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Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.054

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 5 223 9" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.055

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "00 1 3197 5 67" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.056

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "07 3 9 94" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.057

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 37 790" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.058

Exterior view of a two storey wooden house, 113 Lemon Street, New Plymouth. Picket fence in foreground.
Accession No
A66.683

View of a two-storied house once located at 234 Devon Street East and 236 Courtenay Street, New Plymouth. The house is white with green window frames and detailing. The house is situated amidst a large garden. A lawn dominates the foregound. There is a large tree planted at the edge of the lawn, in front of the house. A wheelbarrow sits on the lawn on the left. The house was built for Dr David Wylie in 1910. From 1927 to 1950 it was the home of Monica and Rex Brewster. It was demolished some time in the 1970s.
Accession No
PA2012.025

Coastal scene, New Plymouth. Sugar Loaves and Paritutu are visible in the background, as is a surfboat on the shore. An ox-drawn cart and people are on the beach in the foreground. Based on an art work by William Strutt, 1855.
Accession No
A75.068

View of an Italian coastline at sunset.
Accession No
A66.775

Name/Title
View of White Cliffs from Onaero. Three figures are pictured on the beach in middleground and a further three figures are seated in a boat approaching the beach. Foliage in the foreground.
Accession No
A66.055

Residence of Garland William Woon (1831-1895), who arrived in New Plymouth in 1852 and was the first proprietor of Taranaki Herald. Two storey house with veranda on hillside (Churchill Heights). Paritutu and Sugar Loaves are visible in the background. Two figures in the left foreground.
Accession No
A75.437

Name/Title
View of the Waitara Blockhouse, Hurirapa Pa at lower right middle ground with tents, people and canoes to the left, and river right foreground. Single flag flies on either side of the blockhouse.
Accession No
A65.626

View of the Waitara Blockhouse, Hurirapa Pa, at the mouth of the Waitara River. Blockhouse is to the left middleground, boat ("Tasmanian Maid") steaming up river at left middleground, and above this boat is a Maori burial ground.
Accession No
A87.259

Name/Title
View of "Camp Waitara". Maori figure standing on road in middle foreground, camp in background with flag flying.
Accession No
A87.258

Watercolour view of the Alpha Flour Mill (middleground), Carrington Road (left), Huatoki Stream (middle foreground), and Mt. Taranaki/Egmont (background). Man and woman walking on bridge left foreground.
Accession No
A79.873

Lower Carrington Road with Alpha Flour Mill on the lower left next to Huatoki Stream and the residence of A.R. Standish (the "Mace House") on the left. Mt. Taranaki/Egmont is visible in the right background.
Accession No
A79.836

Name/Title
Memorial to the 57th (West Middlesex) Regiment at Te Henui Cemetery. Mt. Taranaki/Egmont visible in background.
Accession No
A65.909

View of New Plymouth looking up the Huatoki River. Taken from the old footbridge at the back of the Taranaki (now Royal) Hotel. [Currie Lane]. Shows Gilmour's Store, Brougham Street in the foreground and Marsland Hill with barracks in the background. Man on footbridge in immediate foreground.
Accession No
A65.910

Residence of Mrs William Honeyfield at Moturoa, circa 1870. Hongi Hongi lagoon is visible in the left middleground and Sugar Loaf Islands in the background. Three cattle in the lower right corner and a flock of sheep near the foreshore. The Honeyfield residence was built by Richard (Dicky) Barret, pioneer trader and whaler of Moturoa.
Accession No
A66.460

Bell Block Stockade in middle ground with a solitary soldier in red uniform standing guard to the right of the main building. Mount Taranaki/Egmont and ranges are visible in the background. The painting is inscribed with the date 1858 but the Bell Block Stockade was not constructed until 1860. The painting also only depicts the Bell Block blockhouse, thus must have been painted before the stockade was constructed around the blockhouse.
Accession No
A65.902

St Mary's Anglican Church on Vivian Street, New Plymouth. In the foreground of the picture is the wide dirt road which is now Vivian Street. Along the foot path is a man and a woman. St Mary's is situated in the middleground and surrounded by several large trees.
Accession No
TM.1997.298

Omata Stockade with Mt Taranaki/Egmont and Pouakai Ranges visible in the background. Built on Ngaturi Pa, Omata.
Accession No
A65.890

Watercolour depicting view of shop frontages along King Street, New Plymouth - from the corner of Egmont and King Streets. Rear of current library building visible along left hand side edge.
Accession No
TM.1999.294

Name/Title
View of New Plymouth Public Library / Carnegie Library from corner of Brougham and King streets (main entrance). Following discussions between the mayor of New Plymouth, Mr A.C. Fookes and the American industrialist, Andrew Carnegie, a grant of two thousand five hundred pounds was made on 13 February 1906 to the New Plymouth Borough Council for a new library building. An architectural competition was held, the winning architect being Frank Messenger. The building was formally opened on 1 July 1908 by the Mayor, Mr Gustave Tisch. At this time the museum remained in the old town hall.
Accession No
A95.793

Thomas Wood's property in New Plymouth located approximately where Centre Court/TSB building is currently situated. Painting depicts a small building middleground with "T. Wood" printed above the door. A large gold-coloured boot is also above door. A number of similar dwellings are located to the right of the property. Dirt road in immediate foreground. Mt Taranaki/Egmont and Ranges is visible in the background.
Accession No
TM.2000.146
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