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Name/Title
Artwork Roger Morris has termed a "test piece" which exemplifies his experiments with unexposed photographic paper. The artwork depicts two human figures in a tight embrace. They stand on a black ground and against a pink and blue sky. The figures are painted in black ink with parts of their bodies highlighted in red.
Accession No
PA2012.093

Name/Title
Artwork of etching ink on exposed photographic paper. The artwork shows a human figure within a black and blue ground. The lighter-toned flickers and shapes are created by exposing the inked paper to chemicals. The artwork is about considering the human being as a passionate interaction.
Accession No
PA2012.098

Name/Title
Sketch of a pā site, noted as being "Kaikaraka pa". A number of buildings are ringed by pallisading, pictured from a high vantage point. Several animals are grazing in the middleground. Numerous trees, bushes and lahars are dotted across the landscape.
Accession No
PA2011.081

Sketch of Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha AC Camp" on the sketch itself. Numerous bell tents and several buildings are pictured on the right of the image. Vegetation and several lahars are visible in the middleground. Mount Taranaki (Egmont), the Pouakai Ranges and the Kaitake Ranges are pictured in the background. Mount Taranaki is visible on the right of the image, The Pouakai Ranges are pictured in the middle and the Kaitake Ranges are visible on the left. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.082

Sketch of the Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha" on the sketch itself. The camp is pictured in the centre of the image. A military post with a flag is positioned on a hill, which is now the location of the Cape Egmont Lighthouse. Bell tents and several buildings are pictured at the base of the hill. Vegetation is dotted across the landscape. The sea is visible behind. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.083

Two sketches adhered together relating to the murder of Mary Dobie on 25 November 1880. The top sketch shows the place where Dobie was killed. A road and rock-lined pathway are pictured in the foreground and who figures are visible standing on a hill in the middleground. The bottom sketch shows Tuhiata, who was tried, convicted and hanged for murdering Dobie. He is pictured with his hands crossed over his chest and a pipe in his mouth. He is wearing a grey jacket. Dobie, who was an artist, had walked to Te Namu Bay to sketch Mt Egmont/Taranaki for the 'Graphic' when she was killed by Tuhiata.
Accession No
PA2011.078

Panoramic sketch in two halves of Mount Taranaki and the Kaitaki Ranges. The Armed Constabulary camp at Cape Egmont is pictured in the middle of the panorama. The Armed Constabulary camp at Pungarehu is pictured in the middle of the right hand side of the panorama. Telegraph wires are pictured lower right and a large plume of smoke is pictured on the left of the panorama. The words "Swamp / Pungarehu Camp / Parihaka / Mt Egmont and Taranaki" are noted in pencil on the right and "Kaitaki" is written lower left of the panorama.
Accession No
PA2011.079

Sketch of a military picket, noted as being between Pukemanu [?] and Pungarehu. Sketched from a higher point looking down towards land with various lone trees and several lahars. The sea is visible in the background.
Accession No
PA2011.080

Name/Title
View of a domestic space, possibly the artist's living room, showing a fire place, two chairs, a wood box and washing strung up on a line above the fire. Rendered in black ink and watercolour paint, including shades of blue, brown, yellow, red and grey.
Accession No
PA2012.129

Name/Title
Wash sketch of Graham Kirk's wife reading on the couch and their dog Wiki sitting in the window.
Accession No
PA2012.133

View of central New Plymouth c.1861 (from lower Liardet Street) with Marsland Hill and Mt. Taranaki/Egmont in background. Horse on rider in foreground.
Accession No
A75.430

Monochromatic watercolour and ink painting of the Whitely Mission House, the site of the Rangiatea Girls' Hostel.
Accession No
PA2010.119

Grey velvet lined box with Michael Smither's signature embossed on the lid, containing eight colour reproductions of Michael Smither paintings. Boxed set produced by Ron Sang. Reproductions of paintings include:
'Alfred Road Bridge' (1971)
'Joseph Snarling' (1978)
'Hamilton Diggings Central Otago' (1969)
'Rocks with Mountain' (1968)
'Two Cups' (1992)
'Sarah Eating Corn' (2000)
'A Song of the Sea' (Gribben Mural) (undated on reproduction)
'New Zealand Oranges' (2000)
Accession No
PA2008.078

View of Upper Brougham Street, New Plymouth c.1862-65 with Post Office on the left and Primitive Methodist Church (right rear). Huatoki Valley in foreground. Two cattle pulling cart in foreground.
Accession No
A66.770

Name/Title
View of the Sugar Loaves, harbour (breakwater being constructed), Moturoa Hotel and store (W. Honeyfield, Moturoa Store Shipping Supplies). Two ships tied up at harbour.
Accession No
A65.899

Sketch of 'Wilkinson's Castle', Pukearuhe, presumed to have been painted by James Chapman-Taylor's third wife, Joan. 'Wilkinson's Castle' is visible on the brow of a hill with tall trees surrounding the house. Vegetation is depicted on the hillside in the foreground. It is possible this sketch was made before the plans for the house were finalised and building had commenced.
Accession No
PA2010.219

Name/Title
Woodblock print of a figure in profile. Its mouth is open and one hand is raised. A table is visible on the left of the image and a crescent moon is depicted upper right. Image is rendered in black ink.
Accession No
PA2012.071

Screenprint of a stylised figure holding a guitar and taking a bow. The figure is holding a conductor's wand in one hand. A speech bubble shape is issuing from the figure's mouth. The background is rendered in blue and yellow. The figure is 'bowing out'.
Accession No
PA2012.073

Name/Title
Printed page from an unknown magazine with elements added by artist Roger Morris. Morris has prepared the page with a textured coating, giving it a grainy look that resembles the surface of the moon. Black etching ink has been applied over this to the centre of the page. The outline of a hanging shape, representing a carcass has been stencilled onto the middle of the page in red ink. A stencil showing two human figures has been applied with white spray paint on the left.
Accession No
PA2012.099
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