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Name/Title
Ink sketch depicting a view of Omata Beach with Saddleback Island in distance. Four individuals on beach.
Accession No
A75.651

Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A97.451

View of New Plymouth looking west down Devon Street from about Liardet Street. Paritutu in the distance with military camp of 58th Regiment on Mount Eliot in right middle distance. Foreground figures include two horse riders, five Maori, and a dray. 58th Regiment established on Mount Eliot. Just landed from the "Duke of Portland" at anchor. The mail steamer "Zingari" is seen approaching from the south and is being signalled from the Mount Eliot mast.
Accession No
A97.452

Pencil sketch of New Plymouth township in 1850-1856. The view looks down the Huatoki Stream to Devon Street Bridge. Marsland Hill and Mount Taranaki are visible in the background.
Accession No
PA2008.116

Pencil sketch of New Plymouth's clock tower with other buildings in the foreground. A crane is also visible upper right of drawing. Several figures are visible in the foreground. The original clock tower was demolished in April 1969.
Accession No
A64.816

Name/Title
Sketch of Back Beach, New Plymouth, including three of the Sugar Loaf Islands and a person in a kayak.
Accession No
PA2012.130

Name/Title
Sketch of Graham and Glenda Kirk's house with bush and Mount Taranaki in the background.
Accession No
PA2012.134

Jane Maria and Arthur Atkinson's house at Hurworth on Carrington Road. Depicts typical New Zealand colonial house with bay window at front - house slightly side on and backs onto a cleared hill. Bush and tall trees in background. Cleared land with felled trees in foreground. Along the lower edge of the drawing are handwritten numerals (in pencil): "1, 2, 3, 4, 5, 6". On the reverse is an inscription written (also in pencil) by Jane Maria Atkinson which reads: "1 is at present the kitchen window. 2 our bedroom, but in another fortnight it will be the kitchen window and No. 1 our bedroom. We make the change because it is not convenient to have the room one sleeps in a passage room and that the sitting room and kitchen may be close together. 3 the bay window and 4 and 5 are sitting room windows, 6 window of Lely's bedroom. 1, 2, and 3 look due east to the Henui river. 4, 5, and 6 due North, we see towards the road from them, I shall have a wider view next year when the bush between our clearing and D. Atkinson's is to be felled. We see the back end of Harry's house from the North windows, he lies North west of us. The front door so to speak, is at the back of the house in a passage between the two bodies of the house and connecting them. The fence in the front is going to be moved so as to enlarge the garden considerably and the gate will be moved to the right a good way so that a path from it may lead naturally to the door."
Accession No
A75.462

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Name/Title
Pencil sketch depicting a coastal view from Back Beach, New Plymouth with the Sugar Loaves, Saddleback Island and Paritutu in the distance. Sketch is on a long, narrow piece of paper which is folded in half.
Accession No
A75.553

Small print by Bernard Aris depicting St Andrews Church, New Plymouth.
Accession No
A75.568

Print by Bernard Aris depicting St Mary's Church, New Plymouth. Shows church from Powderham Street view with footpath and part of road in foreground.
Accession No
A75.569

Pencil sketch depicting D. Newman's Boot Repair Shop. Building/shop dominates middle of image with footpath and road in immediate foreground. Signage on shop awning reads: "For Sale / Leather, Nails and Rubber Heels/ D. Newman Boot Repairer". Another awning belonging to a shop further along the road reads: "H. Mead Ltd / Baker".
Accession No
A75.557

Sketch depicting chickens scratching about in a fenced off section. Immediately behind fence are two large trees and another residence.
Accession No
A75.556

Interior view of Rollo & Millar foundry, New Plymouth. Two figures are pictured working at a bench next to an open furnace. Machinery in the foreground.
Accession No
A70.077

Exterior view of a two storeyed boarding house on Silver Street, New Plymouth. Drawn on green/grey paper. The building has now been demolished.
Accession No
A66.676

Exterior view of the Waitara Public Library and Reading Room. The building was formerly an Anglican Church. After the present church was built it became the library.
Accession No
A66.581

View of Ngamotu foreshore, Paritutu and the Sugar Loaf Islands.
Accession No
A66.166

Soldiers with drums and fife flutes parading through New Plymouth. Military camp and ships visible in the background. Paritutu is also pictured in the background.
Accession No
A66.694

Exterior view of 30 Fulford Street, New Plymouth. Rendered in black and white on coloured paper.
Accession No
A66.699

Exterior view of the northern aspect of the Mace House, Carrington Street, New Plymouth.
Accession No
A66.681

Richmond Cottage (formerly known as Beach Cottage) from the west surrounded by a picket fence. The house is positioned in the lower left corner of sketch, with the top of Paritutu visible in the distance.
Accession No
A93.839

Name/Title
Pencil sketch looking up Devon Street West, New Plymouth from Brougham Street, depicting Teeds & Co. Chemist on the right side, trams and people outside Avery's Bookshop on the left side, clock tower further along the street. Two dogs playing in the middle of the street.
Accession No
A75.554

View of Mount Taranaki from Fitzroy, New Plymouth. Houses pictured in the foreground.
Accession No
A75.630

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.054
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