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Name/Title
Woodcut print depicting New Zealand Linum (Linum monogynum). Flowers, some in full bloom and some in bud, pictured along with stems and leaves of plant. Rendered in black ink.
Accession No
A57.516

Name/Title
Woodcut print depicting flowers and leaves of the Lacebark (Hoheria sexstylosa) plant.
Accession No
A57.520

Name/Title
Woodcut print depicting a Kiekie (Freycinetia banksii) branch with long cane-like leaves. Rendered in black ink.
Accession No
A57.524

Woodcut print depicting Senecio Alfred Atkinson (now known as Brachyglottis Alfred Atkinson) with daisy-like flowers on stems with leaves. Rendered in black ink.
Accession No
A57.526

Rowboat with two men, one holding a pole, the other sitting. The river bank is covered with trees. Hills and trees are in the background, and a house is set among the hills.
Accession No
A66.210

Lithographed certificate for the Taranaki Jubilee Exhibition awarding first prize to Edward Moyle for Rope Section C. Dated New Plymouth, March 31 1891. Awarded by Mayor, James Bellringer. Signed in black ink "H. Goodacre" - President. Depicts a small image of Mt Egmont / Taranaki within an oval at the top. Text around edge of oval reads: "ALL ROUND MT EGMONT".
Accession No
A66.552

Name/Title
View of the New Plymouth breakwater at Ngamotu, Paritutu and the Sugar Loaf Islands.
Accession No
A66.772

View of Mount Taranaki and the Sugar Loaf Islands from the sea.
Accession No
A66.793

Name/Title
Pencil sketch of the Omata Stockade from the north east side, 1861. Stockade situated upper right middleground, small area of cleared land middle foreground with stock grazing on it.
Accession No
A75.450

Small pencil (field?) sketch depicting the Wai-iti Armed Constabulary Redoubt - centre forground. Shows square, earthen walls of redoubt with roof tops just visible inside the compound. Two men stand below flag - right side of redoubt. To the right of this, two men stand along fenceline outside walls of compound. Small patch of bush located to left of redoubt, above which (and into the distance) is the Bushranger's redoubt, Papatiki. Clearing immediate foreground with part of tree cutting in from middle right edge. Large bush clad hills in distance - background. Wash and colours noted on sketch. Housed in folder of white matting board.
Accession No
A75.452

Pencil drawing of the Bell Block Stockade from the seaward side looking towards the mountain. Stockade in middleground. Two soldiers standing and two on horseback in foreground.
Accession No
A75.453

Pencil drawing with watercolour wash showing the view from the western side of the Bell Block Stockade, 1860. Looking out over the Bell Village District and showing the Anglican and Primitive Methodist Churches, the Village Inn and the residence of James Marshall. Soldiers with cannon in foreground.
Accession No
A75.454

Name/Title
Pencil sketch with white highlights by F.H. Arden depicting an Italian (?) lake scene. Showing gondolas and yachts on lake with people near a set of stairs on the lake shore in foreground. Mountains in background. Large building at foot of hills in distance.
Accession No
A84.150

Name/Title
Coloured woodcut print by John Lysaght Moore titled "Mt Egmont". Original print was made in 1939. Rendered in blues, greens and ochre.
Accession No
A85.172

Woodcut print by John Lysaght Moore of Mitre Peak, Fiordland. Work is predominently done in blue, white and grey. Depicts Mitre Peak in the middleground with sea and rocky foreshore in foreground.
Accession No
A85.173

Woodcut print by John Lysaght Moore. Depicts trees in foreground with glacier in middle/background. Coloured in greys, white, and blues.
Accession No
A85.174

Name/Title
Black and white print depicting snow and icicles by John Lysaght Moore (unsigned).
Accession No
A85.192

Name/Title
Woodblock print of Mt Taranaki/Egmont by John Lysaght Moore titled "Mt Egmont". Rendered in blues, greens and ochre.
Accession No
A85.201

Name/Title
Small untitled watercolour on paper (postcard size) by John Lysaght Moore depicting Mt Taranaki/Egmont in background with cleared land and fence in foreground and hills in middleground. Cloud bank midway across mountain.
Accession No
A85.204

Name/Title
Colour woodblock print by John Lysaght Moore titled "Poroporo" 19/ up to 500. Depicts the purple flower and three fingered leaves of the Poroporo plant.
Accession No
A85.205

Name/Title
Woodcut print depicting four leaves of the Karaka (cornyocarpus laevigatus) plant with eight berries. Rendered in green and yellow paint.
Accession No
PA2008.095

Name/Title
Woodcut print depicting the Titoki (Alectryon excelsus) plant with leaves and berries enclosed in capsules. Rendered in green, ochre, black and red paint.
Accession No
PA2008.096

Painting depicting a pilot in a black military aircraft. The bottom of the aircraft shows a string of white numbers and letters that refer to the code printed into a piece of metal retrieved from an American missile dropped on a residential area of Baghdad, Iraq, in March 2003. The missile killed dozens of civilians. The body of the aircraft also features a symbol in a yellow circle, which is Roger Morris' symbol for "the corporate fascist". The red dot refers to a sniper's laser dot and the words "HIT HERE" to targets attacked by the US military. One of the red dots is printed onto the silhouette of a figure. The background of the print is vivid orange. The print is from Morris' 'Enduring Freedom' series, which explores differing version of truth surrounding the September 11, 2001 'terror attacks' in the United States of America.
Accession No
PA2012.031

Woodcut print of a part of an engine printed in black paint. Text reading "TOO /LATE / utility R. was here. OEO CALLING" is printed on the bottom right hand corner of the artwork. The print is part of Morris' 'Enduring Freedom' series, which explores differing versions of truth surrounding the September 11, 2001 'terror attacks' in the United States of America.
Accession No
PA2012.041

Artwork from Roger Morris' 'Enduring Freedom' series that features four elements relating to the Global War on Terror. The top element is a hand drawn engine block, referring to 'the might of the military machine'. The next is a silhouette of a tank. The third is a stylised figure. The fourth is the word "OIL". The artwork has been made on the back of a proof poster for the TOWER New Zealand Youth Choir.
Accession No
PA2012.042
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