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Name/Title
Pencil and ink sketch of a seated nude figure. The figure looks downwards and reaches arm to the ground. The paper for the sketch has been torn out of an instruction manual and is an example of Morris' practice of using found paper and objects in his artworks.
Accession No
PA2012.059

Pencil sketch depicting cleared land with one or two trees/tree stumps in fore/middle ground with two mountains in distant background.
Accession No
A66.785

Name/Title
Mt. Taranaki/Egmont viewed through a classical portico of columns and arches.
Accession No
A64.817

Name/Title
A small piece of transparent brown paper with numerous shapes cut out. Two of the figures are male, one in 19C costume the other in military uniform of the same era. Smudged fingerprints are evident, appears as if cut-out parts have been used as a template, with a medium applied over them to produce a print.
Accession No
TM.2002.322

Name/Title
A medium piece of transparent brown paper with numerous shapes cut out. An image of a castle is evident, along with a possible outline of a woman on the oppposite edge. Smudged fingerprints are evident, appears as if cut-out parts have been used as a template, with a medium applied over them to produce a print.
Accession No
TM.2002.323

Name/Title
A blue rectangular piece of paper with a grey chinese design of a figure amongst flowers and plants. Image measures 7.5 x 6.5cm.
Accession No
TM.2002.324

A watercolour depicting a coastal scene with a pinky/orange sky. A log is in the left hand corner of the foreground. Label on seperate panel titles the work ""THE FIRST BREAKWATER " / WAITARA RIVER / BY E.E.WICKHAM" This is in question because three other works in the collection have been attributed to Collier, despite a label stating E.E.Wickham.
Accession No
TM.2002.318

A watercolour depicting a coastal scene with sand dunes, grasses and shrubs in the foreground. "J Collier / 1922" is signed in the lower left hand corner. Label on rear has "EAST BEACH SANDHILLS / WAITARA / BY E.E.WICKHAM". This is questionable because two other works in the collection have been attributed to Collier, despite a label stating E.E.Wickham. Painting is adhered to a card support.
Accession No
TM.2002.319

A watercolour signed in th lower left corner "J Collier / 1926". Painting is adhered to a card mount. Image is of the coast, with a bay, shrubs in foreground and to the sides in the middle. The rear has handwritten ""MOUTH OF THE WAITARA" / BEFORE THE WALLS / BY E.E.WICKHAM". Another two paintings also state Wickham as the artist, when it is actually signed Collier.
Accession No
TM.2002.320

Name/Title
A watercolour depicting a flower (resembling blue bells) with two leaves and a stem with four pink bell shaped flowers hanging down. Image is painted onto card and has been covered with tissue paper which is secured at the back in the four corners. Top rear has been signed in pencil "H Lackworthy" or possibly Larkworthy.
Accession No
TM.2002.325

Name/Title
Black pen and ink sketch depicting a ship at sea with dark clouds overhead through which rays of sunlight are evident. On reverse of image are two labels indicating the work was exhibited on at least two occassions; once for the W.W.S Association; the other shows the work won second prize (for the pen & ink- Land or Seascape section) at the Taranaki Agricultural Society, Winter Show, June 1952.
Accession No
A75.486

Name/Title
Ink sketch depicting a view of Omata Beach with Saddleback Island in distance. Four individuals on beach.
Accession No
A75.651

Watercolour by Bernard Aris depicting a view of Taranaki taken from the slopes of Mt Taranaki/Egmont. Brown cottage with red roof in left foreground (depicted from the rear), a corrogated iron shed is situated lower down the slopes. Large, possibly dead, tree to right of cottage in foreground. Beyond the buildings is a view of Taranaki farm land and Mt Ruapehu.
Accession No
A75.629

Cartoon about various animals and people taking the credit for the woollen jersey Field Marshal Montgomery was photographed wearing in Cairo during WWII.
Accession No
A95.918

Cartoon referencing policy to allocate two cans of tinned fruit to registered customers.
Accession No
A95.888

Cartoon referencing lump sum payments made to dairy farmers.
Accession No
A95.884

Name/Title
Cartoon depicting Hitler and several German officers along with a Japanese ally under seige in a bunker.
Accession No
A95.893

Drawing of india ink on exposed photographic paper. The drawing shows a tangled web of lines representing perceptions moving through a rectangular shape which represents one of the World Trade Center towers.
Accession No
PA2012.097

Name/Title
Etching of a human figure on paper printed with the Defense Department organization chart. The source for the chart is given as the "U.S. Organization Manual 1983/84". The human figure huddles into itself, holding a baby to its chest in a tight embrace. Morris uses the combination of this human figure with the Defense Department chart to explore the concept of humanity. He believes that for someone to be capable of pulling a trigger, they must have lost their humanity and forgotten the love that exists between parent and child.
Accession No
PA2012.067

Name/Title
Hand-carved stamp of a stylised human figure on a black ground.
Accession No
PA2012.064

Name/Title
A print (or possibly original drawing) signed "H. Worsley" and titled "nether Hall Essex". Depicts the remains or ruins of the hall with a male figure beneath an arch and a man and woman conversing mid foreground. Print has been adhered to card backing, of which 3 sides are now seperated.
Accession No
TM.2002.336

Lithograph on thin, opaque rice paper of a line of trees on a hill in the midground and a low moon in the background.
Accession No
A70.082

Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A97.451

Woodcut print by John Lysaght Moore of Mitre Peak, Fiordland. Work is predominently done in blue, white and grey. Depicts Mitre Peak in the middleground with sea and rocky foreshore in foreground.
Accession No
A85.173

Watercolour painting made from a 1930s photograph of the Smart Bros. Ltd. plumbing, tinsmithing, and electrical company premises on corner of Brougham and Powderham Streets, New Plymouth. The painting shows the large building with a red roof and a sign on the left side that reads 'SMART BROS. LTD. OFFICES, STORE ROOMS' and another sign on the right that reads 'SMART BROS. LTD. [PLUMBING ELECTRICAL (partially visible)]. There are two large power poles in front of the building on either side of the corner, and several vehicles parked along the street on the left and one on the right. There is a man visible in the shop window on the right wearing a blue shirt and blue overalls. He has been identified as Leslie Allen Smart, son of Allan Kiddy Smart (one of the original three Smart brothers along with George and Herbert) and father of Brian Smart, who commissioned the painting. The dog sitting outside the building in the centre of the image has been identified as Skip, who belonged to Arthur Lawrence Smart. The painting is framed with a beige mat with the title included in it and a mottled brown and gold frame.

George Smart established his business in Stratford in 1892 and was joined by his brothers when he expanded into New Plymouth. Allan Smart was one of the first registered electricians in New Plymouth. The company ran until c1957.
Accession No
PA2016.001
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