Object Search

Name/Title

"Untitled (2 2 1 69 4 415)" ['Enduring Freedom' series]

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.

Accession No

PA2012.054

Name/Title

"Untitled (4 5 223 9)" ['Enduring Freedom' series]

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 5 223 9" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.

Accession No

PA2012.055

Name/Title

"Untitled (00 1 3197 5 67)" ['Enduring Freedom' series]

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "00 1 3197 5 67" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.

Accession No

PA2012.056

Name/Title

"Untitled (07 3 9 94)" ['Enduring Freedom' series]

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "07 3 9 94" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.

Accession No

PA2012.057

Name/Title

"Untitled (4 37 790)" ['Enduring Freedom' series]

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 37 790" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.

Accession No

PA2012.058

Name/Title

"113 Lemon Street, New Plymouth"

Exterior view of a two storey wooden house, 113 Lemon Street, New Plymouth. Picket fence in foreground.

Accession No

A66.683

Name/Title

Untitled [234 Devon Street, New Plymouth]

View of a two-storied house once located at 234 Devon Street East and 236 Courtenay Street, New Plymouth. The house is white with green window frames and detailing. The house is situated amidst a large garden. A lawn dominates the foregound. There is a large tree planted at the edge of the lawn, in front of the house. A wheelbarrow sits on the lawn on the left. The house was built for Dr David Wylie in 1910. From 1927 to 1950 it was the home of Monica and Rex Brewster. It was demolished some time in the 1970s.

Accession No

PA2012.025

Name/Title

"The Beach/New Plymouth. N.Z."

Coastal scene, New Plymouth. Sugar Loaves and Paritutu are visible in the background, as is a surfboat on the shore. An ox-drawn cart and people are on the beach in the foreground. Based on an art work by William Strutt, 1855.

Accession No

A75.068

Name/Title

Untitled (Italian coastline)

View of an Italian coastline at sunset.

Accession No

A66.775

Name/Title

"The White Cliffs"

View of White Cliffs from Onaero. Three figures are pictured on the beach in middleground and a further three figures are seated in a boat approaching the beach. Foliage in the foreground.

Accession No

A66.055

Name/Title

Untitled (Residence of G.W. Woon, New Plymouth)

Residence of Garland William Woon (1831-1895), who arrived in New Plymouth in 1852 and was the first proprietor of Taranaki Herald. Two storey house with veranda on hillside (Churchill Heights). Paritutu and Sugar Loaves are visible in the background. Two figures in the left foreground.

Accession No

A75.437

Name/Title

"Hurirapa Pa"

View of the Waitara Blockhouse, Hurirapa Pa at lower right middle ground with tents, people and canoes to the left, and river right foreground. Single flag flies on either side of the blockhouse.

Accession No

A65.626

Name/Title

"The Mouth of the Waitara from the camp"

View of the Waitara Blockhouse, Hurirapa Pa, at the mouth of the Waitara River. Blockhouse is to the left middleground, boat ("Tasmanian Maid") steaming up river at left middleground, and above this boat is a Maori burial ground.

Accession No

A87.259

Name/Title

"Camp Waitara"

View of "Camp Waitara". Maori figure standing on road in middle foreground, camp in background with flag flying.

Accession No

A87.258

Name/Title

Untitled (Alpha Mill and Huatoki Stream, Carrington Road, New Plymouth)

Watercolour view of the Alpha Flour Mill (middleground), Carrington Road (left), Huatoki Stream (middle foreground), and Mt. Taranaki/Egmont (background). Man and woman walking on bridge left foreground.

Accession No

A79.873

Name/Title

Untitled (Lower Carrington Road, New Plymouth)

Lower Carrington Road with Alpha Flour Mill on the lower left next to Huatoki Stream and the residence of A.R. Standish (the "Mace House") on the left. Mt. Taranaki/Egmont is visible in the right background.

Accession No

A79.836

Name/Title

Untitled

Memorial to the 57th (West Middlesex) Regiment at Te Henui Cemetery. Mt. Taranaki/Egmont visible in background.

Accession No

A65.909

Name/Title

Untitled (Central New Plymouth)

View of New Plymouth looking up the Huatoki River. Taken from the old footbridge at the back of the Taranaki (now Royal) Hotel. [Currie Lane]. Shows Gilmour's Store, Brougham Street in the foreground and Marsland Hill with barracks in the background. Man on footbridge in immediate foreground.

Accession No

A65.910

Name/Title

Untitled (Honeyfield Residence)

Residence of Mrs William Honeyfield at Moturoa, circa 1870. Hongi Hongi lagoon is visible in the left middleground and Sugar Loaf Islands in the background. Three cattle in the lower right corner and a flock of sheep near the foreshore. The Honeyfield residence was built by Richard (Dicky) Barret, pioneer trader and whaler of Moturoa.

Accession No

A66.460

Name/Title

"Bell Block Stockade"

Bell Block Stockade in middle ground with a solitary soldier in red uniform standing guard to the right of the main building. Mount Taranaki/Egmont and ranges are visible in the background. The painting is inscribed with the date 1858 but the Bell Block Stockade was not constructed until 1860. The painting also only depicts the Bell Block blockhouse, thus must have been painted before the stockade was constructed around the blockhouse.

Accession No

A65.902

Name/Title

Untitled (St Mary's Church)

St Mary's Anglican Church on Vivian Street, New Plymouth. In the foreground of the picture is the wide dirt road which is now Vivian Street. Along the foot path is a man and a woman. St Mary's is situated in the middleground and surrounded by several large trees.

Accession No

TM.1997.298

Name/Title

Untitled (Omata Stockade)

Omata Stockade with Mt Taranaki/Egmont and Pouakai Ranges visible in the background. Built on Ngaturi Pa, Omata.

Accession No

A65.890

Name/Title

"King Street Common, New Plymouth"

Watercolour depicting view of shop frontages along King Street, New Plymouth - from the corner of Egmont and King Streets. Rear of current library building visible along left hand side edge.

Accession No

TM.1999.294

Name/Title

Untitled ("The Golden Boot" Store, New Plymouth)

Thomas Wood's property in New Plymouth located approximately where Centre Court/TSB building is currently situated. Painting depicts a small building middleground with "T. Wood" printed above the door. A large gold-coloured boot is also above door. A number of similar dwellings are located to the right of the property. Dirt road in immediate foreground. Mt Taranaki/Egmont and Ranges is visible in the background.

Accession No

TM.2000.146

Name/Title

"G. P. O. New Plymouth"

View of the General Post Office, New Plymouth. Cars are parked on the street and figures are pictured walking on the footpath outside the buildings depicted. A man and child are crossing the road in the foreground. The New Zealand flag is flying from the top of the clock tower visible in the background.

Accession No

A65.920