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Solar plate etching in black ink on white paper. Composition consists of 5 long plates placed one below the other depicting landscape views of pa sites on the coastal road between Pungarehu to Warea road including Mt. Taranaki/Egmont. Some trees and power lines included. Titled, signed and dated below.
Accession No
TM2003.358

Multi-coloured screenprint on paper composed of 3 long panoramic views of pa sites located between Pungarehu and Warea on the coastal road including Mt. Taranaki/Egmont.
Accession No
TM2003.357

Name/Title
An unframed botanical work of oil on canvas. Depicts a specimen of NZ puff ball. Predominant colours - cream coloured puff ball image with an orange coloured background.
Accession No
PA2016.004

Oil painting of Mount Taranaki from Holly Flat. Painted in a romantic style, it shows the snow-covered peak of Mount Taranaki looming in the background with a series of gorges and cliffs running through the midground. There is also a waterfall visible through the centre of the scene. Bush and trees are visible in the foreground. The painting is contained in a gold molded frame.
Accession No
PA2015.080

View of Paritūtū Rock at either sunrise or sunset. Hill with two large Norfolk pines on it pictured on the left of the image. Paritūtū is bathed in golden light. Rendered predominantly in yellow, ochre, green, blue/purple and black.
Accession No
PA2012.145

View of a two-storied house once located at 234 Devon Street East and 236 Courtenay Street, New Plymouth. The house is white with green window frames and detailing. The house is situated amidst a large garden. A lawn dominates the foregound. There is a large tree planted at the edge of the lawn, in front of the house. A wheelbarrow sits on the lawn on the left. The house was built for Dr David Wylie in 1910. From 1927 to 1950 it was the home of Monica and Rex Brewster. It was demolished some time in the 1970s.
Accession No
PA2012.025

Part XXII (22) of Banks' Florilegium containing 23 colour prints relating to New Zealand, printed from the original copperplate engravings in 1986 by Alecto Historical Editions in association with The British Museum (Natural History). The prints illustrate plants collected on Captain James Cook’s first voyage round the world in "H.M.S. Endeavour" (1768-1771). The specimens were gathered and classified by the Right Hon. Sir Joseph Banks, Bart., K.B., P.C., P.R.S., and Dr Daniel Solander, F.R.S., and were accurately engraved between 1771 and 1784 after drawings taken from nature by Sydney Parkinson.
Accession No
PA2011.113

Part XXI (21) of Banks' Florilegium containing 23 colour prints relating to New Zealand, printed from the original copperplate engravings in 1986 by Alecto Historical Editions in association with The British Museum (Natural History). The prints illustrate plants collected on Captain James Cook’s first voyage round the world in "H.M.S. Endeavour" (1768-1771). The specimens were gathered and classified by the Right Hon. Sir Joseph Banks, Bart., K.B., P.C., P.R.S., and Dr Daniel Solander, F.R.S., and were accurately engraved between 1771 and 1784 after drawings taken from nature by Sydney Parkinson.
Accession No
PA2011.112

Name/Title
Woodcut print depicting the Titoki (Alectryon excelsus) plant with leaves and berries enclosed in capsules. Rendered in green, ochre, black and red paint.
Accession No
PA2008.096

Name/Title
Woodcut print depicting four leaves of the Karaka (cornyocarpus laevigatus) plant with eight berries. Rendered in green and yellow paint.
Accession No
PA2008.095

Screenprint depicting a view down Parihaka Road and across a pasture with lahars to Mount Taranaki and the Kaitakes at dawn. Rendered in blues, greens, yellow and orange. Screenprint originally framed with a pencil sketch and stencil master.
Accession No
PA2008.022

Name/Title
Two large trees depicted against light blue sky. Bottom third of image depicts grass and wild flowers in greens, yellow and reds. Three trees visible in background.
Accession No
PA2007.116

Watercolour of Mount Egmont / Taranaki by Bernard Aris 1936. Dwelling with red roof right of center. Matted and Framed.
Accession No
PA2005.334

A framed oil painting by Bernard Aris of St Mary's Church, New Plymouth 1954.
Accession No
PA2004.024

Name/Title
View of Mount Taranaki. The mountain is covered in snow and trees are pictured in the foreground.
Accession No
PA2004.023

Lupin and boxthorn bushes in foreground, Mount Taranaki and ranges in background. Print predominantly rendered in greens, yellow and blues.
Accession No
A98.773

Pouākai Ranges rendered in dark blue in foreground. Bank of grey cloud above that partially obscures Mount Taranaki in the background. Printed in shades of blue and grey.
Accession No
A98.772

Rural view of farmland and buildings. Grass and a hedge are pictured in the foreground. A fence runs across farmland in the middleground. Two buildings and several power poles are pictured in the background along with a bank of large trees.
Accession No
A98.621

A shrub lined and uneven packed dirt road is pictured at the bottom centre of the painting leading off into the hills to the left. Inglewood township is located in the centre of the image with Mt. Taranaki/Egmont towering over it. Smoke rises from several sites in the painting.
Accession No
A96.981

Name/Title
Colour woodblock print by John Lysaght Moore titled "Poroporo" 19/ up to 500. Depicts the purple flower and three fingered leaves of the Poroporo plant.
Accession No
A85.205

Watercolour depicting a Mt. Egmont Buttercup in bud and blossom. The background shows a mountain ridge with traces of snow and tussock vegetation.
Accession No
A85.198

Name/Title
View of Humphries Castle, Mount Taranaki, an outcrop of rock formed by lava flow.
Accession No
A75.643

View of Mount Taranaki from Fitzroy, New Plymouth. Houses pictured in the foreground.
Accession No
A75.630

Watercolour by Bernard Aris depicting a view of Taranaki taken from the slopes of Mt Taranaki/Egmont. Brown cottage with red roof in left foreground (depicted from the rear), a corrogated iron shed is situated lower down the slopes. Large, possibly dead, tree to right of cottage in foreground. Beyond the buildings is a view of Taranaki farm land and Mt Ruapehu.
Accession No
A75.629

Watercolour depicting a view of a red implement shed beside which two tall poles with a cross-piece along the top stand. Hills and Mount Taranaki/Egmont in the distance. Colours of each section (written in pencil) visible in places.
Accession No
A75.600
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