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A miniature oil painting of Elizabeth Lackworthy from Exeter (England). Contained in an oval wooden frame.
Accession No
A62.864

A miniature oil painting of Ambrose Lackworthy from Exeter (England). Contained in an oval wooden frame.
Accession No
A62.865

Name/Title
Oil painting of Tatton Homestead. Homestead pictured in centre of image with tall trees in the background and pasture in the foreground. A fence runs along the front of the house.
Accession No
A65.649

Watercolour depicting the old Mission House at Moturoa with cleared hills and Mt Taranaki/Egmont in background and cleared, fenced paddocks containing stock in the foreground. Mangaotuku stream also in foreground. Predominately brown hue with green and white highlights. Horse grazing centre bottom.
Accession No
A65.880

Drawn from Gover Street looking towards Mount Eliot and showing first position of "Round House" & "Square House" (right) & Baptist Church (left on Liardet/Gill corner). Round House shipped to New Plymouth in 1852 by Thomas Hirst, erected on Section 917 fronting Devon Street. Second storey added and configuration changed in the early 1870s. Shifted to Courtenay Street, frontage of adjoining section 934 in 1905? Demolished in 1938.
Accession No
A66.060

Oil painting depicting a canoe containing four Maori is in the foreground and hilly bush in the background. There is a niu pole and gravesite in the mid ground beside three whare. There is a Roman Catholic Mission church beside a bend in the river. Copy of a sketch by John Skinner Esq.
Accession No
A66.086

High cliff pictured in the foreground with waves crashing at its base. Another cliff is visible in the background. A ship is pictured on the horizon. Gulls are flying.
Accession No
A66.107

Name/Title
View of two men and a horse outside a building with cart wheels, cart and accessories in foreground. Possibly a blacksmith's shop.
Accession No
A66.113

Small oil painting entitled "Twilight in the rain at Port Taranaki". Depicts a view of Newton King Wharf from near the old Paladium.
Accession No
A66.114

Painting of Mt Taranaki/Egmont with a winding dirt track, two men, cows and trees in foreground.
Accession No
A66.116

Name/Title
Painting of Mount Taranaki with several ships in the foreground.
Accession No
A66.118

Name/Title
Portrait of an unknown Maori woman. She is seated and is wearing a cloak draped over one shoulder. The other shoulder is bare. She has long, dark hair. Her head is tilted to the side and she is looking away from the viewer.
Accession No
A66.131

View of Mount Taranaki and the ranges from New Plymouth. Te Henui Cemetery and the Devon Street rail bridge in foreground.
Accession No
A66.135

Oil portrait of Rangi Kuini Wikitoria Topeora. She is wearing a cloak with a patterned border and has four feathers in her hair. She is wearing long pounamu [greenstone] ear pendants and is wearing an elaborate pounamu [greenstone] necklace comprised of several different pieces. She is seated. A small part of the chair is visible on the right hand side of the painting. Topeora was a niece of Ngati Toa leader Te Rauparaha, and a sister of Te Rangihaeata. She was one of only a few women to sign the Treaty of Waitangi. When she was baptised at Otaki by Bishop Selwyn she insisted on taking the name Kuini Wikitoria [Queen Victoria].
Accession No
A66.140

Name/Title
Portrait of Paul Parau of Gisborne, a relative of Ngapai Ngatata. He is dressed in a white shirt, vest and jacket. He has a facial moko and a white beard.
Accession No
A66.141

Name/Title
Portrait of Epia Parau of Gisborne, a relative of Ngapai Ngatata and one of the sons of Paora Parau. Parau is pictured wearing a white shirt, a dark waistcoat and jacket, and a tie. He has a moustache.
Accession No
A66.145

Oil portrait of Rahapa te Whi Whi, daughter of Rangi Kuini Wikitoria Topeora. She is wearing a cloak with a patterned border and has shoulder length dark hair. She has a moko on her chin.
Accession No
A66.148

Name/Title
Portrait of a Maori woman with moko. The woman (Ngapei Ngātata) has a huia feather in her hair, shark tooth earrings in her ears, and a hei tiki with red wax eyes around her neck. She is dressed in a kahu huruhuru (feather cloak) and is holding a mere pounamu in her right hand. Pictured looking to the right (her left).
Accession No
A66.149

Name/Title
View of a boat putting out to sea and three figures watching on the shoreline.
Accession No
A66.152

Portrait painting of unknown boy. He is rather chubby and is clothed in a brown suit with white frilly collar. Thought to be Samuel Newell as a boy - Newell arrived in New Plymouth on the 'St Michaell' in December 1852 and became the licensee of the Masonic Hotel.
Accession No
A66.154

Name/Title
Portrait of Henry Des Forges (1830-1906). Depicts Des Forges as a young man. He is seated and visible from the waist up. He is wearing a dark suit with a white shirt, waistcoat and scarf tied at the neck. He has some sort of metal ornament attached to his waistcoat. One arm rests on a chair and the other in his lap.
Accession No
A66.160

Name/Title
Oil painting depicting a horse-drawn cart with three men loading the cart with hay or wheat. One man is standing on the stack while the other two are working from the ground. Hills are visible in the background.
Accession No
A66.206

View of Mount Taranaki from Stratford. The mountain is reflected in a body of water in the foreground.
Accession No
A66.304

Name/Title
View of unidentified lake with buildings, boats and several people in the foreground.
Accession No
A66.334

Diamond shaped painting of New Plymouth's breakwater and the Sugar Loaves.
Accession No
A66.355
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