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Oil painting of Mount Taranaki from Holly Flat. Painted in a romantic style, it shows the snow-covered peak of Mount Taranaki looming in the background with a series of gorges and cliffs running through the midground. There is also a waterfall visible through the centre of the scene. Bush and trees are visible in the foreground. The painting is contained in a gold molded frame.
Accession No
PA2015.080

Sketch of 'Wilkinson's Castle', Pukearuhe, presumed to have been painted by James Chapman-Taylor's third wife, Joan. 'Wilkinson's Castle' is visible on the brow of a hill with tall trees surrounding the house. Vegetation is depicted on the hillside in the foreground. It is possible this sketch was made before the plans for the house were finalised and building had commenced.
Accession No
PA2010.219

Watercolour of Mount Egmont / Taranaki by Bernard Aris 1936. Dwelling with red roof right of center. Matted and Framed.
Accession No
PA2005.334

A framed oil painting by Bernard Aris of St Mary's Church, New Plymouth 1954.
Accession No
PA2004.024

Rural view of farmland and buildings. Grass and a hedge are pictured in the foreground. A fence runs across farmland in the middleground. Two buildings and several power poles are pictured in the background along with a bank of large trees.
Accession No
A98.621

Name/Title
Seascape with rocks, dark clouded sky, filtered sunlight and gulls. Paritutu and the Sugar Loaf Islands visible in the background.
Accession No
A81.947

Name/Title
View of Paritutu with two buildings and a chimney at the base. Sand and waves in the foreground.
Accession No
A75.555

View of Moturoa Island, largest of the Sugar Loaf Islands, New Plymouth. Sea in foreground.
Accession No
A75.551

Name/Title
View of waves with rocks in the background, possibly at the base of Paritutu, Back Beach.
Accession No
A75.550
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