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Head and shoulder portrait of a young woman (possibly Mary Humphries, wife of Dr Humphries). She is wearing a black dress with cream lace frill around neck and a red velvet-like fabric cap trimmed with cream lace and decorated with pearls.
Accession No
TM.1999.039

View of Paritūtū Rock at either sunrise or sunset. Hill with two large Norfolk pines on it pictured on the left of the image. Paritūtū is bathed in golden light. Rendered predominantly in yellow, ochre, green, blue/purple and black.
Accession No
PA2012.145

Sketch of "The Pines", the house of Major Charles (Carlino) Brown, son of Charles Armitage Brown. The house is pictured on a ridge. A river is visible in the foreground. Hills and vegetation in the middleground. The sketch is included in a sketchbook attributed to one of Major Charles (Carlino) Brown's daughters. However, the inscription on the inside cover reads "Constance W. Rowe / Taranaki / April 2nd 1880" - it is unclear if this inscription indicates the name of the actual artist.
Accession No
PA2011.111

Sketch of the New Zealand Titanic Steel and Iron Company Ltd near the mouth of the Te Henui River, New Plymouth. The factory is pictured in the centre of the image. The Te Henui River is visible in the foreground. The sketch is included in a sketchbook attributed to one of Major Charles (Carlino) Brown's daughters. However, the inscription on the inside cover reads "Constance W. Rowe / Taranaki / April 2nd 1880" - it is unclear if this inscription indicates the name of the actual artist.
Accession No
PA2011.110

Name/Title
Sketch of the Te Henui River mouth. A building and two figures can be seen in the foreground. A collection of buildings, possibly the New Zealand Titanic Steel and Iron Company Ltd, are visible in the middleground on the right of the image. The sketch is included in a sketchbook attributed to one of Major Charles (Carlino) Brown's daughters. However, the inscription on the inside cover reads "Constance W. Rowe / Taranaki / April 2nd 1880" - it is unclear if this inscription indicates the name of the actual artist.
Accession No
PA2011.103

Screenprint depicting a view down Parihaka Road and across a pasture with lahars to Mount Taranaki and the Kaitakes at dawn. Rendered in blues, greens, yellow and orange. Screenprint originally framed with a pencil sketch and stencil master.
Accession No
PA2008.022

Name/Title
Two large trees depicted against light blue sky. Bottom third of image depicts grass and wild flowers in greens, yellow and reds. Three trees visible in background.
Accession No
PA2007.116

Lupin and boxthorn bushes in foreground, Mount Taranaki and ranges in background. Print predominantly rendered in greens, yellow and blues.
Accession No
A98.773

Pouākai Ranges rendered in dark blue in foreground. Bank of grey cloud above that partially obscures Mount Taranaki in the background. Printed in shades of blue and grey.
Accession No
A98.772

Setting sun framed between two copses of tall trees. Pasture and lahar mounds in foreground/middleground. Rendered in greens, blacks, pinks, yellow, orange and purple.
Accession No
A98.631

View of Oakura River mouth and sea beyond at sunset.
Accession No
A98.622

Rural view of farmland and buildings. Grass and a hedge are pictured in the foreground. A fence runs across farmland in the middleground. Two buildings and several power poles are pictured in the background along with a bank of large trees.
Accession No
A98.621

Portrait painting of unknown boy. He is rather chubby and is clothed in a brown suit with white frilly collar. Thought to be Samuel Newell as a boy - Newell arrived in New Plymouth on the 'St Michaell' in December 1852 and became the licensee of the Masonic Hotel.
Accession No
A66.154

Name/Title
Unframed screenprint depicting Mount Taranaki. Blue hills in forefront, with lighter blue of the mountain. The top of the image is yellow, with lightness covering the top third of the mountain.
Accession No
A65.620

Name/Title
Print entitled "First Light". depicts a two tone mountain (Mt Taranaki / Egmont). The upper part is silver grey, the lower is royal blue set against a golden sky, and a navy blue range in the foreground.
Accession No
A65.619

Partial view of Paritūtū Rock and the New Plymouth Power Station chimney from behind a pā site at Ōmata. Rendered predominantly in greens, blues and yellow.
Accession No
A65.618

Name/Title
Portrait of Michael Smither rendered in rainbow colours and set against a blue/grey background.
Accession No
A65.616

Name/Title
View of Mount Taranaki.
Accession No
A65.615

Name/Title
An unframed screen print depicting Mt Taranaki as a white flecked, blue grey mountain against a blue sky in the background, green trees midground, and a flecked brown field in the foreground.
Accession No
A65.614

A screen print entitled "Minarapa Rd, Sunset". Black trees on a black foreground against an orange to yellow to light green sky.
Accession No
A65.612

Name/Title
View of two tall trees with grass and wild flowers in the foreground. The tops of several other trees are visible in the background. Rendered predominantly in greens, blues, yellow and red.
Accession No
A65.611

Name/Title
View of two lahar mounds, fence and tall trees, Komene Road, Ōkato. Mount Taranaki and ranges in background. Colours predominantly greens and yellows.
Accession No
A65.610

Name/Title
Unframed screenprint depicting Mount Taranaki. Blue mountain with peak covering a little under half the image. The sky gradiates from yellow at the bottom to cyan at the top.
Accession No
A65.608

Unframed screenprint depicting Mount Taranaki. Green foreground depicting grass. The mountain is blue showing the sunrise effect from the pink sky.
Accession No
A65.606

Name/Title
Depicts blue river melting into black background, with bank displaying red and yellow flowers and rushes.
Accession No
A65.605
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