14 results. Displaying results 1 - 14.
- Subject Scenic views Remove filter Scenic views
- Subject Natural science Remove filter Natural science
- Subject Visual arts Remove filter Visual arts
- Maker Buckley, Eugene Charles Remove filter Buckley, Eugene Charles
- Subject Taranaki Wars Remove filter Taranaki Wars
- Department Paintings Remove filter Paintings
- Maker Morris (REMO) Roger Edward Remove filter Morris (REMO) Roger Edward
- Department Sculpture Remove filter Sculpture
Stylised clay figurine with incised spiral details on the body. The figurine has been burned in a fire.
Printed page from an unknown magazine with elements added by artist Roger Morris. Morris has prepared the page with a textured coating, giving it a grainy look that resembles the surface of the moon. Black etching ink has been applied over this to the centre of the page. The outline of a hanging shape, representing a carcass has been stencilled onto the middle of the page in red ink. A stencil showing two human figures has been applied with white spray paint on the left.
Artwork of etching ink on exposed photographic paper. The artwork shows a human figure within a black and blue ground. The lighter-toned flickers and shapes are created by exposing the inked paper to chemicals. The artwork is about considering the human being as a passionate interaction.
Artwork Roger Morris has termed a "test piece" which exemplifies his experiments with unexposed photographic paper. The artwork depicts two human figures in a tight embrace. They stand on a black ground and against a pink and blue sky. The figures are painted in black ink with parts of their bodies highlighted in red.
Screenprint of a stylised figure holding a guitar and taking a bow. The figure is holding a conductor's wand in one hand. A speech bubble shape is issuing from the figure's mouth. The background is rendered in blue and yellow. The figure is 'bowing out'.
Woodblock print of a figure in profile. Its mouth is open and one hand is raised. A table is visible on the left of the image and a crescent moon is depicted upper right. Image is rendered in black ink.
Screen print exploring the issue of seed ownership by The Monsanto Company, an American multinational agricultural biotechnology corporation, and the controversy surrounding the practice of seed saving. Golden seeds are depicted on the right hand side of the print with black barcodes and numbers. The seeds are being blown across a bay. Near the centre of the image a figure is shown in the Mercury spacecraft. The figure is isolated and threatened by corporate forces. American symbolism, including a star and three stripes, features on a black curve of land. A meteor streaks across the sky on the left of the image and a boat is sinking in the bay. The print is rendered predominantly in yellows, reds, black, green and white.
Framed oil on canvas that explores a range of subjects. A blue line, which represents a river, divides the composition into two halves. A 'cancerous' red dot is present in the river near the upper horizontal edge. The background of the two halves is painted in bright yellow. The top left of the composition features a television shape with a red/pink vase decorated with Roger Morris' symbol for fascism (the symbol is based on the stylised shape of a figure holding a gun). A line of four facsist symbols are repeated below. The two triangle shapes beneath the television represent a cattle ramp. A figure with its hands tied behind its back is pictured below. The figure takes its inspiration from the first dead body Roger Morris encountered when he was a policeman. Top right of the composition features two fascist symbols facing each other, which creates a kind of stylised Māori face. Beneath is a night landscape with the moon. Four fascist symbols mirror the four on the opposite side of the composition. Beneath the night landscape is a simplified shape in red/pink that represents a carcass. Bottom right of the composition shows a figure standing in a black oval.
Sketch of the Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha" on the sketch itself. The camp is pictured in the centre of the image. A military post with a flag is positioned on a hill, which is now the location of the Cape Egmont Lighthouse. Bell tents and several buildings are pictured at the base of the hill. Vegetation is dotted across the landscape. The sea is visible behind. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Sketch of Kapoaiaia Armed Constabulary camp, misspelled as "Kapueiha AC Camp" on the sketch itself. Numerous bell tents and several buildings are pictured on the right of the image. Vegetation and several lahars are visible in the middleground. Mount Taranaki (Egmont), the Pouakai Ranges and the Kaitake Ranges are pictured in the background. Mount Taranaki is visible on the right of the image, The Pouakai Ranges are pictured in the middle and the Kaitake Ranges are visible on the left. The camp was officially known as the 'Cape Egmont Armed Constabulary Camp'.
Sketch of a pā site, noted as being "Kaikaraka pa". A number of buildings are ringed by pallisading, pictured from a high vantage point. Several animals are grazing in the middleground. Numerous trees, bushes and lahars are dotted across the landscape.
Sketch of a military picket, noted as being between Pukemanu [?] and Pungarehu. Sketched from a higher point looking down towards land with various lone trees and several lahars. The sea is visible in the background.
Panoramic sketch in two halves of Mount Taranaki and the Kaitaki Ranges. The Armed Constabulary camp at Cape Egmont is pictured in the middle of the panorama. The Armed Constabulary camp at Pungarehu is pictured in the middle of the right hand side of the panorama. Telegraph wires are pictured lower right and a large plume of smoke is pictured on the left of the panorama. The words "Swamp / Pungarehu Camp / Parihaka / Mt Egmont and Taranaki" are noted in pencil on the right and "Kaitaki" is written lower left of the panorama.
Two sketches adhered together relating to the murder of Mary Dobie on 25 November 1880. The top sketch shows the place where Dobie was killed. A road and rock-lined pathway are pictured in the foreground and who figures are visible standing on a hill in the middleground. The bottom sketch shows Tuhiata, who was tried, convicted and hanged for murdering Dobie. He is pictured with his hands crossed over his chest and a pipe in his mouth. He is wearing a grey jacket. Dobie, who was an artist, had walked to Te Namu Bay to sketch Mt Egmont/Taranaki for the 'Graphic' when she was killed by Tuhiata.