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View of Paritutu with large waves in foreground.
Accession No
A98.756

Panoramic black and white lithograph of New Plymouth township in 1843. Mount Taranaki is visible in the background.
Accession No
A96.621

Richmond Cottage (formerly known as Beach Cottage) from the west surrounded by a picket fence. The house is positioned in the lower left corner of sketch, with the top of Paritutu visible in the distance.
Accession No
A93.839

Name/Title
Ink sketch depicting a view of Omata Beach with Saddleback Island in distance. Four individuals on beach.
Accession No
A75.651

View of Mount Taranaki from Fitzroy, New Plymouth. Houses pictured in the foreground.
Accession No
A75.630

View of Mount Taranaki from Okato.
Accession No
A75.626

View of Mount Taranaki from Okato. Several trees and animals pictured in the foreground.
Accession No
A75.625

View of Mount Taranaki and Pouakai Ranges with flat plain in the foreground.
Accession No
A75.624

Name/Title
View of Mount Taranaki from Okato. Trees and animals visible in the middleground. Trees hand drawn in black ink frame the right hand side of the image and the upper left hand corner.
Accession No
A75.620

Name/Title
View of people walking on beach, and hills in the background. Annotations present on sketch to give indication of colours.
Accession No
A75.616

View of Mount Taranaki with three cows and vegetation in the foreground.
Accession No
A75.615

View of Mount Taranaki and ranges. Vegetation in foreground.
Accession No
A75.591

Print by Bernard Aris depicting St Mary's Church, New Plymouth. Shows church from Powderham Street view with footpath and part of road in foreground.
Accession No
A75.569

Small print by Bernard Aris depicting St Andrews Church, New Plymouth.
Accession No
A75.568

View across hills and farmland to Paritutu, the Sugar Loaves and Saddleback Island. Rendered in black.
Accession No
A75.567

Sketch depicting view of Paritutu in the distance with rocks in middleground and bare sand in foreground. Large rock to right of image. Sea between Paritutu and rocks in midground.
Accession No
A75.566

Pencil sketch depicting D. Newman's Boot Repair Shop. Building/shop dominates middle of image with footpath and road in immediate foreground. Signage on shop awning reads: "For Sale / Leather, Nails and Rubber Heels/ D. Newman Boot Repairer". Another awning belonging to a shop further along the road reads: "H. Mead Ltd / Baker".
Accession No
A75.557

Sketch depicting chickens scratching about in a fenced off section. Immediately behind fence are two large trees and another residence.
Accession No
A75.556

Name/Title
Pencil sketch looking up Devon Street West, New Plymouth from Brougham Street, depicting Teeds & Co. Chemist on the right side, trams and people outside Avery's Bookshop on the left side, clock tower further along the street. Two dogs playing in the middle of the street.
Accession No
A75.554

Name/Title
Pencil sketch depicting a coastal view from Back Beach, New Plymouth with the Sugar Loaves, Saddleback Island and Paritutu in the distance. Sketch is on a long, narrow piece of paper which is folded in half.
Accession No
A75.553

Name/Title
Depicts railway station scene with the telegraph office and buildings on the left and trains (and tracks) dominating most of the picture to the right and in foreground. Work has a "smoggy" appearance.
Accession No
A75.542

View of fiord in Milford Sound with peaks rising from water and hills in the background.
Accession No
A75.541

View of Mount Ruapehu with trees and scrub in foreground.
Accession No
A75.535

Jane Maria and Arthur Atkinson's house at Hurworth on Carrington Road. Depicts typical New Zealand colonial house with bay window at front - house slightly side on and backs onto a cleared hill. Bush and tall trees in background. Cleared land with felled trees in foreground. Along the lower edge of the drawing are handwritten numerals (in pencil): "1, 2, 3, 4, 5, 6". On the reverse is an inscription written (also in pencil) by Jane Maria Atkinson which reads: "1 is at present the kitchen window. 2 our bedroom, but in another fortnight it will be the kitchen window and No. 1 our bedroom. We make the change because it is not convenient to have the room one sleeps in a passage room and that the sitting room and kitchen may be close together. 3 the bay window and 4 and 5 are sitting room windows, 6 window of Lely's bedroom. 1, 2, and 3 look due east to the Henui river. 4, 5, and 6 due North, we see towards the road from them, I shall have a wider view next year when the bush between our clearing and D. Atkinson's is to be felled. We see the back end of Harry's house from the North windows, he lies North west of us. The front door so to speak, is at the back of the house in a passage between the two bodies of the house and connecting them. The fence in the front is going to be moved so as to enlarge the garden considerably and the gate will be moved to the right a good way so that a path from it may lead naturally to the door."
Accession No
A75.462

Interior view of Rollo & Millar foundry, New Plymouth. Two figures are pictured working at a bench next to an open furnace. Machinery in the foreground.
Accession No
A70.077
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