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Jane Rowe (nee Roberts), passenger on the "Essex" and married H.N.Rowe. Portrait presumably painted from existing photograph of Jane Rowe (P.1.5112). Unframed, oil on paper with card mount.
Accession No
PA2005.331

Name/Title
Mr Richard Rowe seated on a chair, passenger on the "William Bryan". Presumably painted from existing photograph (see P.1.1637). Unframed, oil on paper with card mount.
Accession No
PA2005.332

Portrait of Henry Nathanial Rowe, passenger on the "Essex" and husband of Jane Rowe (nee Roberts). Presumably painted from existing photograph (see P.1.5098). Unframed oil on paper with card mount.
Accession No
PA2005.333

Watercolour by Bernard Aris depicting a view of Taranaki taken from the slopes of Mt Taranaki/Egmont. Brown cottage with red roof in left foreground (depicted from the rear), a corrogated iron shed is situated lower down the slopes. Large, possibly dead, tree to right of cottage in foreground. Beyond the buildings is a view of Taranaki farm land and Mt Ruapehu.
Accession No
A75.629

Photograph of William Bolland Davies' homestead on Frankley Road, New Plymouth. The house is seen surrounded by bush with sheds and a fence visible on the left. There are three people and a dog standing in front of the house, a person in white standing to the left of the house, another person standing further to the left, and another person standing on the hill to the left of the house.
Accession No
PHO2013-0124

Military photograph with 13 men in full military uniform standing in front of a group of trees. Two of the men are carrying flags and the others are carrying bayonets. Victor Caddy Davies is thrid from the right in the front row. The uniform he is wearing is also part of Puke Ariki's collection.
Accession No
PHO2013-0128

Photograph of two men standing at the front of a whare with bush in the background. A dog looking back at them is at the forefront of the image. The whare is made of wooden slatted walls with a straw-like material for the roof.
Accession No
PHO2015-0205

Black and white photographic image depicting a view of Devon Street, New Plymouth from the Currie Street corner showing the Native Office being removed from Lower Brougham Street.
Accession No
A64.063

Princesses and Queen of the 1936 Inglewood Primary School Queen Carnival. Pictured left to right: Sybil Bennett, Peggy Alleman (Queen), Barbara Grant and Agnes Lovell (now Brabin, aged 7 in picture). The carnival was a fundraising event where the parents of the four princesses had to raise money and the princess whose family raised the most money was crowned Queen. All four girls are wearing long dresses and holding flowers. The Queen has a crown on her head and wears a long cloak. Cups that were presented to each girl are placed at their feet. Carnival was held in the Inglewood Town Hall.
Accession No
PHO2009-134

William Bolland Davies sitting in front of a grapefruit tree (the 2nd graefruit tree of that species in New Zealand). Davies is wearing a three-peice suit with dark-tone jacket and waistcoat. He has a white shirt and mid-tone tie and is holding a bowler hat in his left hand. Davies appears to be balding and has a short beard and moustache.
Accession No
PHO2013-0103

Name/Title
Copy photograph of Colonel G.J. Carey. Carey was Second in Charge of the Imperial Forces in New Zealand in 1861. He is shown from the chest up with his photograph cut out and pasted onto a round piece of paper. Carey appears to be wearing military uniform and he has a moustache and full beard. The photograph is included on page 27 of William Francis Robert Gordon's album "Some "Soldiers of the Queen" who served in the Maori Wars and Other Notable Persons Connected Herewith".
Accession No
PHO2014-0049

Commemorative photographic portrait printed on enamel of New Zealand's first labour Prime Minister, Michael Joseph Savage. Hook on reverse for hanging as well as stand.
Accession No
PHO2006-083

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "2 2 1 69 4 415" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.054

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 5 223 9" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.055

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "00 1 3197 5 67" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.056

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "07 3 9 94" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.057

Artwork from Roger Morris' 'Enduring Freedom' series that evokes the anonymous casualties of war. An image of a faceless head - rendered in white, black and grey - is adhered to a piece of plastic that has been cut into the shape of a television/table. The numbers "4 37 790" are stamped in white into the bottom of the image. The numbers are random. The artwork was inspired by the casualties of war remembered by various war memorials around the world. Morris sees the face not only as dead, but also hopeful and humorous.
Accession No
PA2012.058

Name/Title
Artwork Roger Morris has termed a "test piece" which exemplifies his experiments with unexposed photographic paper. The artwork depicts two human figures in a tight embrace. They stand on a black ground and against a pink and blue sky. The figures are painted in black ink with parts of their bodies highlighted in red.
Accession No
PA2012.093

Name/Title
Artwork of etching ink on exposed photographic paper. The artwork shows a human figure within a black and blue ground. The lighter-toned flickers and shapes are created by exposing the inked paper to chemicals. The artwork is about considering the human being as a passionate interaction.
Accession No
PA2012.098

Name/Title
Portrait of Dorothy Ella Davies (nee Ruebe). She is wearing a white shirt. She has a small pendant around her neck and is wearing wire-framed glasses. The photograph is housed in a textured grey card enclosure with a lion embossed on the front.
Accession No
PHO2013-0115

A page removed from a photograph album with two photographs adhered either side of a grey album page. The first photograph shows a view of the Boat Shed Bridge, Pukekura Park, New Plymouth. The second photograph shows various views of Mount Taranaki dating 1903-1904. The photograph is captioned: "Scenes of and on Mount Egmont reached by the North Egmont Track from the Radius Line to the Summit. Photos by L. Earp N.P. N.Z."
Accession No
PHO2011-0553

Collection of 26 photographs found during the demolition of Gibsons Motors / Newmans Bus Depot. Photographs include several views of the Mokau River punt; New Plymouth foreshore with view of Dicky Barret's grave; view of Marsland Hill barracks; an exterior view of Gibsons Motors; the 1927 opening of Mokau Bridge; several group images of Gibsons Motors staff; a view of the New Plymouth bowling club; multiple views of New Plymouth township (circa late 1800s); view of exterior of St Mary's Church with ivy growing over the walls; children weaving a maypole at New Plymouth High School; a view of the rock pool, Kawaroa; a photograph of Dick Kibby in the 'Sea Dog' jet boat on Waitara River; and a group photograph of Veterans Association, which includes George Gibson, the founder of Gibsons Motors Ltd.
Accession No
PHO2008-1841

Surfboat, New Plymouth 1884. On boat (left to right): T. Inch, T. James (behind mast), F. Joseph, G. Cock, and H. Cock. In front of the boat (left to right) are Harry Boswell, Richard Cock, Sam Roberts. T. Gyde (engineer), S. Holford, W. Russell (carter), T. Blanchett (clerk), J. W. Parker, Sgt. J. Riley, Michael McGonnell (Head Coxswain), Ben Fox, James Essex Harvey, Jack Fraser, and Joseph Simpson with horse "Duke"
Accession No
PHO2001-7

Name/Title
Sketch of a pā site, noted as being "Kaikaraka pa". A number of buildings are ringed by pallisading, pictured from a high vantage point. Several animals are grazing in the middleground. Numerous trees, bushes and lahars are dotted across the landscape.
Accession No
PA2011.081

Sketch of Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha AC Camp" on the sketch itself. Numerous bell tents and several buildings are pictured on the right of the image. Vegetation and several lahars are visible in the middleground. Mount Taranaki (Egmont), the Pouakai Ranges and the Kaitake Ranges are pictured in the background. Mount Taranaki is visible on the right of the image, The Pouakai Ranges are pictured in the middle and the Kaitake Ranges are visible on the left. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.082
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