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Solar plate etching in black ink on white paper. Composition consists of 5 long plates placed one below the other depicting landscape views of pa sites on the coastal road between Pungarehu to Warea road including Mt. Taranaki/Egmont. Some trees and power lines included. Titled, signed and dated below.
Accession No
TM2003.358

Multi-coloured screenprint on paper composed of 3 long panoramic views of pa sites located between Pungarehu and Warea on the coastal road including Mt. Taranaki/Egmont.
Accession No
TM2003.357

A watercolour depicting a coastal scene with a pinky/orange sky. A log is in the left hand corner of the foreground. Label on seperate panel titles the work ""THE FIRST BREAKWATER " / WAITARA RIVER / BY E.E.WICKHAM" This is in question because three other works in the collection have been attributed to Collier, despite a label stating E.E.Wickham.
Accession No
TM.2002.318

Head and should portrait of an elderly Maori woman with moko. Short grey hair and wearing a green jumper with greenish/brownish scarf over her shoulders and tied in a knot at centre front. Colours primarily browns and greens/khaki.
Accession No
TM.2000.124

Small unframed (18cm x 27.8cm) watercolour/landscape depicting what is possibly a Taranaki coastal scene (possibly around Urenui). Bush in foreground with three individuals (two women and a male) in lower right foreground. The two women are looking out over the coast while the male is tending the fire. Distant hills in background. Stretch of water in between bush and hills. Somewhat faded and slightly foxed. c. Late 1800s - Early 1900s.
Accession No
TM.1999.40

Name/Title
Watercolour depicting the three-masted steamer the "Gairloch" off the New Plymouth coast in choppy seas. Sugar Loaves and Paritutu lower middle left side edge.
Accession No
TM.1999.185

Head and shoulder portrait of a young woman (possibly Mary Humphries, wife of Dr Humphries). She is wearing a black dress with cream lace frill around neck and a red velvet-like fabric cap trimmed with cream lace and decorated with pearls.
Accession No
TM.1999.039

Name/Title
Screenprint print of three men huddled in discussion. It is in black and yellow ink in a loose, sketchy style.
Accession No
PA2015.078

Name/Title
Screenprint port of a man. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.077

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.074

Screenprint image of two men working on screens and a person of authority looking over their shoulder. The screenprint is in blue/black ink in a loose, sketchy style contained within a border.
Accession No
PA2015.072

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.071

Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.070

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.069

Name/Title
Screenprint portrait of a man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.068

Name/Title
Screenprint portrait of a tall and skinny young man. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.067

Name/Title
Screenprint portrait of a young girl. The portrait shows her in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.066

Name/Title
Screenprint portrait of a young girl. The portrait shows her in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.065

Name/Title
Screenprint portrait of a balding man. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.064

Name/Title
Screenprint portrait of a young person. The portrait shows them in full profile. It is in black ink in a loose, sketchy style with a spot of green in the eye area.
Accession No
PA2015.063

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
PA2015.062

View of Paritūtū Rock at either sunrise or sunset. Hill with two large Norfolk pines on it pictured on the left of the image. Paritūtū is bathed in golden light. Rendered predominantly in yellow, ochre, green, blue/purple and black.
Accession No
PA2012.145

Sketch of "The Pines", the house of Major Charles (Carlino) Brown, son of Charles Armitage Brown. The house is pictured on a ridge. A river is visible in the foreground. Hills and vegetation in the middleground. The sketch is included in a sketchbook attributed to one of Major Charles (Carlino) Brown's daughters. However, the inscription on the inside cover reads "Constance W. Rowe / Taranaki / April 2nd 1880" - it is unclear if this inscription indicates the name of the actual artist.
Accession No
PA2011.111

Sketch of the New Zealand Titanic Steel and Iron Company Ltd near the mouth of the Te Henui River, New Plymouth. The factory is pictured in the centre of the image. The Te Henui River is visible in the foreground. The sketch is included in a sketchbook attributed to one of Major Charles (Carlino) Brown's daughters. However, the inscription on the inside cover reads "Constance W. Rowe / Taranaki / April 2nd 1880" - it is unclear if this inscription indicates the name of the actual artist.
Accession No
PA2011.110

Name/Title
Sketch of the Te Henui River mouth. A building and two figures can be seen in the foreground. A collection of buildings, possibly the New Zealand Titanic Steel and Iron Company Ltd, are visible in the middleground on the right of the image. The sketch is included in a sketchbook attributed to one of Major Charles (Carlino) Brown's daughters. However, the inscription on the inside cover reads "Constance W. Rowe / Taranaki / April 2nd 1880" - it is unclear if this inscription indicates the name of the actual artist.
Accession No
PA2011.103
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