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Studio portrait of Kate Newbigin (nee Brooking) [right] and an unknown woman. Both women are dressed in formal clothes, wear hats and are holding umbrellas. Newbigin is seated while the other woman is standing. Kate Newbigin arrived in New Plymouth on the 'Timandra' in 1842.
Accession No
PHO2009-202

Studio portrait of Mrs Nevil Walker, niece of Rewi Maniapoto, with her grand niece. Mrs Walker wears a dress with a neck scarf and drop earrings. She rests both her hands on the shoulders of her grand neice, who is leaning against Mrs Walker's legs.
Accession No
PHO2009-203

Name/Title
Studio portrait of the Tippins family. Pictured in the rear (left to right): John (Jack), Richard, George. Front row (left to right): Nettie (Mrs Roebuck), Ben, William, Jane, Bessie. The Tippins family had a farm at Frankley Road.
Accession No
PHO2009-206

Studio portrait of John Edward Brewster riding a penny farthing bicycle. He is wearing a striped jersey, a striped cap, trousers and socks pulled up to his knees. He is posed against a painted studio backdrop. Brewster was the manager of the Colonial Sugar Refinery, Auckland. He married Isobel Carrington, daughter of surveyor Octavius Carrington.
Accession No
PHO2009-204

John Ellis stands in full military uniform with five medals pinned to his chest. He has a helmet on and a sword on his left hip, which he is holding in his left hand. He is wearing white gloves on his hands. He has a full facial beard. There is a plant to his right and a stand to his left side.
Accession No
PHO2009-261

Four Maori women, a Maori man and a young Maori girl are gathered beside a fence made of sticks. Three of the women are nursing an infant. A woman in the centre of the photograph holds aloft a stick with which she is beating washing. There are blankets hung along the fence beside the group. The man wears a bowler hat.
Accession No
PHO2012-0231

Name/Title
Self portrait of Peter Lambert wearing a green t-shirt.
Accession No
A64.641

Name/Title
Portrait of Michael Smither rendered in rainbow colours and set against a blue/grey background.
Accession No
A65.616

Name/Title
Bust portrait of a man with dark hair and wearing a white t-shirt. Blue background.
Accession No
A64.624

Name/Title
Bust portrait of a man with black hair and wearing a black t-shirt. Predominantly white background.
Accession No
A64.623

Name/Title
Stylised portrait of a nude woman. Background in two blocks of colour - red and navy blue. The woman is rendered in pink and brown/black.
Accession No
A65.598

Six members of the Armed Constabulary, New Plymouth. They wear the simplified uniform with shawl-kilt that replaced trousers, which evolved during the years of bush campaigning. This uniform was based on that used by Maori. One of sixteen photographs framed together (A95.506 "Armed Constabulary, New Plymouth").
Accession No
PHO2002-405

Name/Title
Portrait of the Blenheim Well crew of 1913 shown at rear: 4th from left Josef Fruzyaski, 7th from left N. Chamondley. Front: 3rd from left Fran Rojeck, Piotr Ukleja the remainder unknown.
Accession No
PHO2002-624

Photograph of a large group of Waireka Battle Veterans sitting together near Ngamotu (the top of Paritutu can be seen in the rear). List of names at bottom of photograph (left to right, top to bottom): T. Shaw, I. Loveridge, W. Berridge, T. Langman, J. Andrews, W. Wilson, J. Pearn, I. Allen, J. Corney, J. Lawson, M. Carrick, E. Pearn, J. McKellar, A. Longman, C. Allen, C. Kingdon, T. McGuinness, E. Hart, F. Webster, C. Bullot, J. Newland, W. Pearn, W. Tatton, W. Free, M. Jonas, H. Newland, G. Hoby, H. Brown, G. Haigh, W. Harrison, G. Curtis, J. Honeyfield, C. Happ, J. Kenyon, W. Newland, F. Oliver,
Back Row: T. Shaw, L. Loveridge, H. Berridge, W. Marshall, I. Langman, J. Andrews, W. Wilson, J. Pearn , T. Allen, J. Corney, J. Lawson, M. Carrick, E. Pearn, J. McKellar, R. Langman, C. Allen, C. Kingdon, T. McGuiness, E. Hart, F. Webster, C. Bullot, J. Newland, W. Pearn, W. Tuffon, W. Free, M. Jonas, H. Newland, G. Hoby, H. Brown, G. Haigh, W. Harrison, G. Curtis, I. Honeyfield, C. Happ, J. Kenyon, W. Newland, F. Oliver, E. Armitage, F. J. Mace, W. D. Webster, E. Armitage, F.J. Mace (N.Z.C.), W.D. Webster
Accession No
PHO2002-735

Name/Title
Rameka Te Amai wearing a dog skin cloak (A79.966 - Huruhuru kuri), fur side out, holding a taiaha.
Accession No
A64.058

Name/Title
Screenprint of back view of nude female form. Background is dark blue speckled.
Accession No
A65.596

Screenprint portrait of New Zealand author Alan Keith Grant (1941-2000). The portrait shows Grant in quarter profile looking towards his left. It is in black ink in a loose, sketchy style.
Accession No
A57.706

Name/Title
Screenprint portrait of a young girl/woman. The portrait shows her looking to the front. It is in coloured ink (starting at the top with orange merging to pink at the bottom) in a loose, sketchy style.
Accession No
A57.707

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him in full profile. It is in coloured ink (starting at the left with dark green merging to lime green ink at the right) in a loose, sketchy style.
Accession No
A57.708

Name/Title
Screenprint portrait of a woman with her hair length just below her ears. The portrait shows her in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.709

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in quarter profile. It is in black ink in a loose, sketchy style.
Accession No
A57.710

Name/Title
Screenprint portrait of a man. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.711

Name/Title
Screenprint portrait of a girl lying on her left side, looking to be sucking her right thumb . It is in red ink in a loose, sketchy style on a salmon pink card.
Accession No
A57.712

Name/Title
Screenprint portrait of a man wearing glasses. The portrait shows him looking to the front. It is in black ink in a loose, sketchy style.
Accession No
A57.713

Name/Title
Screenprint of possible self portrait of the artist Peter Lambert. The portrait shows him in full profile. It is in black ink in a loose, sketchy style.
Accession No
A57.714
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