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Name/Title
Artwork Roger Morris has termed a "test piece" which exemplifies his experiments with unexposed photographic paper. The artwork depicts two human figures in a tight embrace. They stand on a black ground and against a pink and blue sky. The figures are painted in black ink with parts of their bodies highlighted in red.
Accession No
PA2012.093

Name/Title
Artwork of etching ink on exposed photographic paper. The artwork shows a human figure within a black and blue ground. The lighter-toned flickers and shapes are created by exposing the inked paper to chemicals. The artwork is about considering the human being as a passionate interaction.
Accession No
PA2012.098

Name/Title
Sketch of a pā site, noted as being "Kaikaraka pa". A number of buildings are ringed by pallisading, pictured from a high vantage point. Several animals are grazing in the middleground. Numerous trees, bushes and lahars are dotted across the landscape.
Accession No
PA2011.081

Sketch of Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha AC Camp" on the sketch itself. Numerous bell tents and several buildings are pictured on the right of the image. Vegetation and several lahars are visible in the middleground. Mount Taranaki (Egmont), the Pouakai Ranges and the Kaitake Ranges are pictured in the background. Mount Taranaki is visible on the right of the image, The Pouakai Ranges are pictured in the middle and the Kaitake Ranges are visible on the left. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.082

Sketch of the Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha" on the sketch itself. The camp is pictured in the centre of the image. A military post with a flag is positioned on a hill, which is now the location of the Cape Egmont Lighthouse. Bell tents and several buildings are pictured at the base of the hill. Vegetation is dotted across the landscape. The sea is visible behind. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Accession No
PA2011.083

Exterior view of a two storey wooden house, 113 Lemon Street, New Plymouth. Picket fence in foreground.
Accession No
A66.683

Two sketches adhered together relating to the murder of Mary Dobie on 25 November 1880. The top sketch shows the place where Dobie was killed. A road and rock-lined pathway are pictured in the foreground and who figures are visible standing on a hill in the middleground. The bottom sketch shows Tuhiata, who was tried, convicted and hanged for murdering Dobie. He is pictured with his hands crossed over his chest and a pipe in his mouth. He is wearing a grey jacket. Dobie, who was an artist, had walked to Te Namu Bay to sketch Mt Egmont/Taranaki for the 'Graphic' when she was killed by Tuhiata.
Accession No
PA2011.078

Panoramic sketch in two halves of Mount Taranaki and the Kaitaki Ranges. The Armed Constabulary camp at Cape Egmont is pictured in the middle of the panorama. The Armed Constabulary camp at Pungarehu is pictured in the middle of the right hand side of the panorama. Telegraph wires are pictured lower right and a large plume of smoke is pictured on the left of the panorama. The words "Swamp / Pungarehu Camp / Parihaka / Mt Egmont and Taranaki" are noted in pencil on the right and "Kaitaki" is written lower left of the panorama.
Accession No
PA2011.079

Sketch of a military picket, noted as being between Pukemanu [?] and Pungarehu. Sketched from a higher point looking down towards land with various lone trees and several lahars. The sea is visible in the background.
Accession No
PA2011.080

View of a two-storied house once located at 234 Devon Street East and 236 Courtenay Street, New Plymouth. The house is white with green window frames and detailing. The house is situated amidst a large garden. A lawn dominates the foregound. There is a large tree planted at the edge of the lawn, in front of the house. A wheelbarrow sits on the lawn on the left. The house was built for Dr David Wylie in 1910. From 1927 to 1950 it was the home of Monica and Rex Brewster. It was demolished some time in the 1970s.
Accession No
PA2012.025

Name/Title
View of a domestic space, possibly the artist's living room, showing a fire place, two chairs, a wood box and washing strung up on a line above the fire. Rendered in black ink and watercolour paint, including shades of blue, brown, yellow, red and grey.
Accession No
PA2012.129

Name/Title
Wash sketch of Graham Kirk's wife reading on the couch and their dog Wiki sitting in the window.
Accession No
PA2012.133

Residence of Garland William Woon (1831-1895), who arrived in New Plymouth in 1852 and was the first proprietor of Taranaki Herald. Two storey house with veranda on hillside (Churchill Heights). Paritutu and Sugar Loaves are visible in the background. Two figures in the left foreground.
Accession No
A75.437

Lower Carrington Road with Alpha Flour Mill on the lower left next to Huatoki Stream and the residence of A.R. Standish (the "Mace House") on the left. Mt. Taranaki/Egmont is visible in the right background.
Accession No
A79.836

View of central New Plymouth c.1861 (from lower Liardet Street) with Marsland Hill and Mt. Taranaki/Egmont in background. Horse on rider in foreground.
Accession No
A75.430

Residence of Mrs William Honeyfield at Moturoa, circa 1870. Hongi Hongi lagoon is visible in the left middleground and Sugar Loaf Islands in the background. Three cattle in the lower right corner and a flock of sheep near the foreshore. The Honeyfield residence was built by Richard (Dicky) Barret, pioneer trader and whaler of Moturoa.
Accession No
A66.460

Thomas Wood's property in New Plymouth located approximately where Centre Court/TSB building is currently situated. Painting depicts a small building middleground with "T. Wood" printed above the door. A large gold-coloured boot is also above door. A number of similar dwellings are located to the right of the property. Dirt road in immediate foreground. Mt Taranaki/Egmont and Ranges is visible in the background.
Accession No
TM.2000.146

Exterior view of Hurworth House, Carrington Road, New Plymouth. The cottage was built in 1855 for Harry Atkinson.
Accession No
A66.686

Exterior view of the western aspect of the Mace House. Steps leading up to house and vegetation in foreground.
Accession No
A66.679

Exterior view of wooden house, Silver Street, New Plymouth.
Accession No
A66.675

Exterior view of house, Henwood Road, New Plymouth. Trees and vegetation visible around the house.
Accession No
A65.926

Monochromatic watercolour of James Thomas Shaw's Cottage, New Plymouth. Mattboard annotated with: "The Shaw Cottage / Erected 1841 by the late Mr J T Shaw / from material brought from England". The site of the cottage was behind the present Post Office block.
Accession No
A65.922

Name/Title
Exterior view of Richmond Cottage. The cottage was originally known as Beach Cottage. It was built in 1853 for Christopher William Richmond, his wife Emily (nee Atkinson) and their first-born Mary Elizabeth.
Accession No
A66.697

Monochromatic watercolour of the Round House, New Plymouth. Mattboard annotated with note "The Round House / Erected by Mr Thomas Hurst from material / brought from England 1852". The Round House was erected in 1852 on Devon Street, then later moved to Courtenay Street in 1905. It was demolished in 1938.
Accession No
A65.921

Monochromatic watercolour and ink painting of the Whitely Mission House, the site of the Rangiatea Girls' Hostel.
Accession No
PA2010.119
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