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Depicts scattered residences in New Plymouth from seaward end of Liardet Street. Methodist Church (right), Marsland Hill with barracks and St Mary's (right) with Mt Taranaki/Egmont and Pouakai in background.
Accession No
A97.451

View of New Plymouth looking west down Devon Street from about Liardet Street. Paritutu in the distance with military camp of 58th Regiment on Mount Eliot in right middle distance. Foreground figures include two horse riders, five Maori, and a dray. 58th Regiment established on Mount Eliot. Just landed from the "Duke of Portland" at anchor. The mail steamer "Zingari" is seen approaching from the south and is being signalled from the Mount Eliot mast.
Accession No
A97.452

Name/Title
Sketch of Graham Kirk's wife, Glenda, breastfeeding their child Sam.
Accession No
PA2012.131

Name/Title
Sketch of a woman, possibly the artist's wife Glenda Kirk, reading on a couch.
Accession No
PA2012.137

Name/Title
Sketch of Glenda Kirk breastfeeding her child Sam.
Accession No
PA2012.138

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Name/Title
Pencil sketch on both sides of paper. On one side is a portrait of an old man wearing a hat - upper body drawn only, with side-on profile. Other side depicts a ship in rough seas.
Accession No
A75.579

Name/Title
Pencil sketch on both sides of paper. One side has a head and shoulder portrait of an unknown man - side profile. The other side depicts a flying aeroplane (possibly the Southern Cross).
Accession No
A75.578

Pencil sketch depicting a head and shoulder portrait of an old man in profile.
Accession No
A75.531

Bust portrait rendered in pencil of Mr M. McCormick of Christchurch. Subject depicted in profile.
Accession No
A75.532

Pencil sketch of the bust of Edgar (Eddie) Collins, the architect of the New Plymouth War Memorial Hall (now the south wing of Puke Ariki). Collins is pictured in profile and is wearing glasses and a bow tie.
Accession No
PA2010.097

Soldiers with drums and fife flutes parading through New Plymouth. Military camp and ships visible in the background. Paritutu is also pictured in the background.
Accession No
A66.694

Ink sketch of Mr Henry Faull of Tikorangi. He is bearded with a moustache and is wearing a hat, long sleeved shirt and unbuttoned waistcoat, long pants held up by braces, and shoes. He is standing with a basket of fruit in each hand in a field with trees in the background. An ornate border of berries and leaves surround the subject.
Accession No
A83.320

Lithograph depicting a Greek belly amphora decorated with scenes relating to the Taranaki Wars (1860-1866) and Tītokowaru's War (June 1868 to March 1869). All the figures represented on the amphora are in Greek style. The main frieze on the body of the amphora shows Riwha Tītokowaru sitting on a tree stump while prodding the embers of a fire with a stick. He is wearing a hat and chequered blanket. He is framed by two ponga trees. A bird with wings depicted as stylised eyes sits in the tree behind Tītokowaru. Behind that tree another Greek vase sits on the ground holding a tewhatewha and a cross. A taniwha figure is pictured in front of the opposite ponga tree. The friezes above the central image show settlers arriving on ships and pulling carts in convoy, a line of sheep and Mount Taranaki. The friezes below the central image show more processions of settlers arriving with carts and goods.
Accession No
PA2012.029

Lithograph depicting Te Whiti and Tītokowaru discussing the question, 'what is peace?'. Both men are represented in a Greek style. Te Whiti is wearing a cloak and hat and is holding a taiaha. Tītokowaru is wearing a chequered blanket and is holding a tewhatewha. His hat is resting against his seat. Both men are bent over a small table and are gesturing with one hand. On the left of the image a statue of Captain Cook is camouflaged in a tree, possibly a rata. Another tree, also possibly a rata, is visible on the right of the image. Vegetation including ferns is depicted in the foreground and middleground. Mount Taranaki dominates the background.
Accession No
PA2012.030

Name/Title
Lithograph depicting four Greek neck and belly amphora vases decorated with various scenes relating to the Taranaki Wars (1860-1866) and Tītokowaru's War (June 1868 to March 1869). The vases are individually titled and all the figures are depicted in a Greek style. The vase depicted top left is titled "Neck Amphora by the Confiscation Painter, 1865-66, Side A: Teatime in Taranaki" and shows a settler family seated at a table eating a meal in a wooden hut. A dog sits begging for food at their feet. Part of Mount Taranaki is visible through the hut window. A figure wearing a lion skin is depicted digging on the neck of the vase. The vase depicted top right is titled "Neck Amphora by the Confiscation Painter, 1865-66, Side B: The Lost Harvest", which shows several figures on horseback brandishing weapons. A whare [Māori house] is burning behind them. Several figures are running away from the fire. A cabbage tree and other vegetation is visible in the foreground of the vase's body. A figure wearing a lion skin is looking through a surveying tool on the neck of the amphora. The vase depicted lower left is titled "Belly Amphora by the Provocation Painter 1868-69, Side A: The Burning Homestead" and shows a woman mourning over the body of a man. Two figures stand watching with their arms around each other. Two other figures carrying weapons are running from the scene. A burning hut is depicted on the neck of the amphora. The vase depicted lower right is titled "Belly Amphora by the Provocation Painter, 1868-69, Side B: Titokowaru waits" and shows Māori fortifications including trenches and wooden palisading. A tree and ferns are depicted on the left side of the vase. A small bird sits in the tree. Three figures with bird bodies and holding musical instruments are depicted on the neck of the amphora.
Accession No
PA2012.028

Pencil drawing exploring the ways an artist's work relates to what is going on in the world around them. In the top half of the composition six figures surround a circular shape. In the lower half more figures exchange lines of indecipherable dialogue. The title of the work "How to relate questions of concience [sic] to the painters art" is written on the bottom left hand corner of the drawing.
Accession No
PA2012.050

Name/Title
Pencil drawing addressing the issue of people being driven into singular ways of thinking. A large human-like figure stands in the foreground of the composition. The World Trade Centre towers loom behind the the figure. Two triangular shapes, representing airplanes or missiles, are about to collide with the towers. Meanwhile a crowd of people push up against a fence which runs horizontally through the image.
Accession No
PA2012.051

Name/Title
Artwork consisting of handmade stamps in black ink. Along the bottom of the artwork is line of Morris' symbol for fascism. In the centre two jigsaw puzzle shapes frame two long geometric shapes. The jigsaw shapes are indicative of the human figure. In the upper third of the artwork a triangle speeds towards a moon. The triangle represents a rocket or airplane. The shapes are stamped onto the pages of a book about fuels and combustion.
Accession No
PA2012.075

Woodblock print in black ink on white paper. The print is approximately 1/3 of what was once a larger image. The 1/3 represented here depicts a television. A distoted close-up portrait of former United States President George W. Bush takes up the entire television screen. 'In the Houses of Shadow' relates to the September 11 "Terrorist Attacks" on the World Trade Center and ponders how much of the true story is being covered up.
Accession No
PA2012.106

Name/Title
Self portrait of Peter Lambert wearing a green t-shirt.
Accession No
A64.641

Name/Title
Portrait of Michael Smither rendered in rainbow colours and set against a blue/grey background.
Accession No
A65.616

Name/Title
Bust portrait of a man with dark hair and wearing a white t-shirt. Blue background.
Accession No
A64.624

Name/Title
Bust portrait of a man with black hair and wearing a black t-shirt. Predominantly white background.
Accession No
A64.623

Name/Title
Stylised portrait of a nude woman. Background in two blocks of colour - red and navy blue. The woman is rendered in pink and brown/black.
Accession No
A65.598
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