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Name/Title
Fan
A cream-coloured brisé fan made of fine guardsticks of ivory or bone. The fan has nineteen guardsticks that are held together by a brass rivet and a silk ribbon that is weaved through. Each guardstick is 2.5cm wide at the top and tapers to 0.5cm at the bottom. They are finely carved with abstract shapes that are identical on the inside seventeen sticks. The two sticks on the outside ends have different matching shapes than those on the inside. The fan is finished with two cream-coloured tassels attached to the brass rivet which is made of cotton thread with a small white bead on each.
Accession No
PA2006.022

Name/Title
Ambrotype portrait of an unidentified man. He is seated and is wearing a suit with a scarf/tie. Two specks of gold paint have been added to the scarf/tie and his shirt. The portrait is framed by a gold metal matt with an oval window. An embossed metal frame surrounds the matt. The portrait is contained within a leather-bound case, possibly removed from a lidded case. A metal ring is attached to the top of the case.
Accession No
PHO2010-0747

Name/Title
Ambrotype studio portrait of Simeon Howell. Howell is seated in a chair next to a table. He holds a book or document in both of his hands. He is wearing a suit with a waistcoat, shirt and cravat. A tie pin and watch chain have been hand painted onto the photograph in gold paint. The ambrotype is framed with an embossed gold metal matt with patterned metal edging. The photograph is housed in a plain leather case. The lid of the case is lined with orange embossed velvet. A hook clasp is mounted on the left hand side of the case. Simeon Howell and his wife Elizabeth Howell (nee Jennings) arrived in Wellington, New Zealand, in December 1840 aboard the "London", along with other New Zealand Company settlers. They arrived in New Plymouth aboard the "Brougham" on 10 May 1842.
Accession No
PHO2009-342

Name/Title
Mr Henry Revell, a passenger on the William Bryan.
Accession No
PHO2011-0824

Name/Title
Mr William Revell, a passenger on the William Bryan.
Accession No
PHO2011-0825

Name/Title
Mr Charles Revell, a passenger on the William Bryan in 1841.
Accession No
PHO2011-0826

Name/Title
Peter Crawford
Accession No
WD.066240

Name/Title
Young man, Peter Crawford.
Accession No
WD.066242

Woman and infant.
Accession No
WD.066572

Name/Title
Peter Crawford.
Accession No
WD.066241

Name/Title
Bride, Adele Dawn Crofskey (nee Bachelor).
Accession No
WD.066981

Name/Title
Bride, Adele Dawn Crofskey (nee Bachelor).
Accession No
WD.066982

Name/Title
Bride, Adele Dawn Crofskey (nee Bachelor) and groom, Bernard Francis Crofskey. Bernard was known as Tom.
Accession No
WD.066983

Name/Title
Wedding party of eight. Bride is Adele Dawn Crofskey (nee Bachelor) and groom is Bernard Francis Crofskey. Bernard was known as Tom.
Accession No
WD.066984

Name/Title
Groom, Bernard Francis Crofskey (known as Tom) standing next to Adele Dawn Crofskey (nee Bachelor).
Accession No
WD.066985

Name/Title
Wedding party of eight.
Accession No
WD.066986

Name/Title
Young man wearing suit.
Accession No
WD.066204

Name/Title
James (Jim) Aitken wearing suit and tie.
Accession No
WD.066210

Hand tinted ambrotype portrait of Bennet Pascoe Perry. Perry is seated and is resting one arm on a table covered with a patterned cloth. His other hand rests on his leg. He is wearing a suit with a bow tie. His face and hands are tinted pink. The table cloth is also tinted. Damage has occured to the surface of the ambrotype - the photograph appears to have been touched up by hand as a result of the damage. The portrait is framed by a plain gold metal matt and is housed in a plain wooden frame with metal edging around the frame's window. A flower hook has been attached to the upper edge of the frame.
Accession No
A62.801

Hand tinted ambrotype portrait of an unidentified woman and child. The woman is seated and the child is seated next to her on a table. The woman is looking at her child while the child is looking at the camera. The woman is wearing a jacket and bonnet. The child is wearing a skirt, a jacket and a hat. The woman's ribbon bonnet has been hand tinted green, the child's skirt pink and both have pink tinted cheeks. The ambrotype is surrounded by a plain gold metal matt with embossed metal edging and is contained within a maroon/brown plain leather case with gold paint around the edge. The case appears to have not included a lid.
Accession No
A62.808

Ambrotype portrait of the Reverend Henry Hanson Turton. Turton is pictured looking directly at the camera. One hand is tucked into his jacket. He is wearing a clerical collar. It appears a portion of the image may have been wiped away. The portrait is framed by an oval gold metal matt with an embossed metal edging, which is housed in a brown/maroon embossed leather case. The lid of the case is missing. Two hook clasps are mounted on the left hand side of the case.
Accession No
A62.810

Hand tinted ambrotype portrait of three men seated at a table. The man pictured with a pipe in his mouth on the left of the image is thought to be Sam Oliver. The two other men are unidentified. All three men are wearing suits. The two unidentified men are wearing bow ties that have been tinted blue. The man on the right of the image has had his fob chain, ring and hat tinted with gold paint. Sam Oliver and the man in the centre are holding glasses. A decanter and another glass sit on the table along with an unidentified object. The faces and hands of the men have been very lightly tinted pink. They are posed against an elaborately painted backdrop featuring a path through trees. The portrait is framed by an embossed gold metal matt with patterned metal edging, which is then contained within an ornately carved dark wooden frame.
Accession No
A62.816

Name/Title
Ambrotype portrait of an unidentified man dressed in a waistcoat and shirt with a tie. There is gold hand tinting at the top of his tie. He is holding unidentified objects in both hands. One arm is resting on a table. The ambrotype is surrounded by a plain gold metal matt and patterned metal edging and is contained within a brown embossed leather case without a lid. A single clasp is mounted on the right hand side of the case.
Accession No
A62.818

Name/Title
Four photographic images of unidentified sitters. Framed in a rectangular oak frame.
1. A Maori gentleman standing wearing a white fedora, white shirt and tie with suit and waistcoat. He has a fob chain and wears a flower in his lapel. His right hand rests on the back of a chair.
2. Two soldiers are seated on a bench with legs crossed and hands clasped at knees. They wear dress uniform and peaked caps.
3. A head and shoulders portrait of a Maori lady with shortish hair. She wears a dress with a bow at the neck and buttons on the front.
4. A Maori lady and gentleman. The man is standing with his left hand on a chair. He is wearing a dark suit with waistcoat, white shirt, tie and fob chain. There is a flower in his buttonhole. His hat rests at his feet on Maori cloaks. The woman is seated in a chair and is the same sitter that features in the third photograph.
Accession No
A66.257

Name/Title
A hand coloured photographic print of Robert Billing, husband of Mary Jane Billing (nee Hope) and son of William Billing and Eliza Billing (nee Peardon). Wedding portrait dated 25th March 1889. Billing is wearing a suit with a shirt and tie. He has a handkerchief in his jacket pocket.
Accession No
A66.453
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