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Silver gelatin photograph of the Waitara Freezing Works mounted on card. The large weatherboard-clad building has a fence running along the left side with bushes in front and a tree in the background on the right. There is a dog standing on the left on a path that runs along the front of the building.
Accession No
PHO2016-0052

Photograph of William Bolland Davies' homestead on Frankley Road, New Plymouth. The house is seen surrounded by bush with sheds and a fence visible on the left. There are three people and a dog standing in front of the house, a person in white standing to the left of the house, another person standing further to the left, and another person standing on the hill to the left of the house.
Accession No
PHO2013-0124

Photograph of two men standing at the front of a whare with bush in the background. A dog looking back at them is at the forefront of the image. The whare is made of wooden slatted walls with a straw-like material for the roof.
Accession No
PHO2015-0205

Black and white photographic image depicting a view of Devon Street, New Plymouth from the Currie Street corner showing the Native Office being removed from Lower Brougham Street.
Accession No
A64.063

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.054

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 5 223 9" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.055

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "00 1 3197 5 67" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.056

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "07 3 9 94" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.057

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 37 790" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.058

A page removed from a photograph album with two photographs adhered either side of a grey album page. The first photograph shows a view of the Boat Shed Bridge, Pukekura Park, New Plymouth. The second photograph shows various views of Mount Taranaki dating 1903-1904. The photograph is captioned: "Scenes of and on Mount Egmont reached by the North Egmont Track from the Radius Line to the Summit. Photos by L. Earp N.P. N.Z."
Accession No
PHO2011-0553

Collection of 26 photographs found during the demolition of Gibsons Motors / Newmans Bus Depot. Photographs include several views of the Mokau River punt; New Plymouth foreshore with view of Dicky Barret's grave; view of Marsland Hill barracks; an exterior view of Gibsons Motors; the 1927 opening of Mokau Bridge; several group images of Gibsons Motors staff; a view of the New Plymouth bowling club; multiple views of New Plymouth township (circa late 1800s); view of exterior of St Mary's Church with ivy growing over the walls; children weaving a maypole at New Plymouth High School; a view of the rock pool, Kawaroa; a photograph of Dick Kibby in the 'Sea Dog' jet boat on Waitara River; and a group photograph of Veterans Association, which includes George Gibson, the founder of Gibsons Motors Ltd.
Accession No
PHO2008-1841

Surfboat, New Plymouth 1884. On boat (left to right): T. Inch, T. James (behind mast), F. Joseph, G. Cock, and H. Cock. In front of the boat (left to right) are Harry Boswell, Richard Cock, Sam Roberts. T. Gyde (engineer), S. Holford, W. Russell (carter), T. Blanchett (clerk), J. W. Parker, Sgt. J. Riley, Michael McGonnell (Head Coxswain), Ben Fox, James Essex Harvey, Jack Fraser, and Joseph Simpson with horse "Duke"
Accession No
PHO2001-7

Exterior view of a two storey wooden house, 113 Lemon Street, New Plymouth. Picket fence in foreground.
Accession No
A66.683

View of a two-storied house once located at 234 Devon Street East and 236 Courtenay Street, New Plymouth. The house is white with green window frames and detailing. The house is situated amidst a large garden. A lawn dominates the foregound. There is a large tree planted at the edge of the lawn, in front of the house. A wheelbarrow sits on the lawn on the left. The house was built for Dr David Wylie in 1910. From 1927 to 1950 it was the home of Monica and Rex Brewster. It was demolished some time in the 1970s.
Accession No
PA2012.025

Coastal scene, New Plymouth. Sugar Loaves and Paritutu are visible in the background, as is a surfboat on the shore. An ox-drawn cart and people are on the beach in the foreground. Based on an art work by William Strutt, 1855.
Accession No
A75.068

View of an Italian coastline at sunset.
Accession No
A66.775

Name/Title
View of White Cliffs from Onaero. Three figures are pictured on the beach in middleground and a further three figures are seated in a boat approaching the beach. Foliage in the foreground.
Accession No
A66.055

Residence of Garland William Woon (1831-1895), who arrived in New Plymouth in 1852 and was the first proprietor of Taranaki Herald. Two storey house with veranda on hillside (Churchill Heights). Paritutu and Sugar Loaves are visible in the background. Two figures in the left foreground.
Accession No
A75.437

Name/Title
View of the Waitara Blockhouse, Hurirapa Pa at lower right middle ground with tents, people and canoes to the left, and river right foreground. Single flag flies on either side of the blockhouse.
Accession No
A65.626

View of the Waitara Blockhouse, Hurirapa Pa, at the mouth of the Waitara River. Blockhouse is to the left middleground, boat ("Tasmanian Maid") steaming up river at left middleground, and above this boat is a Maori burial ground.
Accession No
A87.259

Name/Title
View of "Camp Waitara". Maori figure standing on road in middle foreground, camp in background with flag flying.
Accession No
A87.258

Watercolour view of the Alpha Flour Mill (middleground), Carrington Road (left), Huatoki Stream (middle foreground), and Mt. Taranaki/Egmont (background). Man and woman walking on bridge left foreground.
Accession No
A79.873

Lower Carrington Road with Alpha Flour Mill on the lower left next to Huatoki Stream and the residence of A.R. Standish (the "Mace House") on the left. Mt. Taranaki/Egmont is visible in the right background.
Accession No
A79.836

Name/Title
Memorial to the 57th (West Middlesex) Regiment at Te Henui Cemetery. Mt. Taranaki/Egmont visible in background.
Accession No
A65.909

View of New Plymouth from near Huatoki Bridge, Vivian Street. Includes St Mary's Church with the residences of Dr Humphries, F.L. Webster, Wm Halse and J. Pearn. Figure in red jacket holding a gun with a bayonet in foreground with three other figures (also in red jackets) centre left background.
Accession No
A75.429
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