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Solar plate etching in black ink on white paper. Composition consists of 5 long plates placed one below the other depicting landscape views of pa sites on the coastal road between Pungarehu to Warea road including Mt. Taranaki/Egmont. Some trees and power lines included. Titled, signed and dated below.
Accession No
TM2003.358

Multi-coloured screenprint on paper composed of 3 long panoramic views of pa sites located between Pungarehu and Warea on the coastal road including Mt. Taranaki/Egmont.
Accession No
TM2003.357

Oil on canvas painting commemorating the captain of the Arawa waka who died in the Te Moehau Ranges, Coromandel Peninsula. Features black and white lozenge patterns at the top and bottom. The lozenge patterns are representative of a traditional tukutuku pattern Roimata Toroa (tears of the albatros). This pattern represents the grief. In the centre is an abstract representation of the Te Moehau Ranges (where the Captain of the Arawa waka, Kapua, died) in two shades of red and white.
Accession No
TM.1998.178

Name/Title
An unframed botanical work of oil on canvas. Depicts a specimen of NZ puff ball. Predominant colours - cream coloured puff ball image with an orange coloured background.
Accession No
PA2016.004

Oil painting of Mount Taranaki from Holly Flat. Painted in a romantic style, it shows the snow-covered peak of Mount Taranaki looming in the background with a series of gorges and cliffs running through the midground. There is also a waterfall visible through the centre of the scene. Bush and trees are visible in the foreground. The painting is contained in a gold molded frame.
Accession No
PA2015.080

View of Paritūtū Rock at either sunrise or sunset. Hill with two large Norfolk pines on it pictured on the left of the image. Paritūtū is bathed in golden light. Rendered predominantly in yellow, ochre, green, blue/purple and black.
Accession No
PA2012.145

Part XXII (22) of Banks' Florilegium containing 23 colour prints relating to New Zealand, printed from the original copperplate engravings in 1986 by Alecto Historical Editions in association with The British Museum (Natural History). The prints illustrate plants collected on Captain James Cook’s first voyage round the world in "H.M.S. Endeavour" (1768-1771). The specimens were gathered and classified by the Right Hon. Sir Joseph Banks, Bart., K.B., P.C., P.R.S., and Dr Daniel Solander, F.R.S., and were accurately engraved between 1771 and 1784 after drawings taken from nature by Sydney Parkinson.
Accession No
PA2011.113

Part XXI (21) of Banks' Florilegium containing 23 colour prints relating to New Zealand, printed from the original copperplate engravings in 1986 by Alecto Historical Editions in association with The British Museum (Natural History). The prints illustrate plants collected on Captain James Cook’s first voyage round the world in "H.M.S. Endeavour" (1768-1771). The specimens were gathered and classified by the Right Hon. Sir Joseph Banks, Bart., K.B., P.C., P.R.S., and Dr Daniel Solander, F.R.S., and were accurately engraved between 1771 and 1784 after drawings taken from nature by Sydney Parkinson.
Accession No
PA2011.112

Name/Title
Woodcut print depicting the Titoki (Alectryon excelsus) plant with leaves and berries enclosed in capsules. Rendered in green, ochre, black and red paint.
Accession No
PA2008.096

Name/Title
Woodcut print depicting four leaves of the Karaka (cornyocarpus laevigatus) plant with eight berries. Rendered in green and yellow paint.
Accession No
PA2008.095

Screenprint depicting a view down Parihaka Road and across a pasture with lahars to Mount Taranaki and the Kaitakes at dawn. Rendered in blues, greens, yellow and orange. Screenprint originally framed with a pencil sketch and stencil master.
Accession No
PA2008.022

Coloured ink drawing of three cloaks, which dominate the image and hover over stylised land forms. The land forms are drawn in such a way as to be evocative of Pakati and haehae carving techniques. The middle cloak is a tatara [rain cape] and is flanked by two korowai cloaks. The tatara cape has a cloak pin protruding from the top. Drawn in blue, green, black, brown, gold and red.
Accession No
PA2008.021

Name/Title
Two large trees depicted against light blue sky. Bottom third of image depicts grass and wild flowers in greens, yellow and reds. Three trees visible in background.
Accession No
PA2007.116

Watercolour of Mount Egmont / Taranaki by Bernard Aris 1936. Dwelling with red roof right of center. Matted and Framed.
Accession No
PA2005.334

A framed oil painting by Bernard Aris of St Mary's Church, New Plymouth 1954.
Accession No
PA2004.024

Name/Title
View of Mount Taranaki. The mountain is covered in snow and trees are pictured in the foreground.
Accession No
PA2004.023

Lupin and boxthorn bushes in foreground, Mount Taranaki and ranges in background. Print predominantly rendered in greens, yellow and blues.
Accession No
A98.773

Pouākai Ranges rendered in dark blue in foreground. Bank of grey cloud above that partially obscures Mount Taranaki in the background. Printed in shades of blue and grey.
Accession No
A98.772

Rural view of farmland and buildings. Grass and a hedge are pictured in the foreground. A fence runs across farmland in the middleground. Two buildings and several power poles are pictured in the background along with a bank of large trees.
Accession No
A98.621

Coloured ink drawing of Tararua Ranges with korowai above. Between the two are a manaia (left) and Tasman's ship, "Hemskerck" (right).
Accession No
A92.809

Headless torso wearing a korowai looming above a small landscape scene in the foreground, featuring Mt. Taranaki/Egmont and Central Plateau mountains. Stylised hill forms in immediate foreground. Muted natural colours including brown, green and ochre with foreground ranges in red, black and green.
Accession No
A87.647

Has red, black and white scroll like designs on one side, a black and white ovate design on the other side, and multi-coloured lines down the centre.
Accession No
A87.646

Name/Title
Koruru face at centre surrounded by wide silver border and flanked at both sides with weaving and carving motifs. Landscape silhouette at top and koru with gold infill at bottom.
Accession No
A87.645

Brightly coloured korowai with taniko border floating above a landscape scene featuring several islands and Mt. Taranaki/Egmont in the bottom right corner. The korowai is surrounded by several stylised motifs including diamond shapes and curved linear designs.
Accession No
A87.644

Landscape format with the bottom half of a green and red korowai floating above a waterscape enclosed on three sides by green hills. There is a stylised taniwha in the centre of the work, flanked on one side by a pattern of triangles and on the other two koru and wavy lines to indicate water flow.
Accession No
A87.643
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