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Solar plate etching in black ink on white paper. Composition consists of 5 long plates placed one below the other depicting landscape views of pa sites on the coastal road between Pungarehu to Warea road including Mt. Taranaki/Egmont. Some trees and power lines included. Titled, signed and dated below.
Accession No
TM2003.358

Multi-coloured screenprint on paper composed of 3 long panoramic views of pa sites located between Pungarehu and Warea on the coastal road including Mt. Taranaki/Egmont.
Accession No
TM2003.357

Name/Title
An unframed botanical work of oil on canvas. Depicts a specimen of NZ puff ball. Predominant colours - cream coloured puff ball image with an orange coloured background.
Accession No
PA2016.004

Oil painting of Mount Taranaki from Holly Flat. Painted in a romantic style, it shows the snow-covered peak of Mount Taranaki looming in the background with a series of gorges and cliffs running through the midground. There is also a waterfall visible through the centre of the scene. Bush and trees are visible in the foreground. The painting is contained in a gold molded frame.
Accession No
PA2015.080

Name/Title
Screenprint print of three men huddled in discussion. It is in black and yellow ink in a loose, sketchy style.
Accession No
PA2015.078

Name/Title
Screenprint port of a man. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.077

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.074

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.071

Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.070

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.068

Name/Title
Screenprint portrait of a tall and skinny young man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.067

Name/Title
Screenprint portrait of a young girl. The portrait shows her in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.066

Name/Title
Screenprint portrait of a young girl. The portrait shows her in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.065

Name/Title
Screenprint portrait of a balding man. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.064

Name/Title
Screenprint portrait of a young person. The portrait shows them in full profile. It is in black ink in a loose, sketchy style with a spot of green in the eye area.
Accession No
PA2015.063

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.062

View of Paritūtū Rock at either sunrise or sunset. Hill with two large Norfolk pines on it pictured on the left of the image. Paritūtū is bathed in golden light. Rendered predominantly in yellow, ochre, green, blue/purple and black.
Accession No
PA2012.145

Part XXII (22) of Banks' Florilegium containing 23 colour prints relating to New Zealand, printed from the original copperplate engravings in 1986 by Alecto Historical Editions in association with The British Museum (Natural History). The prints illustrate plants collected on Captain James Cook’s first voyage round the world in "H.M.S. Endeavour" (1768-1771). The specimens were gathered and classified by the Right Hon. Sir Joseph Banks, Bart., K.B., P.C., P.R.S., and Dr Daniel Solander, F.R.S., and were accurately engraved between 1771 and 1784 after drawings taken from nature by Sydney Parkinson.
Accession No
PA2011.113

Part XXI (21) of Banks' Florilegium containing 23 colour prints relating to New Zealand, printed from the original copperplate engravings in 1986 by Alecto Historical Editions in association with The British Museum (Natural History). The prints illustrate plants collected on Captain James Cook’s first voyage round the world in "H.M.S. Endeavour" (1768-1771). The specimens were gathered and classified by the Right Hon. Sir Joseph Banks, Bart., K.B., P.C., P.R.S., and Dr Daniel Solander, F.R.S., and were accurately engraved between 1771 and 1784 after drawings taken from nature by Sydney Parkinson.
Accession No
PA2011.112

Name/Title
Woodcut print depicting the Titoki (Alectryon excelsus) plant with leaves and berries enclosed in capsules. Rendered in green, ochre, black and red paint.
Accession No
PA2008.096

Name/Title
Woodcut print depicting four leaves of the Karaka (cornyocarpus laevigatus) plant with eight berries. Rendered in green and yellow paint.
Accession No
PA2008.095

Screenprint depicting a view down Parihaka Road and across a pasture with lahars to Mount Taranaki and the Kaitakes at dawn. Rendered in blues, greens, yellow and orange. Screenprint originally framed with a pencil sketch and stencil master.
Accession No
PA2008.022

Name/Title
Two large trees depicted against light blue sky. Bottom third of image depicts grass and wild flowers in greens, yellow and reds. Three trees visible in background.
Accession No
PA2007.116

Watercolour of Mount Egmont / Taranaki by Bernard Aris 1936. Dwelling with red roof right of center. Matted and Framed.
Accession No
PA2005.334

A framed oil painting by Bernard Aris of St Mary's Church, New Plymouth 1954.
Accession No
PA2004.024
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