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Name/Title
Woodcut print depicting New Zealand Linum (Linum monogynum). Flowers, some in full bloom and some in bud, pictured along with stems and leaves of plant. Rendered in black ink.
Accession No
A57.516

Name/Title
Woodcut print depicting flowers and leaves of the Lacebark (Hoheria sexstylosa) plant.
Accession No
A57.520

Name/Title
Woodcut print depicting a Kiekie (Freycinetia banksii) branch with long cane-like leaves. Rendered in black ink.
Accession No
A57.524

Woodcut print depicting Senecio Alfred Atkinson (now known as Brachyglottis Alfred Atkinson) with daisy-like flowers on stems with leaves. Rendered in black ink.
Accession No
A57.526

A miniature oil painting of Elizabeth Lackworthy from Exeter (England). Contained in an oval wooden frame.
Accession No
A62.864

A miniature oil painting of Ambrose Lackworthy from Exeter (England). Contained in an oval wooden frame.
Accession No
A62.865

Liardet Street, New Plymouth. Marsland Hill Barracks in right background. Street in foreground on which there is a cart with two oxen and a small number of people.
Accession No
A65.887

View of central New Plymouth from Liardet/Gill Street area. Wesleyan Methodist Church (left), St Mary's Anglican Church (right) and Marsland Hill and barracks centre right.
Accession No
A65.888

Name/Title
Memorial to the 57th (West Middlesex) Regiment at Te Henui Cemetery. Mt. Taranaki/Egmont visible in background.
Accession No
A65.909

View of H. W. Leatham's cottage in Woolcombe Terrace. Depicts a small, shingle roof, vertical board and battern cottage with a paling fence in front and Mt Taranaki/Egmont visible behind. Three children (Eliza Leatham, Mary Hursthouse, and Mary Leatham) and two goats are in front of the fence.
Accession No
A65.915

Drawn from Gover Street looking towards Mount Eliot and showing first position of "Round House" & "Square House" (right) & Baptist Church (left on Liardet/Gill corner). Round House shipped to New Plymouth in 1852 by Thomas Hirst, erected on Section 917 fronting Devon Street. Second storey added and configuration changed in the early 1870s. Shifted to Courtenay Street, frontage of adjoining section 934 in 1905? Demolished in 1938.
Accession No
A66.060

Oil painting depicting a canoe containing four Maori is in the foreground and hilly bush in the background. There is a niu pole and gravesite in the mid ground beside three whare. There is a Roman Catholic Mission church beside a bend in the river. Copy of a sketch by John Skinner Esq.
Accession No
A66.086

High cliff pictured in the foreground with waves crashing at its base. Another cliff is visible in the background. A ship is pictured on the horizon. Gulls are flying.
Accession No
A66.107

Name/Title
Portrait of an unknown Maori woman. She is seated and is wearing a cloak draped over one shoulder. The other shoulder is bare. She has long, dark hair. Her head is tilted to the side and she is looking away from the viewer.
Accession No
A66.131

Oil portrait of Rangi Kuini Wikitoria Topeora. She is wearing a cloak with a patterned border and has four feathers in her hair. She is wearing long pounamu [greenstone] ear pendants and is wearing an elaborate pounamu [greenstone] necklace comprised of several different pieces. She is seated. A small part of the chair is visible on the right hand side of the painting. Topeora was a niece of Ngati Toa leader Te Rauparaha, and a sister of Te Rangihaeata. She was one of only a few women to sign the Treaty of Waitangi. When she was baptised at Otaki by Bishop Selwyn she insisted on taking the name Kuini Wikitoria [Queen Victoria].
Accession No
A66.140

Name/Title
Portrait of Paul Parau of Gisborne, a relative of Ngapai Ngatata. He is dressed in a white shirt, vest and jacket. He has a facial moko and a white beard.
Accession No
A66.141

Name/Title
Portrait of Epia Parau of Gisborne, a relative of Ngapai Ngatata and one of the sons of Paora Parau. Parau is pictured wearing a white shirt, a dark waistcoat and jacket, and a tie. He has a moustache.
Accession No
A66.145

Oil portrait of Rahapa te Whi Whi, daughter of Rangi Kuini Wikitoria Topeora. She is wearing a cloak with a patterned border and has shoulder length dark hair. She has a moko on her chin.
Accession No
A66.148

Portrait painting of unknown boy. He is rather chubby and is clothed in a brown suit with white frilly collar. Thought to be Samuel Newell as a boy - Newell arrived in New Plymouth on the 'St Michaell' in December 1852 and became the licensee of the Masonic Hotel.
Accession No
A66.154

Name/Title
Portrait of Henry Des Forges (1830-1906). Depicts Des Forges as a young man. He is seated and visible from the waist up. He is wearing a dark suit with a white shirt, waistcoat and scarf tied at the neck. He has some sort of metal ornament attached to his waistcoat. One arm rests on a chair and the other in his lap.
Accession No
A66.160

Residence of Mrs William Honeyfield at Moturoa, circa 1870. Hongi Hongi lagoon is visible in the left middleground and Sugar Loaf Islands in the background. Three cattle in the lower right corner and a flock of sheep near the foreshore. The Honeyfield residence was built by Richard (Dicky) Barret, pioneer trader and whaler of Moturoa.
Accession No
A66.460

Name/Title
View of the New Plymouth breakwater at Ngamotu, Paritutu and the Sugar Loaf Islands.
Accession No
A66.772

View of Mount Taranaki and the Sugar Loaf Islands from the sea.
Accession No
A66.793

View of Upper Brougham Street, New Plymouth c.1862-65. Post Office to the left, Devon Street leading up to the White Hart Hotel, and the Primitive Methodist Church visible right background. Huatoki Valley in foreground with two cattle pulling cart.
Accession No
A75.423

View of central New Plymouth from lower Liardet Street looking towards Marsland Hill and Mt Taranaki / Egmont. Figure in red jacket on horse in foreground.
Accession No
A75.426
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