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Name/Title
Woodcut print depicting New Zealand Linum (Linum monogynum). Flowers, some in full bloom and some in bud, pictured along with stems and leaves of plant. Rendered in black ink.
Accession No
A57.516

Name/Title
Woodcut print depicting flowers and leaves of the Lacebark (Hoheria sexstylosa) plant.
Accession No
A57.520

Name/Title
Woodcut print depicting a Kiekie (Freycinetia banksii) branch with long cane-like leaves. Rendered in black ink.
Accession No
A57.524

Woodcut print depicting Senecio Alfred Atkinson (now known as Brachyglottis Alfred Atkinson) with daisy-like flowers on stems with leaves. Rendered in black ink.
Accession No
A57.526

Screenprint portrait of New Zealand author Alan Keith Grant (1941-2000). The portrait shows Grant in quarter profile looking towards his left. It is in black ink in a loose, sketchy style.
Accession No
A57.706

Name/Title
Screenprint portrait of a young girl/woman. The portrait shows her looking to the front. It is in coloured ink (starting at the top with orange merging to pink at the bottom) in a loose, sketchy style.
Accession No
A57.707

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in coloured ink (starting at the left with dark green merging to lime green ink at the right) in a loose, sketchy style.
Accession No
A57.708

Name/Title
Screenprint portrait of a woman with her hair length just below her ears. The portrait shows her in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.709

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
A57.710

Name/Title
Screenprint portrait of a man. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.711

Name/Title
Screenprint portrait of a girl lying on her left side, looking to be sucking her right thumb . It is in red ink in a loose, sketchy style on a salmon pink card.
Accession No
A57.712

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.713

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.714

Name/Title
Screenprint of portrait of a man. The portrait shows him in full profile in blue with a background of orange fading to grey at the bottom.
Accession No
A57.715

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in coloured ink (starting with blue/green at the top merging to yellow ink at the bottom) in a loose, sketchy style.
Accession No
A57.716

Name/Title
Screenprint portrait of a man. The portrait shows man in quarter profile looking towards his left. It is in black ink in a loose, sketchy style.
Accession No
A57.717

Ink and wash of two battleships (British and French) after a battle at sea - both ships have torn sails. Below image are the words:- "A View of the Ruby and Solitare immediately after the latter Struck to the former on the 6th Dec 1782. A. His Majesty's Ship Ruby of 64 guns and 500 men commanded by Captain John Collins. B. The Solitaire a French man of War of 66 guns and 566 men commanded by the Chevalier de Horda [?]. C. The Ruby's boat boarding her prize. Drawn by M. Oates Lieutenant of Marines".
Accession No
A58.003

Watercolour by James Crowe Richmond. Beach scene at Greymouth. Driftwood and clump of marram grass in foreground; beach, estuary and sea in middleground and hills in background.
Accession No
A58.048

A view of the New Plymouth foreshore, showing signal station on Mount Eliot, Custom House and boat shed in foreground, with original Terminus Hotel on the right. Two people walking on beach.
Accession No
A58.394

Name/Title
A view of New Plymouth taken from the vicinity of Gover-Gilbert Street. Depicts various houses in the foreground with Paritutu and Sugar Loaves in background. Barracks on Marsland Hill to left.
Accession No
A58.395

Small watercolour depicting the Waiiti Armed Constabulary Redoubt - centre forground. Shows square, brown earthen walls of redoubt with roof tops just visible inside the compound. Three men stand below flag - right side of redoubt. To the right of this, three men stand along fenceline outside walls of compound. Small patch of green bush located to left of redoubt, above which (and into the distance) is the Bushranger's redoubt, Papatiki. Brown clearing with dead tree immediate foreground. Green and bluish bush clad hills in distance - background. Housed in folder of light pink (front) and beige (rear) matting board.
Accession No
A58.489

Bushrangers Redoubt and camp "Papatiki" at the edge of the forest at Wai-iti, Pukearuhe District, 1871. Also known as "Capt. Messenger's Camp/Wai-iti". Redoubt centre middleground, cleared land in foreground (with solitary cow grazing), and camp lower right middleground. Bush clad hills in background.
Accession No
A58.490

Small watercolour of Armed Constabulary's redoubt at Wai-iti from Papatiki (Bushranger's redoubt). Depicts collection of small buildings lower centre with column of smoke emitting from one of the buildngs. Redoubt positioned on flat land surrounded by hills - brown fern regrowth immediate foreground, large light green hill right background and distant blue hills left background. Small line of bush located to right of buildings - beginning lower middle right; larger patch of bush located to left of buildings - lower middle left.
Accession No
A58.491

Small watercolour depicting Mount Taranaki/Egmont and the Waitara Valley. Taken from Tikorangi Blockhouse. Pukerangiora/Te Arei in middle distance.
Accession No
A58.492

Small watercolour depicting Mount Taranaki/Egmont from Marsland Hill, New Plymouth, 1876. Road in foreground, few dwellings in middleground, Mt Taranaki/Egmont and ranges in background. Column of smoke at base of ranges.
Accession No
A58.493
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