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Name/Title
Woodcut print depicting New Zealand Linum (Linum monogynum). Flowers, some in full bloom and some in bud, pictured along with stems and leaves of plant. Rendered in black ink.
Accession No
A57.516

Name/Title
Woodcut print depicting flowers and leaves of the Lacebark (Hoheria sexstylosa) plant.
Accession No
A57.520

Name/Title
Woodcut print depicting a Kiekie (Freycinetia banksii) branch with long cane-like leaves. Rendered in black ink.
Accession No
A57.524

Woodcut print depicting Senecio Alfred Atkinson (now known as Brachyglottis Alfred Atkinson) with daisy-like flowers on stems with leaves. Rendered in black ink.
Accession No
A57.526

A miniature oil painting of Elizabeth Lackworthy from Exeter (England). Contained in an oval wooden frame.
Accession No
A62.864

A miniature oil painting of Ambrose Lackworthy from Exeter (England). Contained in an oval wooden frame.
Accession No
A62.865

Tinted lithograph depicting Mount Eliot, New Plymouth. Small number of European dwellings middleground on hill with British flag flying upper right background. Sugar Loaf Islands right background. Figure on horse right foreground. Printed text below image reads:- "MOUNT ELIOT LATELY PURCHASED BY HIS EXCELLENCY - SIR GEORGE GREY G.C.B. / Published by Smith Elder & Co. Cornhill" also "Ford & George Lithographers 54 Hatton Garden". Housed in folder of cream matting board.
Accession No
A64.038

Name/Title
Oil painting of Tatton Homestead. Homestead pictured in centre of image with tall trees in the background and pasture in the foreground. A fence runs along the front of the house.
Accession No
A65.649

Watercolour depicting the old Mission House at Moturoa with cleared hills and Mt Taranaki/Egmont in background and cleared, fenced paddocks containing stock in the foreground. Mangaotuku stream also in foreground. Predominately brown hue with green and white highlights. Horse grazing centre bottom.
Accession No
A65.880

View across bush on Mount Taranaki towards the sea. Building is visible nestled amongst bush towards the centre of the image.
Accession No
A65.897

Sketch depicting the frontage of the New Plymouth Opera House and neighbouring shops in 1926.
Accession No
A65.918

Three sepia coloured ink sketches depicting three different views of a house, two from the side and one from the rear. Upper image has "Once Upon a Time" next to it. The middle image depicts a cow near the house while the lower image has Mt Taranaki in the background. The start of another sketch is evident verso.
Accession No
A65.919

View of the General Post Office, New Plymouth. Cars are parked on the street and figures are pictured walking on the footpath outside the buildings depicted. A man and child are crossing the road in the foreground. The New Zealand flag is flying from the top of the clock tower visible in the background.
Accession No
A65.920

Monochromatic watercolour of the Round House, New Plymouth. Mattboard annotated with note "The Round House / Erected by Mr Thomas Hurst from material / brought from England 1852". The Round House was erected in 1852 on Devon Street, then later moved to Courtenay Street in 1905. It was demolished in 1938.
Accession No
A65.921

Monochromatic watercolour of James Thomas Shaw's Cottage, New Plymouth. Mattboard annotated with: "The Shaw Cottage / Erected 1841 by the late Mr J T Shaw / from material brought from England". The site of the cottage was behind the present Post Office block.
Accession No
A65.922

Drawn from Gover Street looking towards Mount Eliot and showing first position of "Round House" & "Square House" (right) & Baptist Church (left on Liardet/Gill corner). Round House shipped to New Plymouth in 1852 by Thomas Hirst, erected on Section 917 fronting Devon Street. Second storey added and configuration changed in the early 1870s. Shifted to Courtenay Street, frontage of adjoining section 934 in 1905? Demolished in 1938.
Accession No
A66.060

Oil painting depicting a canoe containing four Maori is in the foreground and hilly bush in the background. There is a niu pole and gravesite in the mid ground beside three whare. There is a Roman Catholic Mission church beside a bend in the river. Copy of a sketch by John Skinner Esq.
Accession No
A66.086

High cliff pictured in the foreground with waves crashing at its base. Another cliff is visible in the background. A ship is pictured on the horizon. Gulls are flying.
Accession No
A66.107

Name/Title
View of two men and a horse outside a building with cart wheels, cart and accessories in foreground. Possibly a blacksmith's shop.
Accession No
A66.113

Small oil painting entitled "Twilight in the rain at Port Taranaki". Depicts a view of Newton King Wharf from near the old Paladium.
Accession No
A66.114

Painting of Mt Taranaki/Egmont with a winding dirt track, two men, cows and trees in foreground.
Accession No
A66.116

Name/Title
Painting of Mount Taranaki with several ships in the foreground.
Accession No
A66.118

Name/Title
Portrait of an unknown Maori woman. She is seated and is wearing a cloak draped over one shoulder. The other shoulder is bare. She has long, dark hair. Her head is tilted to the side and she is looking away from the viewer.
Accession No
A66.131

View of Mount Taranaki and the ranges from New Plymouth. Te Henui Cemetery and the Devon Street rail bridge in foreground.
Accession No
A66.135

Oil portrait of Rangi Kuini Wikitoria Topeora. She is wearing a cloak with a patterned border and has four feathers in her hair. She is wearing long pounamu [greenstone] ear pendants and is wearing an elaborate pounamu [greenstone] necklace comprised of several different pieces. She is seated. A small part of the chair is visible on the right hand side of the painting. Topeora was a niece of Ngati Toa leader Te Rauparaha, and a sister of Te Rangihaeata. She was one of only a few women to sign the Treaty of Waitangi. When she was baptised at Otaki by Bishop Selwyn she insisted on taking the name Kuini Wikitoria [Queen Victoria].
Accession No
A66.140
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