. A military post with a flag is positioned on a hill, which is now the location of the Cape Egmont Lighthouse. Bell tents and several buildings are pictured at the base of the hill. Vegetation is dotted across the landscape. The sea is visible behind. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.083

Monochromatic painting of Charles Armitage Brown's grave on Marsland Hill, behind St Mary's Church, New Plymouth. His grave is surrounded by cabbage trees and various other vegetation. Painting rendered solely in blue and black.
Accession No
PA2009.143

Exterior view of a two storey wooden house, 113 Lemon Street, New Plymouth. Picket fence in foreground.
Accession No
A66.683

Two sketches adhered together relating to the murder of Mary Dobie on 25 November 1880. The top sketch shows the place where Dobie was killed. A road and rock-lined pathway are pictured in the foreground and who figures are visible standing on a hill in the middleground. The bottom sketch shows Tuhiata, who was tried, convicted and hanged for murdering Dobie. He is pictured with his hands crossed over his chest and a pipe in his mouth. He is wearing a grey jacket. Dobie, who was an artist, had walked to Te Namu Bay to sketch Mt Egmont/Taranaki for the 'Graphic' when she was killed by Tuhiata.
Accession No
PA2011.078

Panoramic sketch in two halves of Mount Taranaki and the Kaitaki Ranges. The Armed Constabulary camp at Cape Egmont is pictured in the middle of the panorama. The Armed Constabulary camp at Pungarehu is pictured in the middle of the right hand side of the panorama. Telegraph wires are pictured lower right and a large plume of smoke is pictured on the left of the panorama. The words "Swamp / Pungarehu Camp / Parihaka / Mt Egmont and Taranaki" are noted in pencil on the right and "Kaitaki" is written lower left of the panorama.
Accession No
PA2011.079
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