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Name/Title
Pencil and ink sketch of a seated nude figure. The figure looks downwards and reaches arm to the ground. The paper for the sketch has been torn out of an instruction manual and is an example of Morris' practice of using found paper and objects in his artworks.
Accession No
PA2012.059

Name/Title
Mt. Taranaki/Egmont viewed through a classical portico of columns and arches.
Accession No
A64.817

Name/Title
Ink sketch depicting a view of Omata Beach with Saddleback Island in distance. Four individuals on beach.
Accession No
A75.651

Name/Title
Etching of a human figure on paper printed with the Defense Department organization chart. The source for the chart is given as the "U.S. Organization Manual 1983/84". The human figure huddles into itself, holding a baby to its chest in a tight embrace. Morris uses the combination of this human figure with the Defense Department chart to explore the concept of humanity. He believes that for someone to be capable of pulling a trigger, they must have lost their humanity and forgotten the love that exists between parent and child.
Accession No
PA2012.067

Name/Title
Hand-carved stamp of a stylised human figure on a black ground.
Accession No
PA2012.064

Pencil sketch of New Plymouth township in 1850-1856. The view looks down the Huatoki Stream to Devon Street Bridge. Marsland Hill and Mount Taranaki are visible in the background.
Accession No
PA2008.116

Painted version of the colours and battle honours of the 14th (Buckinghamshire) Regiment of Foot of the British Army.
Accession No
A66.792

Name/Title
Drawing of a female nude which Morris has dubbed a "two-minute drawing". The drawing dates from when Morris was attending life-drawing workshops at Vincents Art Workshop in Wellington.
Accession No
PA2012.046

Name/Title
Drawing of a seated female nude which Morris has dubbed a "five-minute drawing". There is another drawing of a nude, seen from behind, on the reverse of the drawing. The drawings date from when Morris was attending life-drawing workshops at Vincents Art Workshop in Wellington.
Accession No
PA2012.047

Name/Title
Doubled sided artwork with a drawing of a nude figure on both sides. Morris has dubbed the drawings "two-minute drawings". The drawings date from when Morris was attending life-drawing workshops at Vincents Art Workshop in Wellington.
Accession No
PA2012.049

Name/Title
Sketch of a seated nude figure. The paper for the sketch has been torn out of an instruction manual and is an example of Morris' practice of using found paper and objects in his artworks.
Accession No
PA2012.053

Name/Title
Graphite drawing of a bull.
Accession No
PA2012.060

Bust drawing of the Hāwera High School headmaster making a typical address at school assembly. The text included talks about sports results and house points.
Accession No
PA2012.118

Name/Title
Sketch of Back Beach, New Plymouth, including three of the Sugar Loaf Islands and a person in a kayak.
Accession No
PA2012.130

Name/Title
Sketch of Graham Kirk's wife, Glenda, breastfeeding their child Sam.
Accession No
PA2012.131

Name/Title
Sketch of a damaged wooden fence or retaining wall. Pieces of the fence/wall are lying prone behind a number of standing wooden posts. Rocks and small stones are pictured both in front of and behind the fence/wall.
Accession No
PA2012.132

Name/Title
Sketch of Graham and Glenda Kirk's house with bush and Mount Taranaki in the background.
Accession No
PA2012.134

Name/Title
Sketch of Graham and Glenda Kirk's dog Wiki sleeping on a chair.
Accession No
PA2012.135

Name/Title
Sketch of a woman, possibly the artist's wife Glenda Kirk, reading on a couch.
Accession No
PA2012.137

Name/Title
Sketch of Glenda Kirk breastfeeding her child Sam.
Accession No
PA2012.138

Resident Agent's House on Courtenay Street, New Plymouth. A lone horse rider is in the right foreground. Pukaka (Marsland Hill) and Pukiekie Pa sites are also shown. Mt Taranaki/Egmont and ranges is visible in the background.
Accession No
A85.749

View of New Plymouth after the cessation of the Taranaki Wars.
Accession No
A66.569

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Name/Title
Pencil sketch depicting a coastal view from Back Beach, New Plymouth with the Sugar Loaves, Saddleback Island and Paritutu in the distance. Sketch is on a long, narrow piece of paper which is folded in half.
Accession No
A75.553

Name/Title
Distant view of Mt Taranaki / Egmont with lower section covered by cloud. Small group of tall trees lower left corner foreground.
Accession No
A66.720
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